Thank you!
Your support is sustaining the future of local news in our communities.

Blues Project Is Back, and Taking it on the Road

Blues Project Is Back,  and Taking it on the Road
Steve Katz, a founding member of Blues Project, can still spend all day noodling around with his guitars in his home studio in Kent, Conn.  His band, Blues Project, returns this summer with a concert June 25 and a new album. 
Photo by Cynthia Hochswender

Out of the ashes of Blues Project — one of the most influential bands of the mid 1960s — rose another amazing and influential band of that era: Blood, Sweat & Tears, started by Blues Project founding members Steve Katz and Al Kooper.

Katz and Kooper remained with BST for its early glory years (including the band’s performance at the original Woodstock). They then went their own ways, though the band continues to tour — with all new and much younger members.

“It’s essentially a tribute band now,” said Steve Katz, politely, sitting in his music studio/home office in Kent, Conn., where he lives with his wife, the ceramic artist Alison Palmer.

Make no mistake: Katz isn’t sitting around at home strumming his (many) guitars and talking about The Good Old Days. He keeps busy, making music, doing live solo shows (where he feeds his audience’s nostalgia for the exciting early days of rock and roll in Greenwich Village). He recently wrote a well-received autobiography, “Blood, Sweat and My Rock & Roll Years.”

And now he’s getting his old band back together — but that band is Blues Project, not Blood Sweat & Tears. Katz still speaks weekly with Blues Project drummer Roy Blumenfeld, who now lives in California. More than a half century after they first began making music together, they decided that now was the time to do some live shows and record an album.

The new Blues Project band also includes Chris Morrison (vocals and lead guitar), Ken Clark (piano and vocals) and Scott Petito on bass. All three are younger than Katz and Blumenfeld — but old enough to have experienced live music in a pre-computer age.

Referring especially to the drum machines that have added a more machine-made element to music, Katz said, “Drum machines lack soul. Today’s records lack soul.”

He isn’t talking about soul as a musical genre; he’s referring to the spontaneous magic that occurs when a bunch of musicians come together on a stage or in a studio and unexpected things just … happen.

Blues Project itself is largely electric, not at all an unplugged throwback to the early days of American roots music.

Rob Buccino, who writes about music for Compass arts and entertainment, described the band as, “anchored (like Cream) in high-volume cover versions of blues classics. Blues Project was also among the first bands to blend jazz themes with rock instrumentation, an early forerunner to jazz-rock fusion, at a time when psychedelia/acid rock was washing over the country.”

The new Blues Project began touring last year, and they will meet up in a couple weeks at Petito’s recording studio in Woodstock, N.Y.

True to the roots of Blues Project, the plans for the album are not exactly set in stone.

There is no definite list of songs. All the musicians are coming up with ideas; some of the final choices will probably get made on Saturday, June 25, at 7 p.m. when the band is doing a live gig at The Falcon in Marlboro, N.Y. (www.liveatthefalcon.com).

No one is overly stressed out about what the album  will eventually become. Part of the fun of Blues Project and of live music in general, Katz believes, is the unique chemistry that happens when a bunch of musicians get together.

“I’m as curious as anyone else might be as to what will happen,” Katz said happily. “That’s the thing about Blues Project: We never know how it will turn out, but we know it will be fun.”

Buccino agrees that this  fluid approach to making plans lies deep in the DNA of Blues Project.

“They were among the first ‘jam bands,’ inspiring others to break out of the then-dominant 3-minute popular song mold,” he said.

Also true to the legacy of Blues Project, much of what the band plays will be electric — but not all of it, Katz said,  noting with understatement that, “We’re pretty eclectic.”

Blues Project will continue to tour this year, primarily in the Northeast. A West Coast tour is a possibility next year.

And this October, there will be a new album — pressed on CDs.

“CDs still seem like a new thing to me,” Katz sighed. He assumes the album will eventually become available on streaming.

The band is also using a modern innovation to raise money for studio time: They need $12,500 and have started a Kickstarter campaign. Anyone who would like to contribute can go to www.kickstarter.com/projects/bluesproject/the-blues-project-the-new-albu....

Latest News

Sam Lardner returns to the Northwest Corner for Vecinos Seguros 2 benefit

Sam Lardner and Barcelona will play a benefit for Vecinos Seguros 2 at Salisbury Congregational Church on Friday, July 24.

