Thank you!
Your support is sustaining the future of local news in our communities.

Harp guitar, hoops and hops at the brewery

Harp guitar, hoops and hops at the brewery

Stephen Bennett

Photo by John Coston

‘I hope you like guitars,” was Stephen Bennett’s opening line on Saturday, March 30 as he launched a two-hour solo performance flanked by guitars on all sides.

Bennett’s self-effacing humor peppered his brilliant finger-picking at the Great Falls Brewery in North Canaan as he played many familiar pieces ranging from “Oh Shenandoah” to the Cowardly Lion’s tune from the Wizard of Oz, “If I Only Had the Nerve.”

Bennett, who lives in West Cornwall with his wife Nancy, is a guitar virtuoso and composer who has played across the world and currently is treating the Northwest Corner to free performances. He is scheduled to appear on Saturday, April 6 at the Twelve Moons Coffeehouse in Falls Village at 8 p.m.

His 1909 harp guitar has been handed down from his great grandfather, who played the instrument on radio in Portland, Oregon, in the 1930s. The harp neck has no frets and provides bass notes to accompany the standard six-string neck.

Playing “The House of the Rising Sun,” a ballad of unknown authorship, the harp guitar was a good match for Bennett’s slower pace as he dropped his voice to a moody, gravely expression that rapt the audience’s attention.

Saturday night at Great Falls Brewery was not only a finger-picking extravaganza, it was a riveting basketball-dribbling March Madness night. In a Sweet 16 win over Duke, UConn women advanced to the Elite Eight.

Bennett’s continuous playing of a standard six-string, to a 1930 National Steel guitar, and his 1909 harp guitar along with a baritone guitar captivated those who came to hear him, but eyes couldn’t avoid an occasional glance at the game on the big-screen TV.

Bennett has been playing most of his life, and it the late 1980s he traveled to Oregon to join his mother and reconnect with long lost Oregon relatives. A visit to his uncle’s basement turned up the harp guitar, and everyone agreed it should be his.

“This is yours,” his uncle said after Bennett gave it a tune on the living room couch and began doodling. The rest is history, as they say. Bennett went on to compose for the instrument and later founded the annual Harp Guitar Gathering.

One song he wrote —“November” — for the harp guitar was playing on the sound system in a New York City restaurant in 2009, prompting Nancy, who was dining there, to ask the waiter what was playing. Later, she realized she knew the composer — it was the same Stephen Bennett she had once kissed at summer camp in Bristol, Connecticut, in 1969, and as they say the rest is history.

At the brewery, Bennett’s play list was improvisational at times, and always impressive and strong enough to elicit foot tapping and even table slapping at times. During longer pieces he seemed to fuse with the instrument. His finger-picking was fancy, rapid, crisp, explosive at times, trance-like at others and always seeming to make the guitar itself give its all.

His closing song was a dreamy Irish folk song — “The Star of County Down” — played on the harp guitar and is a ballad about “the prettiest girl in the county.”

It was a night for double applause: Bennett’s virtuosity and the Huskies advance.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.