Town Board votes to opt-in to permit cannabis retail sales

Town Hall on Route 22 in Amenia.
Photo by Nathan Miller

Town Hall on Route 22 in Amenia.
AMENIA — By vote of 4-1, the Town Board voted to “opt in” to state regulations and allow cannabis retail dispensaries within the town at their regular meeting on Thursday, Feb. 6. The decision followed a public hearing that was held open since the previous Town Board meeting held on Thursday, Jan. 16.
Explaining her negative vote on the measure, Councilmember Rosanna Hamm said that she was uncomfortable with opting in before there is a local zoning law in place to regulate the change.
By the vote, the Town board reversed a 2022 decision to opt out of permitting cannabis dispensaries. Residents who opposed the reversal raised concerns about adverse health effects from cannabis use and parental concerns, although some could approve availability to patients whose health needs prescribe its use.
Others who supported the change in local law to opt in spoke of medicinal benefits and potential revenue for the town where the town could receive three quarters of the revenue from the 4% sales tax.
Several residents favored scheduling a town-wide referendum to give all residents a chance to vote on the cannabis issue, feeling that recent social media polling was not a representative sampling.
Councilmember Paul Winters noted that the issue has been discussed for more than a year.
“It’s about giving cannabis dignity. It was never about the potential income,” Winters said, opposing the idea of a town-wide referendum.
Related to the first, the second public hearing would amend the zoning laws to permit a cannabis dispensary. Included in the record but not publicly summarized at the meeting were comments received from the Planning Board and the County Planning Board, relative to zoning regulations and location of any dispensary.
Discussion included concern about the sequence of action. Councilperson Rosanna Hamm asked whether an action to reverse the law and opt in to state regulations would be wise without having a local law in place to govern the implementation.
A public hearing was convened to select a project to be the subject of a funding application in the form of a Community Development Block Grant during the current application season.
Town Supervisor Leo Blackman explained that the grant offers funding distributed by Dutchess County to towns for projects that will benefit the entire community.
Finance Director Charlie Miller said that grants are offered to three categories of projects, including housing, public facilities, and drinking water/wastewater. For this year’s application season, Miller suggested applying for $200,000 to fund repairs to the town water district, noting that the program allows the town to apply for another $200,000 for the following year.
Bill Flood, chairman of the Water Board, supported the proposal. Resident Judy Moran supported the idea, but as a member of the Recreation Commission, pointed to a need to purchase new playground equipment for Beekman Park. Discussion determined that grant application deadlines and paperwork requirements could not accommodate the play equipment.
During discussion, Winters defended the playground idea and urged focus on acquiring new equipment in the coming year. Councilman Brad Rebillard asked for details on the timeline for the grant application.
Having agreed to seek to extend the term of office for the Town Supervisor from two to four years, the Town Board voted 4-1 to schedule a public hearing for Thursday, March 6, to hear comments from residents. The hearing will begin at 7 p.m. at the Town Hall. Councilmember Hamm cast the negative vote, recalling that the change was included on the ballot in 2016 and had been rejected by voters. Winters responded that he felt that the community has changed in the interim.
Seeking to limit the number of consecutive terms served by the office of Town Supervisor, Winters proposed a limit of 12 years — 3 consecutive four-year terms — that could be followed by a single year off, before becoming a candidate again. The proposal passed by a vote of 3-2. Voting in favor of the proposal were Rebillard, Winters and Councilmember Nicole Ahearn. Opposed were Blackman and Hamm. Hamm said that she would prefer to leave the matter to the voters to decide whether an incumbent has served long enough.
During public comment, Ken Topolsky, chairman of the Economic Development Committee and member of the Comprehensive Plan Review Board reported that both groups are engaging in conversation about the town’s future, focusing on determining a “brand” for the community. Noting that the Town Board is working on updating the town’s logo, he suggested a delay in the logo redesign until the two committees complete their efforts.
During the Supervisor’s Reporting segment, Blackman responded to ongoing federal actions targeting immigrants throughout the U.S. “Know Your Rights” pamphlets have been printed by active human rights advocacy organizations. They are available for pick-up from a variety of public-facing locations within the town. To request an electronic copy of the pamphlet, email lblackman@ameniany.gov.
Councilman Rebillard added a cautionary note directed to the board that efforts to assist immigrants or resist enforcement could result in a charge of Obstruction of Justice.
Anticipating upgrades to the Water District and the application for a Community Development Block Grant in support of the project, the Town Board scheduled a public hearing for Thursday, March 6, to review plans for the project expected to cost $3.9 million. The meeting will begin at 7 p.m.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org
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