RHINEBECK — The Dutchess County Fair has ended for the season, which ran from Aug. 20 until Sunday, Aug. 25.
The Dutchess County Fair designated 12 acres of the fairgrounds to showcase local livestock. This included 12 barns housing dairy cows, beef cattle, sheep, goats, poultry, and rabbits, three show arenas with daily scheduled events, and workroom demonstrations.
Besides offering dozens of themed gardens, waterfalls, and ponds filled with koi and colorful flowers, the fair also travels back in time with the “turn of the century treasures.” It features a century museum village, the firefighters’ museum, a working blacksmith shop, and a gas-powered engine show.
Classic treats like candy apples and cotton candy fed the masses at the Dutchess County Fair. The annual fair in Rhinebeck is one of the largest attractions in Dutchess County with 12 acres of fairgrounds and barns showcasing livestock, along with three show arenas, free entertainment and plenty to eat.Photo by Olivia Valentine
Free entertainment included live music, frisbee dogs, a stilt circus, racing pigs, a petting zoo, dock dogs, a fishing tank, and a VR tractor ridealong. Musicians who performed included Tracy Byrd, Kameron Marlowe, Conner Smith, Kissnation, Bluffett, and Grammy-winning artist Rick Springfield.
Agencies represented included the Dutchess County Sheriff’s Office, Medical Reserve Corps, Animal Response Team, and more.
A major partnership with the fair is ThinkDifferently, implementing accommodations for individuals and families with disabilities.
“ThinkDIFFERENTLY Thursday was born half a dozen years ago with the understanding that institutions like this and places like this often are difficult for individuals with any amount of disability to access,” U.S. Rep. Marc Molinaro (R-19) said.
Elizabeth “Tilly” Strauss’, the Town of North East’s clerk, and her father, Julian, won two blue ribbons at the Dutchess County Fair for his maple syrup. From a third-generation farm in Dutchess County, Julian started making maple syrup about 14 years ago, naming it Home Farm Maple Syrup. This was his first year competing at the fair, winning four ribbons. To learn more about Julian’s syrup, visit @homefarmmaplesyrup on Instagram or email homefarmmaple@optonline.com
Photo by Olivia Valentine
The ferris wheel at the Dutchess County Fair ran all week, taking visitors high into the sky. The annual fair in Rhinebeck is one of the largest attractions in Dutchess County with 12 acres of fairgrounds and barns showcasing livestock, along with three show arenas, free entertainment and plenty to eat.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”
Artist Katro StormNatalia Zukerman
Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
