Local egg prices on the rise; area supply holds on

While there was some empty space on the refrigerated shelves at Freshtown in Amenia on Feb. 14, eggs were available in a range of prices and varieties.
Photo by Krista A. Briggs


While there was some empty space on the refrigerated shelves at Freshtown in Amenia on Feb. 14, eggs were available in a range of prices and varieties.
With avian flu continuing to compromise the wellbeing of domestic American fowl, egg shortages have been reported across the United States.
Some shops with eggs in stock are increasing prices and imposing limits on the number of purchases per customer. But it’s not just consumers who are feeling the pinch of egg shortages and pricing increases. Restaurants are also being impacted.
In Northern Dutchess, eggs remain for sale, be it at the gas station, the market or a farm.
In the local area, eggs for sale are at price points higher than the national average, which generally tends to be the case with New York state. According to the U.S. Bureau of Labor as reported on USDA.gov in January, the average national price of a carton of eggs was listed at $4.95 per dozen — up $0.81 per dozen from December 2024.
According to a statement on the USDA website posted on Jan. 31 regarding New York eggs, “Prices are up 7 cents for extra-large and large and 9 cents higher for medium ... Demand is moderate to good. Offerings are very light. Supplies are very light to moderate. Market activity is active.”
Locally, egg prices are mixed within a certain range with no clear explanation as to the variables in pricing, product and venue.
Local egg prices
On Feb. 12, eggs could be found at Cumberland Farms on Route 44 in Millerton for $7.99/dozen. A few doors down at the Gulf station, prices were not displayed, perhaps in response to fluctuations in the market, but eggs were stocked on their shelves.
On Feb. 14, Freshtown in Amenia featured multiple refrigerated shelves of eggs with pricing contingent on size and color. A standard carton of medium eggs was listed at $7.49/dozen while a carton of jumbo eggs was listed at $9.49/dozen. Extra-large brown eggs were listed at $8.99. Specialty eggs were also found on their shelves. Legacy’s large brown free-range eggs were priced at $6.99/dozen. Eggland’s Best organic brown eggs were priced at $8.49. Vital Farms pasture-raised large brown eggs were listed at $9.99/dozen.
That same day, local eggs from the Sharon Farm in East Canaan, Connecticut, were spotted for sale at Sharon Market at $7.99/dozen. While the number of cartons was limited in comparison to Freshtown, farm-fresh eggs were ready for purchase in varying shades of brown. Egg size was not listed on the label.
Peck’s Market in Pine Plains offered plenty of eggs on its shelves and featured pricing ranging from under $6.00 for a dozen large white cage-free eggs from Noah’s Pride to $7.59/dozen for brown free-range Grade A eggs. A dozen eggs, size indeterminate, at Millbrook Beef & Dairy listed at $8.00/dozen. The cashier stated their eggs are gathered fresh and sold on the same day. Indeed, only one carton remained available for purchase on Friday, Feb. 14 in the afternoon.
Sandy Sherman, proprietor of the Talk of the Towne deli in Millerton, has witnessed past price jumps in eggs. Sherman noted previous fluctuation in egg pricing typically resulted in decreases as avian flu ran its generally seasonal course, but she is concerned about the 2025 increase, which she doesn’t anticipate trending downward anytime soon. According to Sherman, she is now paying $90 for 15 dozen eggs as opposed to $50 per 30 dozen, which is what she paid last year. Sourcing eggs has been an issue for Talk of the Towne, but only because one of its suppliers is no longer in the business.
While Sherman hasn’t revised menu pricing and would prefer to steer clear of price increases altogether, she hasn’t ruled it out entirely, saying, “If it [egg supply pricing] keeps going, we’ll have to.”
As with Sherman, Jessica LeJeune, manager of the Oakhurst Diner in Millerton, has also seen previous pricing fluctuations with eggs, but costs remain the same for its customers.
LeJeune, however, remains optimistic that the situation will change, saying, “We’ve seen this trend before.” LeJeune was quick to point out the Oakhurst periodically enacts slight across-the-board price tweaks due to rising costs. She also maintained the diner has no plans to utilize egg substitutes or other less expensive options.
For anyone who has opted against paying high egg prices, whether in restaurants or stores, there is an alternative, premises-permitting. Kristen Maillet of Agway, in conjunction with her husband, Frank, has been tending her own flock of egg-laying chickens at home for the past 2-1/2 years. While her flock produces fewer eggs in the winter, which is when chickens can molt, Maillet conveyed some eggs have been laid, a number which can double in the summer. Maillet has opted against selling eggs, preferring to share extras with friends or coworkers.
