Edwin McGhee


MILLERTON — Edwin McGhee, 92, of Millerton, passed away peacefully at home surrounded by his loving wife and three daughters Monday, Oct. 14, 2024. Edwin was born June 30, 1932 to Edwin and Agnes. He was raised in Millerton, alongside his siblings, James and Henry. He graduated from Millerton Union Free, attended SUNY Cobleskill and SUNY New Paltz, and served proudly in the Army in the artillery unit. Ed enjoyed a full career at Keuffel and Esser (Taconic Products) in the maintenance department. Ed was an avid musician, woodworker, and gardener. A kind and loving father, husband, and friend. He fiddled, whittled, and gardened his way through life from beginning to end.
Edwin is survived by his wife, Marion McGhee, his three daughters, Colleen McGhee (William Anstett), Dawn Runge (Robert), Krista McGhee (Jeffrey Litishin) and his grandchildren, Robert Runge (Michelle), Olivia Runge (William Clark). Also, his six great grandchildren, his brother Henry McGhee (Roberta), the mother of his daughters, Barbara Baker Byron, and many nieces and nephews.
In addition to his parents, he was also predeceased by Clark Barrett and James McGhee (Barbara).
A time for sharing memories and offering condolences was held on Thursday, Oct. 17 from 4:00 to 7:00 p.m. at Peck & Peck Funeral Homes, 8063 Route 22, Copake. A funeral service was held on Friday at 11:00 a.m. at The Smithfield Church, 656 Smithfield Valley Rd, Amenia, New York. Interment followed in Irondale Cemetery.
In lieu of flowers please consider donating to Sunday in the Country Food Drive (sundayinthecountry.org), Millerton Fire Department, or to Hudson Valley Hospice Dutchess County Office (hvhospice.org). To leave a message of condolence for the family please visit www.peckandpeck.net
John Coston
MILLBROOK — Planning Board members voted to close a public hearing for renovations to the historic Thorne Building on Franklin Avenue on Monday, April 20.
Planned renovations to the historic Thorne Building on Franklin Avenue would create a multi-use community arts center.
The public hearing phase for the project’s site plan approval began at the March 16 meeting held at the Millbrook firehouse and was continued to allow more time for residents to consider the plans and provide comment. The April 20 meeting was again held at the firehouse to accommodate expected attendance.
Architect Michael Sloan, principal at Sloan Architects of Millbrook, reviewed an adjustment to the site’s parking lot plan. The center aisle within the 56-space lot has been widened to 25 feet. The Franklin Avenue entrance will be one-way because the present curb cut is too narrow for two-way traffic. The driveway will exit onto Maple Street.
Sloan added that the intended uses of the building meet all provisions of current zoning law.
Planning Board Chairman Frank Redl asked the architect to provide details on usage and the potential impact of those uses.
One resident spoke to express concern on behalf of neighbors who may be impacted by parking, and also asked that corrections be made to the minutes of the previous meeting to address some inaccuracies. Another resident spoke in favor of the proposal for its potential to attract people to the village center.
“The building will not accommodate large events,” Sloan said, but the lawn area could be used for additional parking if multiple events are scheduled simultaneously.
The existing bandshell will be demolished, Sloan noted, and the playground will be moved closer to the church building for the convenience and safety of the children who use it.
The board closed the public hearing at the recommendation of consulting engineer Richard Rennia, clearing the way for the board to review the comments and the site plan at a future meeting.
Originally built as a K-12 school, the landmark building would be transformed into a space for the community to gather and create. The overall site plan envisions a rear addition to expand the stage, the improved parking lot, new exterior lighting, a front garden and the removal of the portico on the building’s east side.
Merrit Avenue duplex
Board members also closed a public hearing for plans to demolish and replace a residential building at 4 Merritt Ave.
The plans represent the second phase of construction at the Reardon Briggs property located at 3265 Franklin Ave.
The board closed the hearing following public comment from long-time residents who live close to the residence to be built. Board members are expected to review the site plan at their next meeting on Monday, May 18.
Representing the developer, engineers from Day Stokosa of Wappingers Falls summarized plans for the phased improvements that would demolish an existing single-family home and replace it with a newly-constructed two-family residence on the 0.66-acre lot.
