Baron talks Trump, Bezos and The Washington Post

Baron talks Trump, Bezos and The Washington Post
From left, author, journalist and editor Martin Baron with Merritt Bookstore owner of Kira Wizner and lawyer Nicholas Diamand. Photo by Judith O’Hara Balfe

It’s pretty certain that Jeff Bezos, Donald Trump and a host of other world-famous people remember Martin Baron as editor of, first, The Boston Globe, and then The Washington Post. 

Some of the most important stories over the past 25 years crossed his desk. He made the decisions concerning what was printed and what wasn’t, always with integrity, fairness and the evidence to back it up.

Baron was at Merritt Bookstore in Millbrook on Wednesday, Nov. 15, for a talk and a book signing for his book “Collision of Power. Trump, Bezos, and The Washington Post.” He began his talk by introducing the fact that, after only seven months as editor at The Washington Post, it was bought by Jeff Bezos. He also described a dinner at the White House with newly elected president Donald Trump, relaying the fact that Trump would speak disparagingly of the paper and then jab Baron with his elbow. 

In spite of the fact that there was a president in power who had campaigned against the media and who, all through his tenure, waged war against the press, The Washington Post wrote groundbreaking news, including covering stories about the NSA surveillance in the U.S., and the scandals that took place at the Secret Service.

The book is written in a straightforward, factual manner, with the journalist’s desire to answer all questions and the editor’s wisdom in knowing how to handle a barrage of information. The outcome leaves one satisfied, but not overwhelmed with unnecessary information.

Baron talks about people we have only heard about but wish we knew, and some others we know about and wish we didn’t. He gives us insight into how the media works, and what happens when it doesn’t work the right way. He even had tidbits about other newspapers and media that make it really interesting and gives one a feeling of knowing much more when we finish the book than when we started it. In some places its dark; in others, it’s fun.

One of the most interesting parts of the evening was during the questions asked by the audience and mediated by lawyer and Merritt friend Nicholas Diamand. When asked what Baron considers his “best” work, he answered that the assignment he handed over to a team of journalists in 2001 when he was at The Boston Globe will always be the most important. That was the expose that brought about the investigation into the abuse, by defrocked priest John Geoghan, of more than 80 young boys. This, in turn, brought about the unmasking of the extent of the abuse by many other priests in many other places, and investigations are still going on today. That story ended up being made into the award-winning movie “Spotlight.”

Questions were also asked about the future of print newspapers; Baron stated that, 20 years ago, he thought they had about 10 years left. He feels that they are existing now on borrowed time.

He does see a future for news and journalism in the digital age, as media becomes digitalized as the norm. Things are recorded as they happen, in real time, and can be seen immediately. More and more newspapers have begun to print less and less often, and most no longer deliver. Baron thinks that at some point, most newspapers will only print on Sundays, and the format will be more magazine than newspaper.

With that said, it’s a fascinating journey to read his book, to note the changes over the years that he wrote about, and a wonderful bonus is two sections of color photos in the book with people you will recognize. Also a bonus is Baron’s personal and up-close observations of people we all know and love or love to hate, and his insights as to why things may have happened as they did. It’s current, but it looks back just a bit while giving one a peek into the future.

Latest News

Classifieds - February 26, 2026

Classifieds - February 26, 2026

Help Wanted

PART-TIME CARE-GIVER NEEDED: possibly LIVE-IN. Bright private STUDIO on 10 acres. Queen Bed, En-Suite Bathroom, Kitchenette & Garage. SHARON 407-620-7777.

The Salisbury Association’s Land Trust seeks part-time Land Steward: Responsibilities include monitoring easements and preserves, filing monitoring reports, documenting and reporting violations or encroachments, and recruiting and supervising volunteer monitors. The Steward will also execute preserve and trail stewardship according to Management Plans and manage contractor activity. Up to 10 hours per week, compensation commensurate with experience. Further details and requirements are available on request. To apply: Send cover letter, resume, and references to info@salisburyassociation.org. The Salisbury Association is an equal opportunity employer.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

To save birds, plant for caterpillars

Fireweed attracts the fabulous hummingbird sphinx moth.

Photo provided by Wild Seed Project

You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.

These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.

Keep ReadingShow less
Stephanie Haboush Plunkett and the home for American illustration

Stephanie Haboush Plunkett

L. Tomaino
"The field of illustration is very close to my heart"
— Stephanie Plunkett

For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.

Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.

Keep ReadingShow less
Free film screening and talk on end-of-life care
‘Come See Me in the Good Light’ is nominated for best documentary at this year’s Academy Awards.
Provided

Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.

The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.