PINE PLAINS — After the challenges they faced in their search for a new pantry space, Nelson and Lisa Zayas of Willow Roots wholeheartedly welcomed the community to join in the ribbon-cutting ceremony for their new space at 7730 South Main St. on Saturday, March 21, at 10 a.m.
The pantry co-founders were brought before the town’s Planning Board as they did not have the proper permits to operate in a residential neighborhood, out of their North Main Street home. Neighbors on the adjoining street, Carla Terrace, began complaining last September that traffic on Saturday morning distribution days was disrupting their quality of life (for more, go to www.tricornernews.com).
The Zayases are in litigation at the moment dealing with the matter; they are also in the midst of pursuing a major home occupation special-use permit. In the meantime, they’ve found a new home for their two-year-old pantry, thanks to the countless do-gooders in the community who contacted them with suggestions of where they could set up a new distribution site. The space that worked out is located on South Main Street.
And that’s where familiar faces in the community could be spotted, standing around the front of the new Willow Roots’ front entrance, waiting in hopeful anticipation.
“It’s a new beginning,” said Willow Roots Board Vice President Brett McCormack. “With winter, you see so many efforts happening behind the scene, roots if you will, and now that it’s spring, people are excited about positivity and change and new beginnings.”
The new set-up, McCormack said, will allow Willow Roots to grow and help more people, generating productive, rather than reactionary, change.
Walking out the front door, Lisa said she was touched to see so many people come out to watch the pantry take root in a new location. Nelson was soon spotted coming out the door with a ribbon in hand, which he pulled tautly across the entryway.
Meanwhile, longtime volunteer Ray Christiansen passed green ribbons out to onlookers to tie onto the willow tree McCormack crafted and painted for the lobby.
Thanking everyone for their presence and letting grateful tears fall, Lisa said, “I love you all and I’m really proud to be part of Willow Roots. I always said that Willow Roots doesn’t belong to us, it belongs to everyone, and you definitely showed that when you rallied together to help us.”
Telling the story of how Willow Roots first took root in Pine Plains, Lisa introduced the group to Bruce Silvernale, whom she described as the willow root that started their work. From that moment on, she said they realized they were “going to need a bigger boat” and their efforts flourished as they continued to feed, clothe and provide for more people in need of support.
Whether they’ve been a receiver or a giver of Willow Roots’ services, Lisa told the crowd that each and every one of them has become a part of the Willow Roots family.
“When we were asked to leave, or told we should leave… we had a hard time,” she admitted. “Nelson and I kept it quiet and then at one time we decided we were going to give up. We didn’t think we could go through with it anymore; we were tired and we thought that maybe the community didn’t really need us as much as we thought — and you guys all proved us wrong.”
It was with the community’s support, Lisa said, that she and Nelson realized Willow Roots didn’t belong to them at all and they had no right to make the decision to give up. Choosing instead to fight, they were able to secure the space that she said will be the pantry’s home for as long as the community still wants them. Previously occupied by the former thrift store, Pass It On, the Zayases learned of the space through its owner, Kyle Lougheed.
Once the pantry’s board members and volunteers had a chance to speak their peace, the Zayases invited Silvernale to stand beside them to tie on the willow tree’s first ribbon, and with a snip of the scissors in Lisa’s hand, the ribbon was cut and the pantry was officially opened for operation. A line soon formed up the walkway for visitors to tour the new space and tie on ribbons, and volunteers began arriving to distribute food at 11 a.m., for a rare Sunday morning distribution.
As they toured the new Willow Roots space at 7730 South Main St., community members were invited to tie a ribbon on the willow tree crafted by Willow Roots Board Vice President Brett McCormack that’s stationed in the lobby. Photo by Kaitlin Lyle
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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