
Architect Christopher Nardi and his son Everett break ground for the new home of The Little Guild in West Cornwall.
Jennifer Almquist
Architect Christopher Nardi and his son Everett break ground for the new home of The Little Guild in West Cornwall.
CORNWALL — The Little Guild of Saint Francis for the Welfare of Animals held a groundbreaking ceremony Saturday, May 11, to celebrate the beginning of construction of its 8,000 square foot facility at 285 Sharon-Goshen Turnpike in West Cornwall.
The mission of the Little Guild is to rescue, love, and heal homeless cats and dogs and help them find homes. Friends from surrounding communities, board members of the Little Guild, staff members, donors, and animal lovers gathered on the site of the future shelter.
Board member, and chair of development, Priscilla McCord greeted everyone and thanked the many donors who raised $3.5 million for this project. Cornwall First Selectman Gordon Ridgway extended a welcome from the Town of Cornwall.
The morning sunshine streamed through the surrounding pine trees as the designated team donned their green construction helmets, bearing the Little Guild logo, picked up their nine gold shovels, and together dug their spades into the rocky soil.
Executive Director Jenny Langendoerfer, from Norfolk, expressed joy at the realization of this longtime dream: “We are so incredibly fortunate for all of the fantastic community support that allowed a new animal shelter for the Little Guild to happen. It is going to make a tremendous difference to the animals we care for and the community we serve. It’s really going to be something very special.”
Alex Echavarria, canine behaviorist at The Little Guild, holding Cookie who would love a home.Jennifer Almquist
For three decades the Little Guild has been functioning in a residential house not designed to handle the normal wear and tear of an animal shelter, which made maintenance and repair difficult.
In 2023, 6.5 million companion animals entered U.S. animal shelters. According to the ASPCA, each year approximately 920,000 sheltered animals are euthanized, and 4.8 million shelter animals are adopted. There are 14,429 animal shelters in America. During Covid, 23 million Americans adopted a pet and over 90% of dogs adopted during the pandemic remain with their families.
The Little Guild, founded in 1957 by Muriel Alvord Ward and Eleanora Kleinschmidt, is now the largest no-kill animal shelter in Northwest Connecticut. The 501(c) 3 organization boasts a 99% save rate, one of the highest in the nation. They provide programs that “strengthen the bonds between pets and people, and partner with local organizations to support pet owners in the community.”
Christopher Nardi, from Hamden-based design firm Silver, Petrucelli & Associates is the chief architect for the project. He attended the ceremony with his young family. Their boy Everett eagerly participated in the digging. Architect Nardi said that designing animal shelters is his specialty, so the plans are well-researched and incorporate important considerations such as quarantine and noise reduction, strategic placement of animals, with designated areas for adoption meet and greets, and animal socializing. Everyone at the event was invited to view renderings of the proposed building and ask the architect questions.
After the symbolic breaking of ground, the speeches and applause, everyone was offered refreshments supplied by the staff, including cat and dog shaped cookies baked by Susan Boucher of Norfolk, who is also the assistant manager of the Little Guild.
This entire project has been funded by the generous donations of dedicated Little Guild supporters, as well as many community foundations including the Robert R. Rosenheim Foundation, the John T. and Jane A. Wiederhold Foundation, the William and Mary Greve Foundation, the Draper Foundation, the Kathleen Bradford Foundation, the Seherr-Thoss Foundation, the Torrington Savings Bank Foundation, and the Town of Cornwall.
The Little Guild’s new building will be named in honor of Robert R. Rosenheim. “The Robert R. Rosenheim Foundation has been our partner in building this much needed new animal shelter from day one, we could not have gotten here without their abundant support every step of the way over the last three and a half years. We are honored to be a part of Mr. Rosenheim’s legacy of love and dedication to animals, said Little Guild’s Langendoerfer.
Tiffany Lemelin of Winsted is Little Guild kennel manager and gave a tour of the temporary facility in Foote Field on Furnace Brook Road in Cornwall Bridge, which opened two weeks ago and will serve as headquarters during construction. There are two large trailers, one housing cats, another their offices. They also purchased a large dog kennel. The dogs and cats currently sheltered at the Little Guild seem perfectly comfortable in their new digs. The staff said they have what they need to get through the next year. They were putting up a large tent to give shade to the dog run and situating a blue wading pool for the dogs to stay cool.
