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Coming together while COVID still has a hold

It has been fantastic to see our schools and area nonprofits and businesses back to holding open events, creating more face-to-face connection than has been the case for the past two-plus years of pandemic life. Isn’t it great to have school sports back full steam for all levels of competition? It’s such a valuable part of learning for elementary, middle and high school students. What is found on the soccer field or basketball court are skills that can benefit our children not only for their school careers, but also on into their adult lives. It’s the same for other extracurricular activities, like band or theater, which have been challenging during COVID.

Much is lost for children when the year they would have come out and taken part of any of these activities is a time of shut down. It’s next to impossible to make up for that time, when the initial willingness to try something new is denied. The confidence that would have been built can take on a downward slide from which it is extremely difficult to recover.

So it’s very tempting to just jump back in and let the viruses surrounding us have their way. However, going into the holidays and in their aftermath, there has been a rise in the COVID infection rate (see Debra Aleksinas’ story on Litchfield County’s positivity rate here.) The flu and RSV, as well as other infections, have run rampant this season, taking advantage of fewer people protecting themselves in public to affect their unchecked spread after a couple of years of better control with mask wearing.

How many people do you know who have tested positive after a couple of years of remaining unscathed? There are too many of us. It’s to our benefit that the vaccines and boosters have given most of us a layer of protection that was not part of our lives in 2020, yet COVID is still a devastating illness, depending on the severity of the case and the health of the person affected.

Keep thinking of protecting yourself and those around you with distance and masking, and whatever else you feel works, even as we all continue to try to enrich our lives and those of our families, friends and neighbors by reconnecting and gathering once again. The balance of maintaining our mental and physical health is not easily defined in these times, but it’s critical that we all try. And remember that outdoor or generally open, well-ventilated activities are among the safest still.

Be well but continue to do everything possible to enjoy life.

 

“We have also come to this hallowed spot to remind America of the fierce urgency of Now. This is no time to engage in the luxury of cooling off or to take the tranquilizing drug of gradualism. Now is the time to make real the promises of democracy.”

— Dr. Martin Luther King, Jr., “I Have A Dream” speech in Washington, D.C., August 28, 1963

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Original art, attainable prices

Original art, attainable prices

Kenise Barnes Fine Art presents “Cool & Collected ’26,” its annual exhibition celebrating the joy of collecting, featuring works priced under $2,000.

D.H. Callahan

There’s a corner of YouTube populated by real-time footage of high-dollar art sales from prestigious New York and London auction houses like Sotheby’s, Christie’s and Phillips. Hundreds of thousands of viewers routinely watch with rapt attention, popcorn and cocktails in hand, as recognizable pieces from art history make their way to the upper echelons of grossly unattainable hammer prices. Pieces can often start with opening bids of tens of thousands of dollars and work their way up to multiple millions. Bidding increments alone can grow to sums unattainable for the average American family in several lifetimes.

Kenise Barnes Fine Art in Kent, Connecticut, wants to help make fine art more accessible. The 2026 version of the gallery’s annual “Cool and Collected” exhibition is subtitled “The Gift Edit” and features dozens of works by fine artists at prices that are much more in reach than an art-world outsider might expect. More than 30 artists contributed pieces to the show. Almost all available works are priced under $2,000, with many below $500. The collection features paintings, drawings, collage and ceramics.

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Jennifer Terzian’s sanctuary for contemporary art
Jennifer Terzian, founder of Jennifer Terzian Gallery in Litchfield.
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The gallery is really meant to create a very intimate relationship with the artist and the story behind their work.
—Jennifer Terzian

On a recent crisp, fall afternoon in Litchfield, Jennifer Terzian welcomed a steady stream of collectors, artists, and art-world insiders into her jewel box of an art space on South Street, just off the town’s manicured historic Green.

The occasion was an opening for Jenny Kemp, an artist noted for balancing fluidity and structure in her abstractions through repetition, variation, and gradual shifts in hue. Hers is exactly the kind of tactile, process-driven work Terzian champions at a subterranean space that feels less like a commercial art gallery and more like stumbling into an impeccably edited sanctuary of contemporary thought.

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Peter Cusack is finding the eternal in North Canaan
Peter Cusack in his studio.
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“I think art is the thing that allows us to feel there’s something in the universe that loves us,” said painter Peter Cusack in his new studio, a mid-19th-century stone church on Main Street in North Canaan.

For Cusack, art has always been a way of reaching toward something beyond the physical world. That sensibility runs through “Eternal: New, Recent, and Near Distant Paintings,” his upcoming exhibition in the church, a setting that seems an improbably good fit.

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Cowboy Junkies celebrate 40 years at the Mahaiwe

Cowboy Junkies celebrate 40 years together at the Mahaiwe Nov. 14

Heather Pollock

Now celebrating 40 years, Cowboy Junkies will perform Saturday, Nov. 14, at the Mahaiwe Performing Arts Center in Great Barrington, Massachusetts.

The band is celebrating its long career with a triple-vinyl retrospective album called “Open to Beauty,” featuring a selection of songs from 2000 onward, including material from its most recent release, “Such Ferocious Beauty.”

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Mike Selbach finds the extraordinary in everyday life
“R46 Interior” (2026). Solid cherry and acrylic, 21” x 26.75” x 0.75”
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Subway stations may seem unlikely places to encounter the divine, but amid the rumble of trains, the crush of commuters and the cavernous underground passageways, Salisbury artist Mike Selbach finds moments of unexpected beauty.

In “Subway Saints,” his solo exhibition opening Thursday, Nov. 12 at the Warren Family Gallery at Berkshire School in Sheffield, Massachusetts, Selbach transforms ordinary commuters and familiar transit spaces into sacred moments.

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