The existing residence has a footprint of 630 square feet. The new residence, containing two two-bedroom units, would occupy a footprint of 1,347 square feet. The engineers indicated that the plans are consistent in appearance and concept with the business-zoned area.
During the public hearing, owners of the single-family century-old Merritt Avenue home adjacent to the proposed duplex expressed their opposition. The plan for the new residence, they said, would diminish their present quality of life, including access to light, sun, airflow and privacy, the latter due to the placement of windows.
“We love the area,” the owners said, asking that the design be modified.
“They are meeting all of the code requirements,” Redl said of the developers, but he continued by asking the developers whether they might mitigate the effects. One resident suggested that to achieve privacy, the new building might be swiveled to move its windows away from those of the neighbor.
The engineers reported that they have already reduced the plan by 500 square feet and lowered the height of the new building.
Although the public hearing was closed, residents are invited to submit written comments in advance of the May 18 meeting when the board will review the site plan.
Graham Corrigan
MILLBROOK — Millbrook’s Board of Trustees voted unanimously to pass two laws allowing bingo and “games of chance” to operate within the village limits after a public hearing on Wednesday, April 22.
Now comes a public vote. Residents can cast their ballot on the referendum on June 23, and if adopted, the new laws will go into effect in the following days.
The games were removedin 2021. Millbrook Mayor Peter Doro, who did not hold the office in 2021, said it was most likely part of a larger “clean up” of the Village Code. “These municipal codes can get very unwieldy with various additions over the years so periodic reviews are useful for organization and simplicity purposes,” he said.
The bingo ban was largely ignored until earlier this year, when the village put a stop to ongoing games at the fire station. The firefighters showed up in force at Wednesday’s vote, wearing matching jackets and hats emblazoned with “Millbrook Fire Rescue.”
No one offered a rebuttal during the public hearing. The only request for clarification came from Trustee Shannon Mawson, who questioned the law’s verbiage of allowing “certain organizations” to run the games. She was reassured, however, that the inclusion of “certain” was not an indication that a class of business would be excluded from running the games. Anyone wishing to host bingo will still need to apply for a license with the state.
Richard Feiner And Annette Stover
Amid the many cultural attractions in the region, the Barrington Stage Company in Pittsfield, Massachusetts, stands out for its award-winning productions and comprehensive educational and community-based programming. The theater’s 2026 season is one of its most ambitious; it includes two Pulitzer Prize-winning modern classics, one of the greatest theatrical farces ever written, and new works that speak directly to who we are right now as a society.
“Our 2026 season is a celebration of extraordinary storytelling in all its forms — timeless, uproarious and boldly new,” said Artistic Director Alan Paul. “This season features works that have shaped the American theater, as well as world premieres that reflect the company’s deep commitment to developing new voices and new stories. Together, these productions embody what BSC does best: entertain, challenge and connect our audiences through theater that feels both essential and alive.”
The company has several theaters within a few blocks of each other. In the Boyd-Quinson Theater, BSC’s main stage, the season features “A Chorus Line” (July 15-Aug. 8), a new 50th anniversary production of the Broadway musical that won nine Tony Awards and the Pulitzer Prize for drama. This will be followed by Michael Frayn’s beloved door-slamming comedy “Noises Off,” in a first-time BSC production directed by Gordon Greenberg.
At BSC’s Blatt Center for the Performing Arts, the St. Germain Stage season will open with “Driving Miss Daisy” (May 27-June 21), a collaboration with Palm Beach Dramaworks directed by BSC founding artistic director Julianne Boyd and starring Ray Anthony Thomas and Debra Jo Rupp. This is followed by the world premiere of “Estate Sale” (June 30-July 25) by Keelay Gipson, an Afro-surrealist artist, professor and award-winning playwright and BSC Sparks grant recipient.
The season includes other provocative and timely new works. “The Zionists: A Family Storm” (June 16-July 3), produced in association with Miami New Drama, focuses on a family gathering on a Caribbean island where old grievances give way to new political fears. “Dead Girl’s Quinceañera” (Aug. 5-29), a collective world premiere by BSC, Chicago’s Goodman Theatre and Hartford Stage, is a dark comedy about true-crime obsession, teenage bravado and what happens when girls decide to stop waiting for answers. Another world premiere, “The Urmetazoan” (Sept. 30-Oct. 25), by playwright Alex Rugman and directed by Jack Serio, tells the story of two sisters facing an imminent goodbye as one prepares to leave Earth for deep space.
