The Cary Institute of Ecosystem Studies in collaboration with the Catskill Science Collaborative, presented “Snakes in the Catskills: A Primer,” the latest in its lecture series, on June 5. Presenter John Vanek, is a zoologist at the New York Natural Heritage Program in Syracuse.
There are thirteen kinds of snakes in the Catskills. Only two are venomous. Vanek defined the Catskills area as including the counties of Greene, Delaware, Ulster, Sullivan, and Dutchess.
John Vanek said, “Snakes are just amazing creatures. They are very misunderstood.” He added, “The more we understand about them, the more we can explain to our friends, you don’t have to kill them every time you see them.” He said humans have an “ingrained fear of snakes,” which he tries to help with education about snakes, starting with children.
He went on to say about snakes, “They can think. They have personalities that you can measure. They form kinships with other snakes and some snakes are good mothers.”
Of the thirteen kinds of snakes, the most common are Garter snakes. He said the females are bigger than the males as with many snakes who give birth to live young. They eat worms, small amphibians, and mammals.
Garter snakes have two yellow stripes and come in a variety of colors.
They can grow to two to three feet long and live in meadows, wetlands, and woods.
The Northern Water Snake can grow to three to four feet and live in streams and rivers. They eat fish and frogs. They are more common in the Hudson River Valley. Vanek said water snakes “have a temper,” and will nip you touch them. They are not venomous.
The Black Rat Snake grows to five to six feet long and lives on a diet of small mammals and birds. They love to climb trees and live on cliffs and ledges at the eastern edge of the Catskills. Met on a trail, they stand their ground and may rear up and hiss.
The Eastern Milk Snake hunts mice, small mammals, and other snakes.
They were mistakenly believed to drink milk from cows. They are in meadows and farms and are nocturnal.
The Northern Ring-Necked Snake has a ring on its neck and a bright yellow belly. It grows to about ten to twelve inches. They eat salamanders and baby snakes. They live in moist, rocky areas.
The Northern Brown Snake can grow to twelve inches. “They are known as “the gardener’s friend” said Vanek because they eat slugs, snails, and worms. There has been a decline in their numbers for unknown reasons.
The Black Racer is a shiny black snake that eats other snakes. Its numbers are declining in the Catskills. It grows to three to five feet.
John Vanek, is a zoologist at the New York Natural Heritage Program.John Vanek
Another garden helper is the Northern Red Bellied Snake. It is a small snake ten to twelve inches long. It eats slugs and snails. Its habitat is woods and meadows. To escape predators, it “flips over to show its red belly,” hopefully scaring them, and zips away.
The Eastern Ribbon Snake lives on the edges of wetlands. It can grow to be two to three feet and about as “thick as string cheese.” It eats salamanders and frogs.
The Smooth Green snake lives in meadows and bogs. It eats caterpillars, spiders, and other insects. It is about ten to twelve inches in length. Its numbers have declined due to insecticides and habitat loss.
The Eastern Hog Nosed Snake burrows in the ground and favors toads for its meals. There are a wide variety of colors. It can grow to three to fourfeet. It can puff up its neck in a “bluff display” which makes it look like a cobra which causes people to kill it out of fear. There are no cobras in the United States.
The Copperhead is one of two venomous snakes in the Catskills and can grow to two to three feet long and can be as thick as a golf ball. They are uncommon but can be localized. They camouflage well in leaves or on trees and are hard to spot. They eat frogs, small mammals, and cicadas. They like rocky outcrops and forests.
The Timber Rattlesnake can grow to four to five feet and is as thick as a baseball. They like rocky outcrops and forests. They eat mice, shrews, chipmunks, and other small mammals.
Rattlesnakes will sit along a scent trail, often a log, with their head up, waiting up to three weeks for a small mammal. Once they inject venom, they wait for the animals to die, follow its scent trail, and eat it, “with no fuss,” said Vanek.
“Fangs are like hypodermic needles and super fragile,” said Vanek. If fangs are broken, they won’t be able to hunt. “Rattlesnakes don’t want to bite us. Biting is a last resort.”
Vanek then mentioned safety measures if you are out walking in the woods.
“Leave snakes alone.” He emphasized. “Don’t pick up a snake.”
Do not step over logs because a rattlesnake could be waiting on the other side, head up, for its prey. Instead step up on a log or rock and look over before putting your foot down.
Stay on trails because there is less risk of meeting a snake. Wear long pants and boots and carry a cell phone with emergency numbers.
If bitten by a snake, the only first aid he recommends is “to get to a hospital.” Take a picture of the snake if you can. “The treatment for any snake in New York is the same.”
Timber rattlesnakes have been declining in numbers due to habitat loss and fragmentation caused by building roads.
If you see a snake, you can be a citizen scientist and photograph the snake. Upload a picture to www.iNaturalist.org or nynhp.org/contribute-data.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”
Artist Katro StormNatalia Zukerman
Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