The new temporary home of the Little Guild at Foote Field on Furnace Brook Road in Cornwall.Jennifer Almquist
Alex Echevarria, from Torrington, is a canine behaviorist who trains dogs and teaches humans how to communicate with their dogs. He introduced each dog currently sheltering in the temporary housing and expressed optimism that a small wiry mutt named Cherry might find her forever home that day.
Director Langendoerfer explained, “The support of the Little Guild Board of Directors through this time of transition has been incredible. In keeping our operations running while the new facility is being built, they have enabled our dedicated staff to continue rescuing, loving and healing homeless cats and dogs, and to continue to serve the community.”
The Guild runs the Pet Pantry which supplies pet food and supplies to families in need through area food pantries, Animal Welfare Education taught by Echevarria, the annual No Cost Vaccination, neutering and spaying program in Coe Park in Torrington. The Guild also supports the Susan B. Anthony Foundation in Torrington and Project Sage in Lakeville by offering care for the pets of women suffering relationship violence.
This summer don’t miss the Great Country Mutt Show at Lime Rock Park on Sunday, June 9. It’s free and your dogs are welcome to register to compete in categories such as “Best Lap Dog Over 40 Pounds” or “Looks Most Like Owner.”
Langendoerfer, who has galvanized the Little Guild with her leadership for the past four years summed it up, “The capabilities of the new facility will have far reaching results, allowing us to aid more animals and pet owners in the community in the best of all possible ways. The calm and healing environment, quarantine capabilities and designated areas for adopters and volunteers to meet and socialize with the animals is going to have a major impact, decreasing the length of stay and increasing the number of animals we can help.”
The Down County Jump festival headliners are, from left, Tony Trischka, Bruce Molsky and Michael Daves.
From Friday, June 13 through Saturday, June 14, The Race Brook Lodge in Sheffield, Massachusetts, presents a weekend long music festival dubbed Down County Jump. Top-notch local and national touring musicians will perform early Americana styles.
On Saturday, festival headliners Michael Daves on guitar, Tony Trischka on banjo, and Bruce Molsky on fiddle will regale audiences with old time and bluegrass styles with enough room for modern interpretation and improvisation.
Trischka, mentor to Bela Fleck, broke the banjo world open by combining traditional Scruggs style with jazz and pop. Molsky is known as the foremost exponent of old time fiddling, while Daves is highly regarded as one of the best proponents of bluegrass guitar.
In a phone interview, Daves distinguished between styles they will play. “Old-time predates bluegrass. There’s very little improvisation, and it’s most often instrumental fiddle tunes. The fiddler leads the melody, plays it repeatedly, and everyone finds this amazing groove.”
“Old-time musicians tend to be more straightforward about the melodies, whereas bluegrass musicians tend to use those traditional melodies as a jumping-off-point for improvisation. Tony and Bruce play at such a high level. There is a musical conversation that encompasses so much musical understanding and finds common ground,” he added.
Down County Jump returns to Race Brook Lodge June 13 and 14.Provided
Scholarly in his knowledge yet down to earth, Daves grew up in Georgia, was raised by musician parents, and attended Hampshire College in the Pioneer Valley of Massachusetts where he studied with jazz maestro Yusef Lateef.
Though he tours the world with high profile musicians like mandolinist Chris Thile, Steve Martin, and The Steep Canyon Rangers, Daves now lives in Adams, Massachusetts, having relocated there with his wife, luthier Jessi Carter from Brooklyn several years ago.
In addition to performing and recording, Daves teaches guitar and bluegrass singing. He’s inspired by the “high lonesome” bluegrass sounds of legendary artists like Del McCoury, Bill Monroe and Ralph Stanley.
“There’s an openness to their sound. It’s intense with mournful bluesy wailing and smearing, sliding notes over a breakneck speed. It borrows from African American traditions like blues and gospel and mixes with Appalachian ballad styles, which has roots in the British Isles. It’s a uniquely American form from people who were listening to one another for centuries.”
