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Brian Ross, left, moderated the Salisbury Forum discussion with Marty Baron, Subrata De and John Coston at The Hotchkiss School on Sept. 16.
Photo by Patrick L. Sullivan
LAKEVILLE — The Salisbury Forum hosted “The Future of American Journalism,” a panel discussion with four veteran journalists, at The Hotchkiss School on Friday, Sept. 16.
The moderator was television journalist Brian Ross, who spoke with former Washington Post Executive Editor Marty Baron, Subrata De, executive vice president and global head of programming at VICE News, and John Coston, editor of The Lakeville Journal.
The event was part of the celebration of The Lakeville Journal’s 125th anniversary and drew an audience of more than 300.
Ross, a member of the Lakeville Journal Foundation board, started off asking about the panelists’ news habits.
Baron said, “I’m totally online.” He reads The Washington Post, The New York Times, The Wall Street Journal and The Berkshire Eagle, subscribes to a Bloomberg newsletter, and regularly reads The New Yorker and The Atlantic.
“Hardly any television,” he added.
De said she does watch TV news, follows social media, listens to the radio and reads major newspapers, “but not a daily set.”
“I mostly need to know where people are.”
Coston, a part-time farmer, said the first thing he does is “make sure the sheep are in the pasture.”
Then he takes in a mix of local, national and international news, from The Journal, Post, Times, CNN, Fox, PBS, the Northwest Corner Chatter Facebook page, the Waterbury Republican-American and the Hartford Courant.
Ross asked about the Post’s slogan, “Democracy Dies in Darkness.”
“It wasn’t me pressing for it,” said Baron. He said Post owner Jeff Bezos wanted a memorable slogan, and it took a year and a half to come up with something.
Ross asked if the slogan was a defensive response to the Donald Trump presidency, and to the president’s harsh words for the press, such as “enemy of the people.”
Baron said no. “We were working on it well before he was elected.”
He said people assumed the slogan was directed at Trump, and when Joe Biden won the 2020 election, it was suggested that the paper could drop the slogan as no longer necessary.
De said in her experience Washington reporting was conducted in something of a bubble. “VICE was never in the bubble. Our motto is ‘Breaking the News.’”
Ross asked if the idea of balanced reporting, in the sense that each side gets a say, is outdated. De said “the story gets the say.” She said most of VICE’s audience is under 30 years old. “Every story needs to get that full treatment.”
Coston was asked about working at The Lakeville Journal, “still in existence.”
“We have to produce a paper that people have to have, said Coston. “One that truly reflects what the community is all about.
“We have to be neutral, and give everybody their say.”
Coston said that with The Lakeville Journal’s nonprofit status comes responsibilities.
“We are the training ground for future journalists.”
Asked about press being neutral “or more proactive,” Baron said, “I don’t like how these things are framed.” He said he sees the job as collecting facts, asking questions and, while keeping an open mind, writing “the totality of it and tell people what the story is.”
“There are always more than two sides, so I don’t think in terms of neutrality.”
Ross observed that “no president has loved his press coverage,” but Trump took it further, going after Bezos’ primary business, Amazon.
“What was that like?”
Baron said it was not a surprise, given that Trump routinely announced his plans on Twitter. Trump “interfered” with a $10 billion Department of Defense contract that ultimately went to Microsoft Corp., not Amazon.com Inc., Baron added, but it made no difference to the Post’s coverage.
“Bezos did not intervene or interfere” with the Post. “He let us do our job.”
Ross said that Trump’s “enemy of the people” description of the press gained some popular support.
De said that news organizations in general have experienced “a separation from people,” and added that most outlets have had to make do with fewer resources.
Asked about younger and/or aspiring journalists, Baron said he has found, to his surprise, “tremendous interest” in the profession. “I detect a different posture” in younger reporters, he continued. “They do want to express themselves. We were trained not to express ourselves.”
“So what were your rules?” asked Ross.
Baron said Post reporters are expected to use “care and restraint” on social media, and to not participate in protests, and not donate to causes. He said most observed these limits but a few did not, which he found unacceptable.
“If you want to express an opinion there are many other options. It’s not our role as a news organization.”
Ross said that VICE stories are “not passive,” and De said that VICE has its own “standards and practices.”
“It is different,” she said. “It’s personal, relational. It’s still journalism but it feels different.”
Coston said “to some degree the more prevailing issue is young journalists think it’s OK to ‘round off the numbers.’ In a small community you can’t get away with it.”
Asked about the value of community journalism in smaller communities, Coston cited First Selectman Gordon Ridgway of Cornwall. “Gordon said The Lakeville Journal is why we have a ‘Northwest Corner.’”
Maxon Mills in Wassaic hosted a majority of the events of the local Upstate Art Weekend events in the community.
WASSAIC — Art enthusiasts from all over the country flocked to the Catskill Mountains and Hudson Valley to participate in Upstate Art Weekend, which ran from July 18 to July 21.
The event, which “celebrates the cultural vibrancy of Upstate New York”, included 145 different locations where visitors could enjoy and interact with art.
On Saturday, July 20, The Wassaic Project hosted numerous community events. Will Hutnick, the director of artistic programming, said “We’ve been a part of it since the beginning, this is the fifth year of UPAW.”
Most of the action was based at Maxon Mills, the seven-floor grain mill located in the heart of Wassaic. On exhibit was work from 30 artists, 18 of whom were past residents of The Wassaic Project. “Artists can come and do a residency here, meaning they live and work with one another for a couple months at a time,” Hutnick stated.
The first floor held work by Petra Szilagyi, who uses dirt and linseed oil to construct images of paranormal concepts, most of which include bats. They reflected that a recent trip to a fifth sense competition in Vietnam was the influence behind the exhibit.