“BSC is deeply committed to our home in the Berkshires, producing as many or more shows this summer than ever before, for a devoted and engaged audience,” said Managing Director Greg Reiner. “And we are continuing our deep work within this community, showing up where it matters to bring new audiences theater that matters.”
Since moving to Pittsfield in 2006, Barrington Stage has prioritized its connection to residents and families through extensive and inclusive education and community engagement programs that help make its productions accessible to all. The company strives to make BSC an artistic home for an inclusive community of talented actors, writers, designers, directors and musical directors, as well as a home for its staff, students, interns and educators.
BSC has gained attention beyond the Berkshires, with productions that have moved on to Broadway and to major regional theaters around the country. The company believes that its work to support playwrights, and their visions of the world we live in, is central to its success in creating meaningful theater that resonates with all audiences.
“BSC’s season is a thrilling reflection of who we are right now as a society, wrestling with division and longing for connection,” Paul said. “It’s an exciting season because it’s alive and designed to bring us together in the dark to experience something unforgettable.”
For tickets and more information on the 2026 season, including additional productions, concerts, cabarets and the company’s annual gala, visit barringtonstageco.org.

Want more of our stories on Google? Click here to make us a Preferred Source.
Brian Gersten
Student festival directors Trey Ramirez (at the mic) and Leon Li introducing the Hotchkiss Film Festival.
The 15th annual Hotchkiss Film Festival took place Saturday, April 25, marking a milestone year for a student-driven event that continues to grow in ambition, reach and artistic scope. The festival was founded in 2012 by Hotchkiss alumnus and Emmy-nominated filmmaker Brian Ryu. Ryu served as a festival juror for this year’s installment, which showcased a selection of emerging filmmakers from around the region. The audience was treated to 17 films spanning drama, horror, comedy, documentary and experimental forms — each reflecting a distinct voice and perspective.
This year’s program was curated by student festival directors Trey Ramirez and Leon Li, working alongside faculty adviser Ann Villano. With more than 52 submissions received, the selection process was both rigorous and rewarding. The final lineup included six films from Hotchkiss students.
For Ramirez, the festival represents both a personal and creative evolution. His interest in filmmaking began with producing sports media during his freshman year, creating highlight reels for the Hotchkiss boys varsity basketball team during its 2026 NEPSAC championship season. That early work led him into photography and eventually into narrative and experimental filmmaking. Among the films screened was Ramirez’s own experimental piece, “Paradise Waits,” an abstract, montage-driven work emphasizing editing and visual rhythm.
“What I enjoy most about organizing the festival is the opportunity to curate a program that reflects a wide range of voices and styles,” Ramirez said, “while also creating a space where student filmmakers can share their work with a larger audience.”
For many filmmakers, this was the first time seeing their work projected on a large screen before a live audience, an experience Ramirez described as especially meaningful given the time and dedication behind each project.
Now in its 15th year, the Hotchkiss Film Festival continues to build on its legacy as a platform for young filmmakers. The festival not only celebrates student achievement but also signals a promising future for the next generation of storytellers.
Natalia Zukerman
‘The Laundry Room,’ a painting by Maira Kalman from the exhibition “Shaker Outpost: Design, Commerce, and Culture” at the Shaker Museum’s pop-up space in Chatham.
With “Shaker Outpost: Design, Commerce, and Culture,” opening May 2, the Shaker Museum in Chatham invites artist and writer Maira Kalman to pair her own new paintings with objects from the museum’s vast holdings, and, in the process, reintroduce the Shakers not as relic, but as a living argument for clarity, usefulness and grace.
Born in Tel Aviv, Maira Kalman is a New York–based artist and writer known for her illustrated books, wide-ranging collaborations and distinctive work spanning publishing, design and fine art.
“I always approach my work from an aspect of love,” she said. “I fall in love with a face or a chair or a shoe. And then it is my pleasure to paint. That is how I approached the pieces I chose for the installation. They spoke to me. They SANG to me.”
