Thank you!
Your support is sustaining the future of local news in our communities.

We were once ugly Americans

In the '60s and '70s all across Europe, American largesse and bravado, borne of the success of WWII, coupled with a deserved prosperity but sometimes paraded ostentatiously, gave us a derisive nickname; Ugly American. What many saw as showing off with our ability to have jet travel to tour Europe, camera dangling from neck straps, dollars and travelers’ checks aplenty, incapability to speak foreign languages yet raising our voices while issuing loud requests to bemused foreigners… it was perhaps a time of innocence and, yes definitely, a cultural mistake. It is, however, a time Europe now misses. Gone are trustworthy but awkward Americans, replaced by untrustworthy partners, out-of-control ultra-right-wing politics, and frightening prospects for world peace.

All across Europe and NATO as well as much of Asia and Africa, our previous staunch allies and friends are looking at a future where America and Americans may no longer be relied on, where American capability and morality that once supported values in common have vanished. Under this Administration such commonality has been destroyed. Not dented, not frayed, as many in the media would desperately wish to think, but destroyed. Ursula von der Leyen, EU Chief, has urgently claimed that Europe must now hold fast to a “rules-based order” to countermine America’s new deviation from international law, “…for a world that has gone and will not return.”

Headlines in American professional industrial publications also lament the changes; “Switzerland eyes European Air Defenses, Settles for Fewer F-35s.” The new American political elite have made decisions that work to quickly destroy any concept of a rules-based-order partnership in defense. And American industry defense giants are quietly expressing grave concern over their future foreign order books’ thin prospects. Raytheon was dismayed when they learned that they are no longer allowed to sell or ship support for Patriot surface-to-air defense systems to most existing European or Asian ally. Most of Raytheon’s overseas clients need to begin switching purchasing power to local or friendly industries. These are multi-decade commitments for billions of dollars for American industry, wiped out in an instant by the current US policy and have caused multi-decade industrial strengthening of European and Chinese industries. Yes, Chinese and, in the case of some African and Asian countries, perhaps Russian as well.

Capricious DC decisions and sayings may seem comical until they manifest as part of a plan of discord, distractions, and a re-ordering of global power based on false premises of permanent superiority. There is no such thing as permanent superiority. 350,000,000 Americans, even if all of them agreed (which we do not!), cannot overwhelm 7,880,000,000 people without a resultant conflict. All the offensive weapons and know-how in America cannot overwhelm the same capabilities and will of the rest of the world. Initially it may look like toppling or killing a few leaders of adversarial countries is winning a war, but that is childish thinking. Success can only be measured over time and, as proving with Iran, 92,000,000 Iranians may not simply roll over when brutally attacked. Britain’s population of only 41,000,000 wasn’t in 1939/40 — perhaps that’s a lesson better re-learned.

The danger here is that where we were once “ugly Americans,” but we have now become un-friendly, untrustworthy Americans – and that may take decades to remedy.

Peter Riva, a former resident of Amenia Union, New York, now lives in Gila, New Mexico.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.