Virgo Martinez

On Friday, July 24, musician and educator Sam Lardner and his band, Barcelona, will take the stage at Salisbury Congregational Church for a benefit concert supporting Vecinos Seguros 2, an all-volunteer organization that provides emergency assistance and rapid-response support to immigrant families in Northwest Connecticut affected by U.S. Immigration and Customs Enforcement activity.

Lardner, who attended and later taught at The Hotchkiss School in Lakeville before moving to Spain in 1997, still considers the Northwest Corner his home in the United States. “It’s such a special place,” he said.

Keep ReadingShow less
Karina Powers and the power of tradition

Karina Powers teaches traditional dances from Mexico in Millbrook.

Lucia Iandolo
This is an art and the arts unite nations.
—Karina Powers

Karina Powers began dancing at 4 years old. A professional dancer, singer, performer and Mexican folklore dance professor from Baja California, Mexico, she is the youngest of three sisters who were all involved in the arts. Powers now teaches traditional Mexican dances to adults through her company, Compañía De Danza Folklórica Regional Mexicana, in Millbrook. She said she has a strong passion for the history and art that exist within the dances she teaches, and she hopes to instill that passion in her students.

“Many of them have never danced this type of dance,” said Powers. “They’re from Mexico, but they came to the United States at a young age to work. They have that dream to learn, and now they have this opportunity.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Across generations at Litchfield Jazz Festival

Bucky Pizzarelli and Brandon Goldberg at the Litchfield Jazz Festival in 2017.

Lindsey Victoria Photography

The Litchfield Jazz Festival opens its 2026 season on Friday, July 24, at the Frederick Gunn School in Washington, Connecticut. The evening will feature a gala and a concert led by saxophonist Don Braden featuring the Litchfield Jazz Fest Dectet.

The festival began in 1996 and has been going strong ever since. The list of past performers reads like a who’s who of modern jazz greats, including Christian McBride, Soulive, Joshua Redman, Dave Douglas, Brad Mehldau and John Scofield, all of whom helped revive the genre for a new generation of fans at the turn of the millennium. Vocalists like Diana Krall, Dionne Warwick and Dr. John have made appearances as well. And, of course, the festival has been graced by established masters like saxophonists Sonny Rollins and Wayne Shorter; guitarist Bucky Pizzarelli; bassist Rufus Reid; drummers Roy Haynes and Tito Puente; the Preservation Hall Jazz Band; and pianists Dave Brubeck and local legend Ahmad Jamal.

Keep ReadingShow less
No grumbling here: Children’s theater camp returns

Danny Saed, assistant director of “Pinocchio”; his mother and co-founder of Grumbling Gryphons Leslie Elias; theater arts camper Joyce Sun; artist and counselor Natalie Resto; and Steven Sun, Joyce Sun’s father.

Jack Sheedy

Leslie Elias wants you to understand something about the group she calls Grumbling Gryphons Traveling Children’s Theater: “I like to say that we try not to grumble.”

For 46 years, she has used the nonprofit to educate and entertain children in the performing arts. Summer after summer, young campers learn about acting, singing, mask-making, costume-making and scenery painting. This year, as in years past, a five-day theater arts camp will culminate in a live performance of one of Elias’ original plays, guaranteed, she hopes, to quell all grumbling.

Keep ReadingShow less

Sea bass and shrimp gumbo

Sea bass and shrimp gumbo

Sea bass and shrimp gumbo

Bobby Graham

Each month, Dugazon owners Bobby Graham and Matthew Marden share a recipe inspired by the traditions, stories and sense of welcome at the heart of their shop in Sharon, Connecticut. Visit Dugazon at 19 W. Main St. Wednesday-Sunday, 11 a.m. to 5 p.m. and online at dugazonshop.com.

This month we’re sharing one of our favorite comfort foods: sea bass and shrimp gumbo. While gumbo has a reputation for being a labor of love, this version skips the traditional roux, making it surprisingly approachable. The ingredient list may seem long, but once everything is prepped, it comes together quickly, rewarding you with a rich, flavorful bowl that’s perfect any time of year. Many of the pantry staples you’ll need for this recipe can be found right here at Dugazon.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.