Her selections for the Shaker Outpost include clothing of daily life — hats, shoes, socks, gloves — alongside objects shaped by hand and necessity. A pair of bear fur mittens, a glove form, a forged iron stake. Items that once moved through ordinary days now sit in conversation with Kalman’s paintings, which draw from the museum’s photographic archive. “As I looked at the photo archive, I gravitated to images that made me happy,” she said. “The Shaker work is so full of delicate elegance and superb utility. I love that.”

The idea of utility that is elevated to poetry is at the center of the show. Kalman described the impulse to “edit your life” after encountering Shaker design, and here that instinct becomes both curatorial method and invitation. “After seeing their work, you want to run home and throw out everything you have,” she said. “You want to edit your life. You only want what is essential. The simplicity and beauty of Shaker design are rarely equaled… They have wit and wisdom. Clarity and kindness. They are practical and they sing. You just cannot go wrong.”
The exhibition also marks a return. After more than two years at the Kinderhook Knitting Mill, the museum’s programming comes back to Chatham — if only temporarily — before the opening of its future permanent home.
The pop-up exhibition at 4 Depot Square in downtown Chatham extends beyond the gallery walls. A small, carefully assembled General Store — also curated by Kalman — offers books, textiles, notecards and handmade goods by local artisans. Like the Shakers’ own public-facing shops, it blurs the line between commerce and ethos, asking what it means to buy something made with care. It is, deliberately, a place to linger.
Kalman sees the Shakers as kindred spirits. “Even though my mother was a Russian born Jew, she could have been a Shaker,” she said. “But then all of the women in my family could have been. A sense of beauty, care, simplicity and love imbued all that they did. They were frugal and fastidious.”
That inheritance feels newly relevant. “Today we have a very fast-moving day. Never enough time,” she said. “And I think that the sense of taking time to make beauty resonates very much these days. It restores the soul.”
Kalman worked closely with her son, Alex Kalman, on this exhibit. “Working with my son Alex Kalman on this installation has been a joy,” she said. “He curates for his museum MMUSEUMM, in a defunct elevator shaft on Cortland Alley in Manhattan. He is always looking for the intersection of humor and human expression and endeavor. That is how I approach the installation at the Shaker Outpost. Everything should matter.”
Shaker Outpost: Design, Commerce, and Culture runs through July 5 at 4 Depot Square in Chatham, with subsequent installations by Paula Greif and Kiki Smith later in the year. For more information, visit shakermuseum.us.
Jennifer Almquist
The Ticking Tent Spring Market returns to Spring Hill Vineyards in New Preston on May 2.
The Ticking Tent Spring Market returns to New Preston Saturday, May 2, bringing more than 60 antiques dealers, artisans and design brands to Spring Hill Vineyards for a one-day, brocante-style shopping event from 9 a.m. to 4 p.m.
Co-founders Christina Juarez and Benjamin Reynaert invite visitors to the outdoor market at 292 Bee Brook Road, where curated vendors will offer home goods, fashion, tabletop and collectible design. Guests can browse while enjoying Spring Hill Vineyards’ wines and seasonal fare.
Juarez is president of Christina Juarez & Co., a communications and business development consultancy. Reynaert is market director at ELLE DECOR, an interiors stylist and author of “The Layered Home,” which he will sign at the event.

“The Ticking Tent is about reimagining the joy of discovery — bringing together antiques dealers, artisans and design enthusiasts in a setting where community and creativity thrive,” Reynaert said.
Among returning vendors is Rhonda Eleish of Eleish Van Breems Home, with shops in New Preston, Roxbury, Westport and Nantucket. “The Ticking Tent is a fun event where you can shop curated goods, meet friends and enjoy the setting,” she said.
The market partners with ELLE DECOR as national media sponsor, along with Home & Garden CT & NY, Connecticut Cottages & Gardens, New England Home CT and Litchfield Magazine.
For information and tickets, visit thetickingtent.com or follow @thetickingtent.

Want more of our stories on Google? Click here to make us a Preferred Source.

Want more of our stories on Google? Click here to make us a Preferred Source.