The Cary Institute of Ecosystem Studies in collaboration with the Catskill Science Collaborative, presented “Snakes in the Catskills: A Primer,” the latest in its lecture series, on June 5. Presenter John Vanek, is a zoologist at the New York Natural Heritage Program in Syracuse.
There are thirteen kinds of snakes in the Catskills. Only two are venomous. Vanek defined the Catskills area as including the counties of Greene, Delaware, Ulster, Sullivan, and Dutchess.
John Vanek said, “Snakes are just amazing creatures. They are very misunderstood.” He added, “The more we understand about them, the more we can explain to our friends, you don’t have to kill them every time you see them.” He said humans have an “ingrained fear of snakes,” which he tries to help with education about snakes, starting with children.
He went on to say about snakes, “They can think. They have personalities that you can measure. They form kinships with other snakes and some snakes are good mothers.”
Of the thirteen kinds of snakes, the most common are Garter snakes. He said the females are bigger than the males as with many snakes who give birth to live young. They eat worms, small amphibians, and mammals.
Garter snakes have two yellow stripes and come in a variety of colors.
They can grow to two to three feet long and live in meadows, wetlands, and woods.
The Northern Water Snake can grow to three to four feet and live in streams and rivers. They eat fish and frogs. They are more common in the Hudson River Valley. Vanek said water snakes “have a temper,” and will nip you touch them. They are not venomous.
The Black Rat Snake grows to five to six feet long and lives on a diet of small mammals and birds. They love to climb trees and live on cliffs and ledges at the eastern edge of the Catskills. Met on a trail, they stand their ground and may rear up and hiss.
The Eastern Milk Snake hunts mice, small mammals, and other snakes.
They were mistakenly believed to drink milk from cows. They are in meadows and farms and are nocturnal.
The Northern Ring-Necked Snake has a ring on its neck and a bright yellow belly. It grows to about ten to twelve inches. They eat salamanders and baby snakes. They live in moist, rocky areas.
The Northern Brown Snake can grow to twelve inches. “They are known as “the gardener’s friend” said Vanek because they eat slugs, snails, and worms. There has been a decline in their numbers for unknown reasons.
The Black Racer is a shiny black snake that eats other snakes. Its numbers are declining in the Catskills. It grows to three to five feet.
John Vanek, is a zoologist at the New York Natural Heritage Program.John Vanek
Another garden helper is the Northern Red Bellied Snake. It is a small snake ten to twelve inches long. It eats slugs and snails. Its habitat is woods and meadows. To escape predators, it “flips over to show its red belly,” hopefully scaring them, and zips away.
The Eastern Ribbon Snake lives on the edges of wetlands. It can grow to be two to three feet and about as “thick as string cheese.” It eats salamanders and frogs.
The Smooth Green snake lives in meadows and bogs. It eats caterpillars, spiders, and other insects. It is about ten to twelve inches in length. Its numbers have declined due to insecticides and habitat loss.
The Eastern Hog Nosed Snake burrows in the ground and favors toads for its meals. There are a wide variety of colors. It can grow to three to fourfeet. It can puff up its neck in a “bluff display” which makes it look like a cobra which causes people to kill it out of fear. There are no cobras in the United States.
The Copperhead is one of two venomous snakes in the Catskills and can grow to two to three feet long and can be as thick as a golf ball. They are uncommon but can be localized. They camouflage well in leaves or on trees and are hard to spot. They eat frogs, small mammals, and cicadas. They like rocky outcrops and forests.
The Timber Rattlesnake can grow to four to five feet and is as thick as a baseball. They like rocky outcrops and forests. They eat mice, shrews, chipmunks, and other small mammals.
Rattlesnakes will sit along a scent trail, often a log, with their head up, waiting up to three weeks for a small mammal. Once they inject venom, they wait for the animals to die, follow its scent trail, and eat it, “with no fuss,” said Vanek.
“Fangs are like hypodermic needles and super fragile,” said Vanek. If fangs are broken, they won’t be able to hunt. “Rattlesnakes don’t want to bite us. Biting is a last resort.”
Vanek then mentioned safety measures if you are out walking in the woods.
“Leave snakes alone.” He emphasized. “Don’t pick up a snake.”
Do not step over logs because a rattlesnake could be waiting on the other side, head up, for its prey. Instead step up on a log or rock and look over before putting your foot down.
Stay on trails because there is less risk of meeting a snake. Wear long pants and boots and carry a cell phone with emergency numbers.
If bitten by a snake, the only first aid he recommends is “to get to a hospital.” Take a picture of the snake if you can. “The treatment for any snake in New York is the same.”
Timber rattlesnakes have been declining in numbers due to habitat loss and fragmentation caused by building roads.
If you see a snake, you can be a citizen scientist and photograph the snake. Upload a picture to www.iNaturalist.org or nynhp.org/contribute-data.
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KK Kozik in her studio
It is a particularly fitting philosophy for an artist whose paintings often begin with the world around her but rarely end there. There might be something recognizable — a stone wall, an apple tree, a crow — but then there is something less certain. Something that appears to be one thing becomes another upon inspection. Memory gets involved. So does imagination. So does time.
