Black cats unfairly shunned, stigmatized, say regional animal rescue groups
Lucian picked his owners outside a grocery store.
Provided
Lucian picked his owners outside a grocery store.
Lucian is one lucky black cat. The emerald-eyed feline has been living in the lap of luxury since being rescued from the streets of Albany nine years ago by the Pecha family of Falls Village.
Today Lucian lives in Litchfield with his owner, David Pecha, where he spends his days cat-napping, bird-watching, attention-seeking and occasionally cajoling with a neighborhood fox.
Unlike Lucian, not all black cats end up in forever homes. According to regional animal rescue groups, black pets in general, and black cats in particular, are often shunned by prospective adopters.
Enter National Black Cat Day 2024, which falls on Oct. 27 this year. The annual awareness day is designed to support and promote the beauty and well-being of black cats and to dispel myths and superstitions that have haunted them for centuries, particularly around Halloween.
The day plays a vital role in advocating for welfare and adoption of black cats.
Shunned through no fault of their own
“I’ve had someone come up to me and say they would take anything but black,” said Beverly Ditto of Collaborative Cats, a feline foster home-based rescue organization serving Southern Columbia and Northern Dutchess counties of New York. “There are black cat lovers, but that is rare.”
Ditto, who has owned several black cats, said she has found them to be among the “sweetest and most lovable” of felines, second to orange cats, and not deserving of being feared.
She attributes their lack of popularity to long-held superstitions about them being harbingers of bad luck or that they are evil doers associated with Satanic rituals. Black cats also blend in with shadows, giving them a spooky appearance.
Because superstitions about black cats are reinforced around Halloween, it is common for shelters to put adoptions on hold. According to the Smithsonian, some adoption agencies and shelters won’t even consider placing black cats in homes until after Halloween for fear they will be tortured or sacrificed.
“All the shelters generally are very nervous about adopting out before Halloween,” said Ditto. “There are people out there to be known to harm black cats. I haven’t encountered that, but it has been a big worry amongst the rescues.”
Currently, Collaborative Cats, which takes in stray, abandoned, injured and homeless felines, has several black kittens available for adoption, including Roary, Jacques and Lucifer, all described as sweet and playful.
The organization, which is not a shelter, said Ditto, is constantly seeking new foster homes for its approximately 100 felines.
Raven and Bagheera
At The Little Guild in West Cornwall, two black cats, Raven and Bagheera, arrived at the shelter in August and are awaiting adoption. Both are about a year old and have the sweetest dispositions, said the shelter’s executive director Jenny Langendoerfer.
“It is interesting that people do like to see unique colorings and markings,” she noted. “But the one thing about black cats is that they make the most wonderful pets.”
Langendoerfer described Bagheera, a sturdy, green-eyed young male, as a “mini panther, very silly and very sweet,” and 1-year-old Raven as very playful.
Lauren Mucha, one of the caregivers at The Last Post cat sanctuary and cat retirement home in Falls Village where 124 cats reside, said about 20 of its feline residents are black.
She said she is perplexed as to why people would shy away from dark-coated cats, as they don’t deserve the negative image.
One cat in particular, Jinx, has been a resident at The Last Post for the last eight years and does not have a mean bone in its body, said Mucha, who described him as a Velcro cat, a “real cuddler.”
This cat picked his family
Not everyone is on board with the negative black cat spin. For some, a visit from a black cat means good luck or prosperity. In some cultures, black cats, considered sleek and seductive with their all-knowing yellow and green eyes, are even worshipped.
Take Lucian’s owner, David Pecha, for instance.
The mini household panther was rescued by Pecha’s son, Alex, about nine years ago while attending college in Albany. Alex and a friend had emerged from a grocery store “and the cat came flying out from under a car, meowing at them and trailing them.”
It was the end of the school year, and because the cat appeared to be pretty well cared for, said Pecha, they thought it might have escaped during the confusion of the move.
After failing to find a no-kill shelter nearby, they took Lucian back home with them to Falls Village and posted “cat found” posters around campus, but no one came forth to claim the black cat, said Pecha.
Before long, Lucian befriended a doppelganger named Bagheera, owned by the Atwood family just up the street, Pecha recalled.
“He was the spitting image of Lucian, and they hung out together. You would see the two of them running around the streets in the middle of town.”
When Pecha relocated to Litchfield a few years ago, so did Lucian, who has since settled into his new quarters, according to his owner. He considers his cat to be more like a loyal dog, with a unique personality.
Unlike other cats, Lucian doesn’t use a water bowl. Instead, he laps up his drink from a tall glass, filled with cool water straight from the fridge.
And as for snow, the pampered feline will have nothing of it. “He doesn’t do winter,” said Pecha. “He’ll put one paw in the snow, and it’s ‘Oh, hell no.”
Below are several black cats up for adoption at The Little Guild in West Cornwall, and Collaborative Cats in Ancramdale, NY. Additional details are available by contacting the rescue groups either by phone or via their website. Photos provided.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org