The Down County Jump will be his first show at Race Brook Lodge. For tickets and information, go to: rblodge.com
A rock shelf formation on the private stream. This kind of terrain creates excellent cover for trout.
When syndicated columnists get lazy they gather together bits and pieces that never made it out of the notebook, mash them together, and email it in.
Usually they try to unify the disparate items under a catch-all heading, such as “Heard on the Street” or “Things the Cabby Told Me.”
I’m working on that.
A few days before Memorial Day I was whiling away an idle hour or two on the Blackberry.
From the bridge at Beckley Furnace I observed a fellow fly-caster. We acknowledged each other, and after a couple casts he called up “Got any tips?”
I scrambled down. He was Andrew Stone of Illinois, with a teenager at one of the private schools.
I gave him the little mini-bugger I have been using with considerable success in recent years and almost immediately he was on a fish.
This was very good for my ego.
Andrew Stone netted a trout on the Blackberry in May, thanks in part to some stellar advice from yours truly.Patrick L. Sullivan
In the last week of May I went on my first solo trip to the private fishing club water. I had my button proclaiming my status as a paid-up member attached to my hat. On advice from the club president, I also made an enlarged photocopy of said button and left it on the dashboard.
The club has an arrangement with property owners along the medium-sized stream. Three members of this particular family drove by at various times, with much waving and tooting of horns.
Armed with an old Orvis seven and a half foot four weight with a slow action and a 10-foot Tenkara rod tucked in my pack, I slithered downstream along surprisingly slick cobble, swinging a team of traditional winged wet flies below me.
Nothing happened.
Then the stream took a hard left into a long shelf formation, and here I struck gold.
Alertly noticing the casings from a bug called isonychia on the streamside rocks, I changed over to a Leadwing Coachman winged wet fly on a dropper under an iso dry fly.
I like isos. They are big, and their imitations are big too. I can see them to tie on.
Isos are also good swimmers, so instead of obsessing about the perfect drift, I can put some English on them, especially the subsurface versions.
There are typically two rounds of isonychia in the streams I frequent in New York and Connecticut. The first starts around the beginning of June and seems to taper off as July approaches.
Then it all starts again in August, and runs for a couple months. I have caught fish in the Esopus and Housatonic in late October on iso imitations.
The first brown nabbed the wet fly, and a few minutes later another sportingly took the dry.
The first brown trout from the private fishing club stream looks much bigger than it was because I deliberately brought my smallest net.Patrick L. Sullivan
After an unfortunate encounter with some knotweed I switched over to the DragonTail Talon Mini 310, which is a fixed-line rod with a slow action that fishes at 10 feet and packs down to 12 inches when collapsed, which means it can be stuck in a shallow pocket on a vest or in the wader’s handwarming pocket or even in a pants pocket
The extra reach allowed me to simply flick the line back and forth in front of me, thus avoiding a back cast and the dratted knotweed.
Using a team of a yellow soft hackle wet in size 14 and the Leadwing, I rustled up a couple more of the truck fish from the stocking the first week of May. Neither paid any attention to the yellow fly, which I only included because I saw a yellowish bug flying around. This is called “Not Matching the Hatch.”
Back at base I next spent a thoroughly frustrating day failing to catch anything anywhere on a day that should have been perfect — overcast, warmish, drizzly. The kind of day that makes aquatic insects leap from their beds and rejoice in the promise of a new day.
After a solid five hours of fooling around I finally found some wild browns who were willing to play. They weren’t big but they were very wiggly, resulting in many “compassionate releases,” which is a convenient rationalization of the failure to land a fish.
Speaking of failure, I forgot to buy milk. Twice. So on two successive mornings I had to drink my coffee black.
I remembered to buy a quart, figuring I could bring it back to Connecticut in the cooler.
Well…
Let’s just say that as I peck this out on a rainy Saturday morning, May 31, I am enjoying a cup of black coffee.
Passages #3 by ErickJohnson (oil on paper).
When the Furnace – Art on Paper Archive opens “Passages,” Erick Johnson’s first solo exhibition at the Falls Village gallery, it won’t just be the art that beckons. The coffee will once again be flowing from the café next door.