Costs per adult laying hens can range in the region from $20-$30 per bird with monthly costs for feed running around $15/bag. In addition to feed, Maillet also provides fruit and vegetables to her flock whenever possible. She and her husband guard their chickens carefully with a predator-proof coop from the ground to the sky, with Maillet noting, “It’s like Fort Knox.”
For more information on starting a chicken flock, visit: agway.com, navigate to “Events” and select “2025 Chick List.”
While eggs have become more expensive in Northern Dutchess, price points throughout the region are more or less in line with Hudson Valley egg pricing. This past weekend, prices for a carton of large white eggs ranged from $4.49/dozen for Eggland’s Best to approximately $11 for an 18-pack of Vital Farms brown eggs at Foodtown in Cold Spring in Putnam County. At Adams Fairacre Farms in Wappingers Falls, the starting price for a carton of large eggs, white or brown, was listed at $7.49 with prices gradually increasing by egg size.
Patrick L. Sullivan
This fish took a Wooly Bugger in basic black, with rubber legs. Always get the rubber legs.
Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.
Every August I shift gears and head to the ancestral HQ with no electricity, minimal plumbing and a warm-water lake chock-full of largemouth bass, not to mention smallmouth, perch, pickerel and panfish. The largemouth are the main attraction.
I used an antique rowboat for years. Then a canoe, which was awkward to manage solo, especially when the wind picked up.
Then I hit on a succession of inflatable pontoon and belly boats, powered by oars and/or swim fins, and there I have remained.
Did I forget to mention that no motors are allowed on this lake? Well, no motors are allowed, and it’s no good arguing that a small electric trolling motor couldn’t possibly hurt anything. Ask me how I know this.
It’s a quiet, rejuvenating few weeks. The phone gets enough signal on one end of the deck to receive messages and maybe make a call if the wind is right. If something comes up, it’s only 15 minutes to so-called civilization.
When not fishing, I read, visit assorted cousins, listen to baseball on the AM radio and/or stare blankly into the middle distance.
Bassing with a fly rod in still water is a different game than chasing trout in streams.
A medium-fast-action rod, 8 to 10 feet, in line weight 7 or 8 is the starting point. The flies are big, and the wind is constant, so the angler needs some power, tempered with a bit of finesse.
I usually bring two rods. One is rigged with a floating line with a heavy front taper for turning over surface flies such as poppers.
The other has either a sink-tip or intermediate line. The lake is not all that deep, and the Woolly Buggers, Clousers and other streamers are heavy. The idea is to stay out of the vegetation while getting close to where the lunkers are hunkered down.
I use short nylon leaders, 7.5 feet with 1X tippet out of the package, and modify them constantly with additional sections of fluorocarbon tippet, snaps and droppers.
Surface action is usually minimal during the day unless it’s overcast. The lake runs east-west, so the angler can track the midmorning and late-afternoon shadows and work those areas.
Or the angler can wait until about 6:30 p.m., when things start to pick up.
Or get out there at the crack of dawn, which is best if surface action is the goal.
For subsurface fishing, some experimentation is required to find the right combination of flies, leader and sink rate. The angler also has to decide whether to troll.
There are a few places where a dry-dropper rig is appropriate, the dry being an extremely buoyant popper with a piece of stout fluorocarbon tippet tied to the bend of the hook and something heavy and wiggly at the end, like a stonefly nymph with rubber legs. (Always get the rubber legs.)
If this sounds like a bobber, it’s because it is. Don’t tell anyone. The purists don’t like it.
A net with a long handle is necessary. There is no leverage when sitting in what amounts to a floating chair.
I do not bring my phone for fish pictures. I will drop it into the depths. Ask me how I know this.
Instead I bring a small point-and-shoot camera. These get lost too, but perversely I have better luck keeping the cheap gear safe than the expensive items.
Sunscreen is applied liberally and frequently. After 50-odd years of being outside, I now have to visit the dermatologist every so often to have my face edited, and I don’t enjoy it.
A baseball cap does nothing for the ears and neck. I have a hat with a wide brim and a vented top, so it doesn’t get too hot. It looks stupid, but this is an acceptable risk.
Finally, a word about the quarry. Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.
Smallmouth, not so much. These aren’t especially big, but every smallie I’ve ever met thought it was much bigger than it actually was. Expect acrobatics.
Perch usually grab my fly when I don’t want them to.

