A Very Good Year for Wild Mushrooms

The agaric mushroom (this particular one is an Eastern yellow fly agaric) looks like the classic illustration from a fairy tale.
Photo by Pamm Cooper
We get monthly articles on gardening and nature from the University of Connecticut, and this month’s missive is about wild mushrooms, and was written by Pamm Cooper.
“This year was an excellent one environmentally for mushrooms,” she reports. “Many species have recently shown up on lawns, in gardens, in the woods and many other places.”
It’s so very tempting to want to hunt for them and eat them. It is a fun and delicious adventure — but potentially fatal or, at best, sickening and unpleasant.
Don’t just take my word for it; Cooper also warns that, “While many are edible, many mushrooms are not, and some are poisonous. It is not a good idea to eat any mushrooms if you are not able to identify them correctly. There are many look-alikes, so this is a job for an expert.”
From time to time, there are workshops with mushroom experts such as David Paton. He and other mycologists can safely steer you toward mushrooms you can eat. And of course many local farmstands and markets have wonderful mushrooms that you can buy.
But it’s always fun to be out in the woods, either purposefully seeking fungi or stumbling upon some interesting specimen nestled under some leaf debris.
Pamm Cooper has an idea: If you find an interesting mushroom and you feel strongly that you want to take it home and do something with it (as opposed to photographing it and posting the image on social media), try making a mushroom spore print. The short version of how to do this is to get a fresh mushroom, take off the stem, and put the cap, gill side down, on a sheet of paper. The spores will come out and make an image.
Cooper recommends that you use the “Peterson Field Guide to Mushrooms” if you want to try and identify some of the mushrooms you find on your lawn or in the woods. But she offers a few descriptions of species you might find at this time of year.
Puffballs, for example, “appear in late summer and early fall. Most start off as white, gray or light brown and may be lumpy, round, smooth or slightly spiny. Most have no stalk. Often these are familiar to people who encounter the familiar Langermannia giganteum, which appear as white balls on their lawns.
“The gem-studded puffball Lycoperdon perlatum is white and has small warts and spines on the capsule that give it a gem- like appearance.
“The most recognizable mushroom in the world is the fly agaric. The red cap studded with white warts makes this mushroom easy to recognize.
“The Eastern yellow fly agaric has a bright yellow cap and white scales that may fall off with age. This agaric is usually found under pines, spruce, hemlocks, birch, oaks and poplars.
“Both of these agarics start off as a rounded cap studded with white that will eventually flatten out, reaching 6 or more inches across. Both are from the Amanita family and are poisonous.”
Have fun but remember: Even if you have a Peterson field guide, you should never eat anything unless an experienced mushroom hunter shares it with you. And some mushrooms might be toxic to the touch, so it might be a good idea to wear gloves if you handle a mushroom you’re not familiar with.
LAKEVILLE — Father Joseph G. M. Kurnath, retired priest of the Archdiocese of Hartford, passed away peacefully, at the age of 71, on Sunday, June 29, 2025.
Father Joe was born on May 21, 1954, in Waterbury, Connecticut. He attended kindergarten through high school in Bristol.
After graduating in 1972, he moved to Hartford, and after working many temporary jobs, in 1977, he began employment as an office assistant at the law firm of Robinson and Cole. He remained there until 1984 when he began studies at Saint Mary Seminary & University in Baltimore, Maryland.
He was ordained a deacon in 1989 in Baltimore and a priest in 1991 at the Cathedral of Saint Joseph in Hartford.
He has served as seminarian, deacon and priest at Saint Stanicslaus in Meriden, Saint Luke in Hartford, Saint Rose in East Hartford, Saint Mary in Newington, Saint Anthony in Bristol, Saint Mary Hospital in Waterbury, and at over 10 parishes in the archdiocese, and finally as pastor of Saint Mary’s Church in Lakeville for 13 years, retiring in 2019.
Father Joe was always proud of his Slovak roots and enjoyed celebrating the Christmas Eve “Vilija” or vigil supper.
In addition to earning a B.A., S.T.B. and M.A. from Saint Mary’s Seminary, he also received a M.A. in scripture from the Hartford Seminary.
Preaching and doing pastor work were his favorite parts of ministry. Father Joe loved people, working with the youth and seeing each person at church, gathering together in imperfection in closeness with God as the Perfect Mystery.
Services will be held July 15, 2025, at 4 p.m. at St. Mary’s Church in Lakeville.
He is survived by all his members of the Church in which he considered his family.
You are never alone – God is right beside you.
The Kenny Funeral Home has care of arrangements.
Two uprooted locust trees still lie in the yard in front of Animal Farm Foundation’s original kennels where they fell on a fence during a storm on Thursday, June 19.
AMENIA — Fallen trees, uprooted and splintered during a thunderstorm, injured a man, destroyed fences and damaged a dog kennel at the Animal Farm Foundation facilities in Bangall.
Isaias Nunez was cleaning along a road on the property with Marco Ortiz, another employee of the dog shelter, when the storm rolled in on the afternoon of Thursday, June 19.
“We saw the storm getting stronger,” Ortiz said. “We started talking, ‘we should check for trees.’ That’s when I looked outside the Kubota and I just started screaming ‘run!’”
A branch from a tree just above their utility vehicle had split. The two men ran from the vehicle, but the falling branch caught Nunez and struck his back.
The fallen branch caused some soreness and bruising, Nunez said, but no broken bones. After a short hospital visit, doctors sent Nunez home to rest and heal. He has since returned to work, helping to repair the broken fences and clean up the storm damage that still lingers.