“There’s a door right into the café,” said gallery director and artist Kathleen Kucka, walking into the adjoining room. “The opening will spill in there. It always does.” The Falls Village Café closed in October, much to Kucka’s dismay, but is set to reopen as Off the Trail Café.
“Without the café,” Kucka said, “it just didn’t work. Not to mention my own hunger. So Ijust closed for the winter, which actually worked out really well.” With the reopening, there is a revived enthusiasm fueled by art and caffeine.
Johnson’s paintings and works on paper that ripple with color mark a bold step forward for the artist. While his abstractions have long played a quiet presence in group shows and the gallery’s flat files, “Passages” offers the first full spotlight with all eyes on the shifting geometries, the softened edges, the negative space that Kucka called “meandering.”
Johnson, who splits his time between Tribeca and Hillsdale, is steeped in the art world. He was the assistant for landscape painter Wolf Kahn for over a decade. He knew de Kooning. “And the work has only gotten more inventive,” said Kucka. “The stacking. The shapes. Even the way he’s using the brush. It’s like woven fabric.”
Two of the works in the show are paintings in the formal sense — paint on stretched canvas — while the rest are pigment-rich explorations on thick paper. “There really is a distinction,” Kucka explained, and a difference in the impact from the smaller to the larger pieces. And yet, the through-line is unmistakable: color as a portal, form as an exploration.
So come for the conversation, stay for the coffee. But mostly, come for the work — vibrant, unfolding, and, as Kucka put it, “just beautiful.”
The opening reception is Saturday, June 7, from 4 to 6 p.m. The show will be on view through July 6 at Furnace – Art on Paper Archive at 107 Main St., Falls Village.
The Village Zoning Board decided not to grant variances to increase the allowable residential density of 7-9 Main St. in the Village of Millerton. Members of the zoning board said this decision closes the book on the years-long saga that began when Gvkgne Realty Inc. began attempts to renovate the building in 2023.
MILLERTON — The Millerton Zoning Board of Appeals rejected two variance requests for 7-9 Main Street with a unanimous vote on Tuesday, June 3.
The decision closes the book on a process that began more than two years ago when building plans were first submitted to the board seeking to increase the building’s allowable residential density and waive parking requirements.
The latest rejection followed a public hearing on May 6, during which architect Ray Nelson of Earthwise Architecture in Millerton presented revised 9-unit and 6-unit proposals — both scaled down from the original 12-unit plan. The applications were reviewed under village zoning code, which requires at least 5,000 square feet of lot area per unit and 1.5 parking spaces per unit — standards the updated plans still did not meet.
“I think this is a mistake,” said Nelson, who has represented the building’s owner, Gvkgne Realty Inc., in front of the zoning board since 2023. “The village wants more apartments.”
“We are constrained to the zoning laws as written,” board member Ed Stillman said, emphasizing that the board’s role is not to decide what’s best in theory, but to apply the law as it exists.
Nelson disagreed, arguing, “Your job, in my opinion, is to rectify an onerous zoning law. We know the zoning law needs to be changed.”
The Village of Millerton Zoning Board of Appeals met on Tuesday, June 3 to decide on a 7-9 Main Street case. Photo by Aly Morrissey
At the start of the meeting, the board entered an unplanned executive session to review new information, followed by a required State Environmental Quality Review. In a roll-call vote, the board determined the requested variances would not result in significant environmental harm.
The board then worked through its formal Record of Findings, applying five legal criteria meant to balance the applicant’s needs with potential impacts on the community. These included whether the project would change the character of the neighborhood or harm nearby properties, if alternative options were considered, the magnitude of the variances requested, potential environmental and community impacts, and whether the applicant’s difficulty was self-created.
While board members acknowledged that added density and new apartments could benefit the village, they concluded that the proposed variances were too substantial, the parking impact would be negative, and that the applicant failed to do proper due diligence regarding zoning laws before purchasing the property.
“Considering the factors in the Record of Findings, and weighing the benefit to the applicant versus the health, safety, and well-being of the neighbors in our community, we deny the applications for the two variances,” said Stillman.
As for next steps, he noted that there would be paperwork to complete but confirmed the “matter is closed.”
The meeting adjourned at 7:00 p.m.