Haystack Festival brings literary minds to Norfolk

Haystack Festival brings literary minds to Norfolk

The Great Room at Norfolk Library filled to capacity for the Haystack Festival.

Jennifer Almquist

Just after noon on Sunday, Oct. 6, attendees of Norfolk Foundation’s Haystack Festival spilled out of the red Shingle Style Norfolk Library into brilliant October sunshine, emerging from the final book talk of the weekend (excepting an event for young readers later in the day). The talk, which was a conversation between horse experts journalist Sarah Maslin Nir and author David Chaffetz, was rife with equine puns and startling facts. The tongue-in-cheek use of the word “cavalier” brought laughs from the engaged audience, while Nir disclosed that horses eat for a full 16 hours a day.

The talk brought levity and humor to the festival’s conclusion, while also diving into the serious history of the relationship between society and horses. Chaffetz explained horses were fundamental in the formation of large empires: “We don’t see empires until horses became fundamental to the political state.” Nir elaborated that the “wild” horses in North America are not native, but feral horses descended from animals brought by Spanish imperialists. “No tea grows in England,” she explained, “it is the result of empire – and so are horses.”

Other talks included a conversation about the history of ballet between writers and dance critics Marina Harss and Mindy Aloff, a discussion between bestselling authors Michael Korda and Simon Winchester on wisdom and memory, and a heady chat about the intersection between academic ideas and the public sphere between public academics William Egginton and Samuel Moyn.

Festival Director Michael Selleck said that while he doesn’t curate for theme when selecting the speakers, a certain atmosphere tends to manifest. While last year the tone skewed political, he said, “this year things were more philosophical.”

Exemplifying the philosophical streak in the festival was a conversation between naturalist and writer Noah Charney and Great Mountain Forest executive director Mike Zarfos. Charney advocated for a philosophy of nature that “shouldn’t take species as good or bad.” He encouraged the audience to get out into their own yards and “learn the plants and critters” while remaining open to imaginative and novel understandings of ecology. He urged the crowd to follow a naturalist principle of “being out there, getting muddy and wet, and eating plants.”

Selleck was very pleased with the turnout this year, with few seats left empty and an audience that he said was “very engaged”. And why throw a festival like this one in Norfolk? “Norfolk is a cultural center,” he said, and he wants to “bring a literary element back to the cultural heart of Norfolk.”

Brooklyn and New York based writer Gillian Bagley gave the Brendan Gill Lecture on Friday night. The lecture is an annual talk given in memorial of Brendan Gill, a celebrated New Yorker writer who lived in Bronxville, N.Y. and Norfolk.

Appropriately, it was a family affair. Bagley is Gill’s granddaughter, and she was introduced by her cousin Anne Gill, another granddaughter of the writer. As she took the podium, Bagley fondly recalled spending summers with her grandfather in Norfork as a child – during one such stay, the two co-authored a book called “The Monster of Haystack Mountain.”

Beyond recalling memories, Bagley also presented and read from her new novel Negative Space, and reflected on how Gill influenced her own writing. She read a passage in which Gill said he sought to instill within his paragraphs “a weight and a shape no greater than a cloud of blue butterflies.” She said she strives to imbue her own fiction with this sense of “precise contours and the weight of something real,” informing her practice of “constant whittling” that defines the pared-down style of her prose.

This writing process doesn’t produce long novels, and she offered several jokes about her predilection for brevity that drew hearty laughter from the crowd. Several readers had told her they had finished the book in one sitting, she said, adding that, “I suspect it wasn’t that they couldn’t put it down, but that they didn’t have to.”

Latest News

Amenia trails project public hearing set for Feb. 19
Amenia Town Hall on Route 22.
Photo by Nathan Miller

AMENIA — A proposed hiking and biking trail system will be the subject of a public hearing at Amenia Town Hall on Route 22 this Thursday, Feb. 19, at 7 p.m.

Northern Red Oak LLC, a 501(c)3 nonprofit, seeks to build 10-12 miles of public trails on land at 426 Old Route 22 and two additional vacant parcels.

Keep ReadingShow less
Speed cameras gain ground in Connecticut, stall in Dutchess County

A speed enforcement camera in New York City.

Photo courtesy NYC DOT

Speed cameras remain a tough sell across northwest Connecticut — and are still absent from local roads in neighboring Dutchess County.

Town leaders across northwest Connecticut are moving cautiously on speed cameras, despite a state law passed in 2023 that allows municipalities to install them. In contrast, no towns or villages in Dutchess County currently operate local automated speed-camera programs, even as New York City has relied on the technology for years.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.