Since moving from New York City to Sharon, Connecticut in 2006, the landscape around her has become increasingly important to that process.
“I just saw things differently,” Kozik said.
The change was not immediate. She remembers an earlier version of herself driving through Vermont without paying much attention to what was happening beyond the windshield.
“I didn’t have the means to see what was happening around me,” she said. “I just sort of la, la, la, la, la, driving to Vermont.”
But, she said, she started to pay attention differently.
“I became more sensitized as time went on,” she said.
Asked whether that change came with age, she said, “Age and so-called wisdom.”
There’s a sense of loss in her landscapes, but a particular kind of loss that also has a twinge of redemption. Specifically, what happens to a landscape when people leave it?
“When the people go away, the wildlife comes back,” Kozik said.
KK Kozik in her studio with her painting “Golden Delicious.”Natalia Zukerman
Kozik’s work has never settled into a single recognizable formula. She has painted landscapes, figures and still lifes, moved toward abstraction and returned to representation. Her subjects change, but the underlying impulse remains: to take what is in front of her and discover what else there might be.
Kozik describes herself as someone who is always trying to figure things out. Her paintings often have the feeling of a thought in progress rather than a conclusion. They have been called “single-line novellas,” a description that makes sense: They can contain the suggestion of an entire story without telling you exactly what happened.
The animals are part of that storytelling.
They arrived partly because of what was disappearing.
“They were like the new redemption in a way,” she said.
There is something almost funny about the way Kozik talks about this — not because the loss itself is funny, but because she refuses to turn it into a grand pronouncement. She observes something, considers it, and lets it complicate the work.
That same sensibility comes through when she talks about her own development as an artist. Her paintings make room for interpretation. They don’t always tell the viewer what an animal symbolizes, or why a landscape has been altered, or where a particular image came from. Instead, they leave enough evidence to make you curious and enough room for your own stories.
The effect is not accidental. Kozik has spent years thinking about how images work, both as paintings and as containers for ideas.
Her work is currently included in “The Naturalist,” a group exhibition on view through Sept. 13 at Kenise Barnes Fine Art in Kent, alongside Richard Klein, Sally Maca, Rick Shaefer and Tricia Wright. The exhibition brings together artists whose work engages with the natural world, including its forms, histories and mysteries.
Kozik is an especially apt fit for the exhibition. She is described by the gallery as a landscape painter, figurative painter and interiors/still-life painter whose work frequently moves toward painterly abstraction. Her practice, the gallery notes, is “fluid and continuous” — always searching for new pictorial problems to solve.
That search has also extended beyond her own studio.
For several years, Kozik ran ICEHOUSE Project Space, an 18th-century icehouse on Sharon’s town green that she transformed into an unusual venue for contemporary art. It opened in 2018 with Dan Devine’s “Inside-Out NASCAR” and went on to host site-specific projects by artists including Mark Dion, Eric Aho, Janet Biggs, Richard Klein, Kristin Jones, Lisa Hoke and Ryan Frank. The projects addressed everything from the decline of winged insects and native and invasive plants to Sharon’s iron industry, its gardens and its history as an ice-producing community.
The space is now closed, but its premise still feels connected to Kozik’s painting practice. Each project responded in some way to the physical location, turning what might otherwise have been a little historic outbuilding into a setting for contemporary art.
Kozik’s own work does something similar with the landscape. She takes a place and lets it become more than a place.
Kozik’s paintings tell us that something happened before we arrived, and that something will happen after we leave.
And then there is the question of what to do with the space in between.
Maybe Kozik’s paintings are less about that space and more about an idea, as she put it, of “which questions to think about.”
Jazzmine Bone and A Stitch in Tyme power through the Gambler’s Choice run during the 2024 Lakeville Open.
The event, which has been held continuously for 69 years, is open to the public with free admission.
Individual competitions will run from 8 a.m. to 5 p.m., and visitors can stop by briefly or settle in for the day.
A food truck, bake sale and portable restrooms will be available on-site.
The show is the primary fundraiser for The Lakeville Pony Club, with proceeds supporting young riders who need financial assistance to participate in lessons. Members and their families work throughout the year to create the event for both competitors and spectators.
Members of the Lakeville Pony Club and Echo the pony arrive for the costume class during the Lakeville Open in 2024.Caitlin Von Graf
For those new to horse shows, the day offers a chance to learn more about the sport and understand what happens in the ring. In equitation competitions, judges evaluate the rider’s skill, from beginners learning walk and trot to more advanced riders navigating cantering and jumping courses.
Hunter competitions focus on the horse’s style and smoothness over fences, while jumper classes emphasize accuracy and speed as horses and riders race against the clock without knocking down rails.
The day also includes a crowd favorite: the costume class, where horses and riders dress up in creative ensembles for a chance at the top prize.
Programs will be available onsite to help spectators identify competitors and horses. A full list of competitions, entry information and details for those interested can be found at rigameadow.com
Whether an experienced equestrian or simply curious about the sport, the Lakeville Open Horse Show offers a chance to enjoy a Hudson Valley tradition that continues to bring the community together.
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