Thank you!
Your support is sustaining the future of local news in our communities.

Farewell public broadcasting

Editor’s Note: The Corporation for Public Broadcasting announced on Friday, Aug. 1, that it would shut down next year.

On July 15 the Senate voted to rescind$1.1 billion in funding that they had voted to spend under the Biden administration for the Corporation for Public Broadcasting, the organization that funds National Public Radio (NPR) and the Public Broadcasting System (PBS).

For more than fifty years, Republicans have been trying to to cut off funding for public broadcasting. President Trump’s longstanding dislike of public broadcasting together with his threat to support primary challenges against any Republican who voted against the rescission all but guaranteed the 51 to 49 vote for the rescission with only the Republican senators of Maine and of Alaska voting no (all the Democrats voted no).According to Sen. Edward Markey (D; Mass.) who has led the effort to protect public media, Republicans who had supported PBS and NPR for decades this time voted to kill it solely because of pressure from President Trump.

Back in the mid 1960’s the chairman of the Federal Communications Commission Newton Minow gave a speech in which he castigated commercial television for being ‘a vast wasteland’ of game shows, formula comedies about totally unbelievable families, blood and thunder. He beseeched broadcasters to “make a conscientious effort to serve the public interest with higher quality fare”.

A study shortly after by the Carnegie Corporation concluded that the federal government should finance a system of stations to produce programming that was “of human interest and importance” without regard for the free-market incentives of ratings or ad revenue.

Although detested by President Richard Nixon who tried unsuccessfully to defund it, public radio and television were a success despite their small budgets.

In 1972 veteran newscasters Jim Lehrer and Robert MacNeil were assigned by the station to cover the Senate Watergate hearings. What at first appeared to be a boring event turned out to become a captivating spectacle as PBS covered it hour after hour.Their Emmy award winning gavel-to-gavel coverage led to a new half hour news program, a first for PBS, named in early 1976 The MacNeil/Lehrer Report. In 1983 the program expanded from one half to a full hour. Public television’s longest lasting and most notable news program continues today as its early evening newscast, The PBS NewsHour.

Throughout its 55-year history PBS has produced a remarkable array of memorable programs and long running series.

Many years ago while being interviewed for another public affairs program, MacNeil was asked about what made his program special, what set it apart from other news programs. “We have a motto here,” he said, “we dare to be dull!”In contrast, the most popular network news show these days is one that features excitement: killings, spectacular rescues, screaming fights, etc.The PBS NewsHour, at a slower pace, tries to leave its viewers more knowledgeable.

The day after Congress rescinded all federal funding for NPR and PBS, Edith Chapin, the top Editor and acting Chief of Content Officer of NPR announced that she was resigning at the end of the fiscal year. Although she said her resignation was totally independent of Congress’ decision, both events promise a serious blow to NPR’s situation as Ms. Chapin has been a guiding force at NPR for nearly a quarter century.

PBS and its member stations get about15% of its funds from the federal government, NPR only 2%. For some isolated tribal and rural stations federal funding represents nearly half of their overall budgets. The recent federal rescissions will hit all public broadcasting stations hard but for many rural stations, they may be a death knell as these stations have no access to big donors or corporations.For them the federal grants really matter, they’re a lifeline not a luxury.

Throughout its 55-year history PBS has produced a remarkable array of memorable programs and long running series. For many years the wonderfully avuncular Alastair Cooke introduced us to modern English drama and after his retirement, the extraordinary program Masterpiece Theater continued to flourish with its biggest hit Downton Abbey charming audiences for a decade. Julia Child’s The French Chef and This Old House each introduced these popular activities to the home screen. Characters from children’s shows such as Sesame Street were even called to testify before Congress and Mr. Rodgers became the de facto pedagogue for thousands of schoolchildren.Originally known as “educational television,” NPR continued educating its audience with The American Experience, Finding Your Roots and Nature.

The annual budget for President Trump’s ICE force is $28 billion and for continuing construction of his border wall: $46.5 billion.The total amount of federal funding for NPR and PBS that had been budgeted and then rescinded last week by Congress was $1.1 billion, little more than what budget analysts would call a rounding error. The $1.1 billion that the federal government has rescinded from the CPB represents approximately 1/100 of one percent of the federal budget.

This act has nothing to do with saving public money but was instead a shortsighted, vituperative move by President Trump and the Republican party to stifle independent expression not subservient to the President and the Executive branch.

Architect and landscape designer Mac Gordon lives in Lakeville.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.