Uprooted locust trees mangled fences, damaged roofs and knocked down power lines all over the 400 acre farm that houses the Animal Farm Foundation’s shelter.Nathan Miller
The powerful storm uprooted and knocked down branches of dozens of black locust trees on the Animal Farm Foundation’s property and on neighboring properties along Pugsley Hill Road and Shaefer Road. Nikki Juchem, Director of Operations and Public Policy for the shelter, was in a meeting with Executive Director Bernice Clifford and founder Jane Berkey when a tree outside the main office building was struck by lightning and fell on the farm’s donkey enclosure.
“It’s really a miracle that everyone was unscathed, as well as the animals,” Juchem said.
In addition to Nunez’s injuries and the damaged donkey enclosure, fallen trees destroyed the fencing that secured the Animal Farm Foundation’s original kennel yard, fencing for a horse paddock, and poked a hole through the roof and into the ceiling of one of the facility’s dog play rooms.
And more was at risk than just the employees, volunteers, dogs, and other animals already sheltered at the farm. The shelter was expecting about 15 more dogs to arrive shortly after the storm.
“We were fixing up the horse barn to be dog kennels,” Juchem said. “Luckily we had all the extra space, because we would have been in a real pickle.”
All the dogs that were being kept in the original kennel building had to be moved to the newly renovated kennels so the noisy repairs wouldn’t bother them, Juchem said. Fosters stepped up to house dogs that couldn’t fit while necessary repairs were being completed, too.
A log stuck on a fence post outside the shelter’s kennel building.Nathan Miller
“Lots of damage but we had a lot of support from the community,” Juchem said. “We had contractors come out immediately to start cutting down trees and helping us out with the cleanup, so we’re doing OK now.”
The cleanup and repair process is ongoing, but Juchem said the total cost is still unclear.
Animal Farm Foundation is a nonprofit dog shelter with a focus on “pit bulls,” Juchem said. “Breed is not behavior,” she said, emphasizing the organization’s guiding philosophy. More information on volunteering, donating to the shelter, or adopting a dog is available online at www.animalfarmfoundation.org
The Animal Farm Foundation will be collaborating with the North East Community Center Farmers Market to bring adoptable dogs to the market every Saturday during the month of August.
Uncommon books at the intersection of art and literature.
Siglio Press is a small, independent publishing house based in Egremont, Massachusetts, known for producing “uncommon books at the intersection of art and literature.” Founded and run by editor and publisher Lisa Pearson, Siglio has, since 2008, designed books that challenge conventions of both form and content.
A visit to Pearson’s airy studio suggests uncommon work, to be sure. Each of four very large tables were covered with what looked to be thousands of miniature squares of inkjet-printed, kaleidoscopically colored pieces of paper. Another table was covered with dozens of book/illustration-size, abstracted images of deer, made up of colored dots. For the enchanted and the mystified, Pearson kindly explained that these pieces were to be collaged together as artworks by the artist Richard Kraft (a frequent contributor to the Siglio Press and Pearson’s husband). The works would be accompanied by writings by two poets, Elizabeth Zuba and Monica Torre, in an as-yet-to-be-named book, inspired by a found copy of a worn French children’s book from the 1930s called “Robin de Bois” (Robin Hood).
Pearson first encountered the world of alternative publications — magazines filled with experimental writing, artworks in the form of a book, and samizdat literature — as a young writer living in Berlin just before The Wall came down in 1989. Later, in New York City, she spent a great deal of time with artists “who were always making and assembling, whose continuous art-making made the thin membrane between art and life even more porous,” she explained.
Pearson traces the idea of publishing to a 2001 exhibition of artist-poet Joe Brainard. That show led to “The Nancy Book,” Siglio’s debut title in 2008, and she’s never looked back. The book contains over fifty full-page reproductions of Brainard’s dazzlingly accomplished and witty drawings of the cartoon strip character, Nancy. It includes essays and contributions by Robert Creeley, Ann Lauterbach, Frank O’Hara, Ron Padgett, and other poets of great renown, all thrilled to celebrate and remember Brainard (sometimes called “a poet’s artist”) who died of AIDS in 1994. Pearson said, ‘My first project with Brainard was such a good experience, I kept going. “
Since then, Pearson, the sole proprietor of Siglio, has designed, edited, and published over 40 books and other printed editions. Her books are characterized by unexpected juxtapositions of texts and images and collage-like assemblages, as well as for carefully designed and gorgeously printed volumes. Her list includes many “rediscoveries” of unpublished manuscripts and little-known publications. At the same time, she has commissioned new work from an impressive array of artists and writers such as Christian Marclay, Sophie Calle and Cecilia Vicinua among others.
Uncommon books at the intersection of art and literature.Richard Kraft
Though most Siglio books feature work by artists and writers from the 1960s to today, one standout— “Tantra Song” (2011) — showcases vibrant 17th-century Indian tantric paintings collected by poet-ethnographer Franck André Jammes, their modernist feel echoing Hilma af Klint or Brice Marden. Siglio also frequently draws on the spirit of the Fluxus movement, reissuing works by figures like John Cage and Ray Johnson with editions that honor their playful, ephemeral, and poetic origins.
Siglio also excels at photo-narratives rooted in highly specific, often eccentric concepts. “Memory” (2020), by avant-garde writer Bernadette Mayer, reproduces her journal and daily rolls of 35mm film from a month in the Berkshires in 1971, capturing the texture of each day. “Call and Response” (2022), created during COVID lockdown by composer and visual artist Christian Marclay, pairs his photographs of London’s quieted streets with musical scores composed in reply by his friend Bruce Beresford—each image in dialogue with sound.
Siglio books are sold through it’s website (sigliopress.com), as well as museum or specialty bookshops. (The Lenox Bookstore represents a number of Siglio books; the newly opened Lakeville Books & Stationery has copies of “Tantra Song.”) In all cases, Pearson strives to make “two or three degrees of connection” with each book buyer, including a “special gift” — often a piece of printed ephemera — with each purchase.