Across the floor was Tiffany Smith’s interactive installation which incorporated plants and wicker chairs, all of which were objects associated with her Carribean upbringing. “The room being filled with plants is symbolic of hurricane prep which often included bringing the plants from outside into the house,” Smith said.
As visitors made their way up the narrow wooden stairs, music could be heard from behind the walls. The echoing music was Daniel Shieh’s installation, entitled Mother’s Anthem, which played a recording of the American Anthem in 30 languages. The languages ranged from Spanish and Italian to Navajo and Bengali.
Each floor was filled with artwork of all mediums, including painting, fibers, collage and photography. Rachel Bussières, who switched her concentration after watching the 2017 solar eclipse, uses varying light sources to produce lumen prints. During the wildfires, she recounted that she “made a new exposure each day to capture the changing air quality”.
Luciana Abait also incorporates the natural world into her pieces, instead using maps. An environmental activist originally from Argentina, Abait’s work highlights “environmental fragility, specifically the impacts it has on immigrants.” Her installation that is currently on display at Maxon Mills, takes the form of a mountain range built solely from maps of the US and Argentina.
Throughout the day, visitors could “Arm Wrestle 4 A Popsicle”. Winners had the choice of 3 playfully flavored trout-inspired popsicles - Nightcrawler, Power Bait, and Salmon Roe. Artist Katie Peck, who spent the day in costume as a rainbow trout, encouraged guests to step up and try their hand at an arm wrestle.
Shibori Indigo dyeing, group meditation, and dance workshops were open for community members of all ages as well.
While the daytime activities fostered appreciation of fixed art, a dance party until midnight at The Lantern Inn offered guests a space for performative art.
When describing the environment of The Wassaic Project, Smith emphasized, “It’s all community, it’s all love.”
A serene scene during the Garden Tour in Amenia.
AMENIA — The much-anticipated annual Amenia Garden Tour drew a steady stream of visitors to admire five local gardens on Saturday, July 13, each one demonstrative of what a green thumb can do. An added advantage was the sense of community as neighbors and friends met along the way.
Each garden selected for the tour presented a different garden vibe. Phantom’s Rock, the garden of Wendy Goidel, offered a rocky terrain and a deep rock pool offering peaceful seclusion and anytime swims. Goidel graciously welcomed visitors and answered questions about the breathtaking setting.
Amenia Finance Director Charlie Miller welcomed visitors to his Bog Hollow Road garden in Wassaic, a manicured expansive yard with well-placed garden beds framing a far-reaching view. He said he plans carefully each winter for the next spring’s improvement.
The organic, environmentally responsible Maitri Farm was next, a lesson in coordinating agriculture with natural balance. The farm stand and a walk among the greenhouses brought visitors together.
Near the center of Amenia was the garden of Polly Pitts-Garvin, offering a chance to visit a robust vegetable garden with raised beds to be envious of and a remarkable absence of any insects or usual vegetable garden problems.
At Chez Cheese, the vast garden acreage surrounding the 1850s historic home of Joan Feeney and Bruce Phillips in Millerton, visitors could begin at refreshment stations where walking tour maps of the 15-acre property were available. There were streams and ponds with docks, and a dozen bridges arranged around the landscape. In the 19th-century, the property had been the home of the Wilson Cheese Factory, inspiring the name of the estate.
The Amenia Garden Tour was supported this year by Paley’s Garden Center in Sharon.
Gary Dodson working a tricky pool on the Schoharie Creek, hoping to lure something other than a rock bass from the depths.
PRATTSVILLE, N.Y. — The Schoharie Creek, a fabled Catskill trout stream, has suffered mightily in recent decades.
Between pressure from human development around the busy and popular Hunter Mountain ski area, serious flooding, and the fact that the stream’s east-west configuration means it gets the maximum amount of sunlight, the cool water required for trout habitat is simply not as available as in the old days.
This is not a new phenomenon. It does seem to be getting worse, though.
Gary Dodson and I convened where the creek makes its final run into the Schoharie reservoir, part of the New York City water supply system, on a semi-broiling Thursday afternoon, July 11.
The goal was simple. Catch smallmouth bass, which abound in the lower section of the river.
This was hot stuff — as in an 80-degree water temperature.
The air temperature was actually slightly less at 77.
After negotiating the intensely slippery rocks, festooned with treacherous algae, the first major pool presented several difficulties, with a back eddy competing with a main flow and several large trees draped about the whole thing.
I hit on the simplest strategy, which was to flip a weighted attractor fly called a Tequilley into the start of the eddy so it would proceed slowly but steadily into the maelstrom, sinking all the while.
This worked. A proper adult smallmouth, with bronze coloring and vertical stripes, took the thing.
The point-and-shoot camera finally died, however, and I was not going to try to fumble my phone out for a nice but routine fish photo.
Why not?
Because I guarantee the fish would have made a sudden, last-moment bolt for freedom, causing me to drop the device into the drink.
Gary moved downstream while I continued trying to annoy the residents of the pool, succeeding a couple of times with different colored Wooly Buggers.
Then we all got bored and I moved off, where Gary was catching rock bass and cussing them out for not being something else. I have to admit, they are not the most compelling critters. Something about the red eyes.
This latest trip was dominated by extremely tedious and distasteful Harry Homeowner activities, but on both Wednesday and
Thursday mornings I prowled Woodland Valley Creek. By “morning” I mean “dawn,” because that was when the water temps were down to a barely acceptable 64.
I made the acquaintance of several stocked browns and of a handful of their wild cousins. The wild fish are smaller and nimbler.
The successful ploy was an Adams wet fly, size 16, drifted behind something big, like a Parachute Adams or Stimulator.