Panfish are everywhere. They are extremely cooperative. Chasing sunnies is a good way to get a newcomer started.
And then there are the pickerel. These are nasty fish. Very antisocial. I keep a pair of long-handled pliers handy to get the fly out of their mouths safely while admiring the large number of very sharp teeth. They will bite the pliers. Do not use your fingers. Again, ask me how I know this.
Upon release, it’s not unusual to observe the pickerel hanging around a few yards away, glaring and plotting hideous revenge.
So this is the August routine, occasionally leavened with a scramble into a brook trout stream if conditions allow.
It’s peaceful. Kind of boring, in a good way.
And then in the fall the game shifts back to rivers and streams for trout.

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Natalia Zukerman
Broadway is going way off Broadway when it heads outdoors for The Festival at Hutton Brickyards in Kingston Aug. 14-16, transforming the Hudson River waterfront into a three-day celebration of show tunes, stars and sing-alongs. The inaugural event features an all-star lineup including Audra McDonald, Kelli O’Hara, Renée Elise Goldsberry, Brian Stokes Mitchell and dozens more, along with a 30th anniversary celebration of the musical “Rent” featuring original cast members.
Hutton Brickyards is a former 19th-century brickyard transformed into a historic riverfront hotel and event destination spanning 100 acres along the Hudson. Beyond the nightly concerts, festivalgoers can expect campfire sing-alongs, dance parties, master classes, costume contests and a marketplace highlighting Hudson Valley food, drinks and artisans.
Three-day passes and more information are available at BroadwayFest.com.
Natalia Zukerman
The Crandell Theatre in 1948.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces.
Crandell Theatre in Chatham has spent a century bringing stories to the big screen, and this December the historic theater will celebrate its 100th anniversary with a yearlong tribute to the films, filmmakers and community members who have helped keep it alive.
The celebration continues Sunday, Aug. 23, with a special screening of Martin Scorsese’s “The King of Comedy,” presented as part of the theater’s 100th Anniversary Series by Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences. Kramer will introduce the 1982 film, a darkly comic exploration of celebrity, obsession and the pursuit of fame.
The 100th Anniversary Series invites industry leaders and film experts to share movies that have influenced them and continue to inspire new generations of audiences.
“The King of Comedy” is a fitting selection for a theater whose own story is rooted in the enduring power of cinema. Built in 1926 by Chatham native Walter S. Crandell, the theater opened on Christmas Day of that year with the silent film “Michael Strogoff.” Designed by Glens Falls architect Louis L. Wetmore in the Spanish Renaissance style, the freestanding building quickly became a beloved fixture on Main Street.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces. Sound equipment was added in 1929, allowing the theater to transition from silent films to “talkies.”
Over the decades, ownership changed hands, but the theater remained a gathering place for generations of moviegoers. In 2010, following the death of longtime owner Tony Quirino, the theater faced an uncertain future. Community members rallied to save it, with the Chatham Film Club raising approximately $600,000 to purchase the building and complete critical repairs.
The Crandell reopened as a nonprofit community theater in July 2010. In 2018, the organization officially adopted the theater’s name, bringing together its film programming, preservation efforts and annual FilmColumbia Festival under one mission: preserving the theater as a cultural anchor for Chatham and the surrounding region.
A major restoration and modernization project was completed in 2025, bringing the historic theater up to current standards while preserving its architectural character. The renovation included updates to the auditorium, projection systems and building infrastructure.
For former board member Carol Sadlon, the upcoming centennial represents both a celebration of the theater’s history and a testament to the community that has protected it.
“It has been an honor to serve on the Board of the extraordinarily unique Crandell Theatre, celebrating its 100th birthday this December,” Sadlon said. “Renovating the not-for-profit community theater has been a labor of love and commitment for all involved.”
Sadlon noted that the theater’s creation in 1926 reflected the optimism of the era, and that the same spirit continues today.
“Walter S. Crandell, successful Wall Street investor and native son of Chatham, built the 500-seat theater for a community of 3,000 people,” she said. “Thanks to an equally optimistic group of people, the Chatham Film Club, who purchased the theater in 2010, and a very generous community, the theater lives on to continue entertaining for future generations.”
The Crandell Theatre’s 100th Anniversary Series screening of “The King of Comedy” will take place Sunday, Aug. 23, at 4 p.m.
For tickets and more information, visit crandelltheatre.org.
Natalia Zukerman
MOMIX is one of the featured performers at this year’s Arts Connected fundraiser on Aug. 29.
The Northwest Connecticut Arts Council will celebrate the region’s vibrant arts community with Arts Connected 2026, its annual fundraising event, on Saturday, Aug. 29, from 5 to 8 p.m. at Buck’s Rock Camp in New Milford.
More than a fundraiser, Arts Connected is designed as a celebration of the artists, performers and organizations that make the Northwest Corner’s cultural landscape thrive. Guests can enjoy live music and performances, a curated gallery of artwork by regional artists, local food and drinks, and opportunities to connect with fellow arts supporters. Tickets include hors d’oeuvres, an open bar and all entertainment.

The evening will feature live plein air painting by artists from Plein Air Litchfield, performances by Our Culture Is Beautiful (OCIB), fire performer Cinderfella, and Susan Becker Aziz’s monumental humpback whale puppet, originally created for Paul Winter’s “Missa Gaia.” Guests will also have the opportunity to purchase artwork from a curated exhibition, with proceeds supporting the Arts Council’s mission to strengthen and promote the arts throughout Northwest Connecticut.
This year’s honorary host committee includes Meryl Streep, Diane von Furstenberg, Tim Daly, Téa Leoni, Maria Horn, Patti LuPone, Jack O’Brien, Sam Waterston and Paul Winter. Creative cocktail attire is encouraged, and attendance is limited. The event is open to guests 21 and older.
For more information or to purchase tickets, visit artsnwct.org

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