CT Olympians rowing in the wake of history

The 1924 Yale Olympic rowing crew pictured practicing in Lake Housatonic in New Haven, located on the southern end of the Housatonic River.
New York Public Library

The 1924 Yale Olympic rowing crew pictured practicing in Lake Housatonic in New Haven, located on the southern end of the Housatonic River.
Connecticut will be represented by boat rowers in the upcoming ‘24 Paris Olympics.
That statement holds as much truth now as it did a century ago.
While Paris gets set to host the Olympic Games for the first time in 100 years, so too do boat rowers with roots in Connecticut prepare.
Oliver Bub from Westport, Liam Corrigan from Old Lyme, Kelsey Reelick from Brookfield, and Ben Washburn from Madison will each row in the 2024 Games. Team USA crews will also feature three alumni of Yale rowing: Margaret Hedeman, Kristi Wagner, and Mary Mazzio-Manson.
When the Olympic water contests begin July 27, these Connecticuters will row into the pages of history. The last time Paris hosted the Games in 1924, a Connecticut-based eight-man crew won gold. The “Yale Eight” won in dominant fashion, more than 15 seconds ahead of silver-medalist Canada.
The legendary 1924 crew included several noteworthy oarmen: James Stillman Rockefeller, great-nephew of John D. Rockefeller, attended the Taft School before going on to Yale; Leonard Carpenter, a graduate of The Hotchkiss School, went on to a successful career in the lumber industry; Benjamin Spock, famed pediatrician and author of “Baby and Child Care,” rowed in the seven-seat.
In the archives of the National Rowing Hall of Fame is a letter from Spock to Rusty Wailes, seven-seat in the gold-winning Yale crew of the 1956 Olympics. In the letter Spock shares his experience of the Parisian Games.
The 1924 Yale crew was delayed in departing for France due to a late-season race against Harvard. The team traveled by boat across the Atlantic and Spock recalled their journey: “Four rowing machines were screwed into the boat deck where one of the life boats was swung over the side and we had two hard workouts a day on the rowing machines in addition to doing calisthenics. Gloria Swanson was on board but was not in our party. Our captain [James Rockefeller] met his wife on the boat and between these two extremes various other possibilities were considered.”
Upon arriving at Olympic Village late, the crew found no available housing for them: “The only place we could get in were some huts right near the track and field stadium where we were with the extras of the various teams who had come in late. They were miserable quarters. Our nearest and dearest neighbors were Esthonian weight lifters. The beds were uncomfortable and the mosquitoes terrific. The representative of the Yale Rowing Committee, however, was very nearly murdered in trying to make us feel better by referring to the noise of the taxi horns outside his accommodations at the Ritz Hotel.”
A July 3, 1924, edition of The Lakeville Journal recounts a different arrival for the American athletes who made it on time to Paris:
“Police Hold Back Surging Throngs Around Olympic Stars
Paris — Trim, alert and eager to be up and doing, the American Olympic team arrived in Paris on two special trains from Cherbourg. They presented a fine spectacle as they descended from the trains, and groups of French fans who assembled out of curiosity broke into cheers of enthusiasm as the young Americans [section damaged] the quays to the wailing cars. All are reported in fine condition.”
Spock goes on to describe the medal race on the Seine River on a sweltering hot day just past where “the sewers emptied out.” He ultimately recalls winning gold and angering the French by refusing to attend a champagne party. He ends with words of encouragement for the 1956 team:
“Having seen your crew a week ago, however, it does not disturb me in the least to say that you must be a faster crew...Let me urge all of you to the extent that time permits to make a hobby of rowing.”
Yale crews went on to win gold in the 1956 Melbourne Games in both Men’s Eight and Men’s Pair.
A Parisian summer awaits the current generation of Olympian rowers from Connecticut. Supporters of the stars and stripes will do well to echo the urge of Spock that the 2024 oarsmen “make a hobby of rowing.”
Note: Connecticut will be represented by several non-rowers in the 2024 Olympics as well.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org