
Kevin Elam, left, and Jesse Ofgang, right, entertained guests at the NorthEast-Millerton Library Annex on March 5 with an array of Irish and Scottish musical fare.
Krista A. Briggs
Kevin Elam, left, and Jesse Ofgang, right, entertained guests at the NorthEast-Millerton Library Annex on March 5 with an array of Irish and Scottish musical fare.
Acclaimed Irish flutist Desi Wilkinson advises musicians to “Play only tunes and songs you’re mad about … Emulate what you like and then do your thing.” It’s advice Jesse Ofgang and Kevin Elam have seemingly taken to heart as part of their “Prelude to St. Patrick’s Day” tour which landed at the NorthEast-Millerton Library Annex on March 5, where the Celtic-flavored duo found themselves playing to a nearly full house on a wet and windy Wednesday.
While neither Ofgang nor Elam is originally from Ireland, their musical souls are firmly connected to both the Emerald Isle and the Highlands. While Ofgang claims partial Irish heritage through his mother and believes his musical partner is not of Irish descent, Elam’s resumé is filled with accomplishments in Irish music. He took top prize in 2019 in men’s English singing at the Fleadh Cheoil na hÉireann competition in Drogheda, Ireland and has medaled at both the All-Ireland Fleadh and CCE Mid-Atlantic Fleadh competitions. Despite his Irish roots, Ofgang’s musical focus is actually across the Irish Sea, where he earned a master’s degree in Scottish music and bagpipes. As a student, he performed with the 16-time world champion Shotts and Dykehead Caledonia Pipe Band.
Both musicians are multi-instrumentalists. Elam, the duo’s vocalist, is skilled in tin whistle, bouzouki, banjo, mandolin and guitar while Ofgang, a bagpiper, has mastered uilleann pipes and border pipes as well as the Irish flute and whistles, organ, guitar and piano. In addition to touring — together and separately — Ofgang and Elam both provide instruction to students in musical instrumentation.
“Prelude to St. Patrick’s Day,” which wrapped up on March 9 in Middletown, Connecticut, featured an array of Celtic tunes and songs. According to Ofgang, there’s a difference between the two. By definition, songs include lyrics and tunes consist strictly of music. Ofgang and Elam included both in their hour-long set at the Library Annex, which began with “The Foggy Dew,” a song lamenting Ireland’s political divide and the resulting violence of the Easter uprising, which was followed by a jig, “The Road to Lisdoonvarna.”
“Rocky Road to Dublin” drew an enthusiastic response from the crowd as did the folk song, “The Lakes of Pontchartrain,” which Elam and Ofgang introduced as a song about alligators. The ballad is actually of unknown origin and its subject matter centers on a Creole woman and the unrequited love a drifter holds for her in the Deep South. The duo believes the song may very well have been penned by an Irish immigrant to the United States.
Elam and Ofgang invited the crowd to join them in “The King’s Shilling,” another song exploring the realities of war with its introspective chorus “Come ladies, come. Hear the cannons roar. Take the King’s shilling and we’re off to war.”
The duo then segued over to Scottish fare with the audience joining in once more for “Auld Lang Syne,” traditionally sung on New Year’s Eve, but the song is also used to close out occasions — ver as the evening slowly wound down. Ofgang, assisted by Elam, then wrapped up the night with traditional Scottish bagpipes, a worthy overture to St. Patrick’s Day 2025.
The concert was sponsored by the Ann and Abe Effron Donor Advised Fund of the Community Foundations of the Hudson Valley. Library director Rhiannon Leo-Jameson said the library is looking into additional grants to fund further programming for community enjoyment. For more information, visit nemillertonlibrary.org.
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”