Patton Oswalt brings comic relief to The Mahaiwe Theater Saturday, March 22

Patton Oswalt
Photo by Sam Jones

Patton Oswalt
Comedian and actor Patton Oswalt is well known for his standup routine as well as his roles in film and television. Oswalt made his acting debut in the Seinfeld episode, “The Couch” and has appeared in “Parks and Rec,” “Reno 911,” “Modern Family,” and “A.P. Bio.” He has done voice-over work for movies including “Ratatouille,” and had his own Netflix special. “Patton Oswalt: Talking for Clapping.”
Oswalt will present his unique brand of humor in a show titled “Effervescent” at the Mahaiwe Theater in Great Barrington, Massachusetts, on Saturday, March 22. With sardonic style, he makes keen observations about American culture and gives biting critiques of the current administration.
In a recent interview with the Lakeville Journal, Oswalt said,
“Things are so dark. It feels like they’re depending on craziness to bulldoze their stuff in. So, I’m using absurdity and almost surrealism to battle it. I also realize that when you’re coming into a show like this, you want some escape. It’s certainly not the whole set.”
“Politics used to be about getting stuff off of your plate so that you can live. Now it wants to dominate the news cycle and everyone’s emotions. So, in a weird way, comedy is an act of defiance,” he added.
Comedians like Richard Pryor and, more recently, Dave Chappelle pushed boundaries of taste and limits. George Carlin was quoted as saying, “I think it’s the duty of the comedian to find out where the line is drawn and cross it deliberately.” So, how far is too far and who decides?
“When you became a comedian, you signed up for having the ground continually cut from underneath you. That’s the deal you made. Comedy is an ephemeral art that doesn’t age very well, and you have to embrace that,” Oswalt said.
In recent years, political correctness has restrained the growth of comedy and free speech. Today, the pendulum seems to have swung in the opposite direction to the far right.
So, are there funny right-wing comedians?
“There have been comedians who are more conservative in their outlook, but they don’t make it their identity. I know some comedians who are right wing but are still good at doing comedy. It’s not that right wing comedians aren’t funny, it’s that there’s a lot of right wing people who think that they deserve to be funny. The failed comedian to right wing grifter pipeline is pretty short,” Oswalt said.
And how about politicians who think they’re funny and use their pulpit to bully?
“You have to know how to be funny. Fast forward to people who just want to break boundaries and are just cruel. They don’t understand what comedy is. The nightmare that Elon is putting us through is all because he wants to be cool, and he’s not. So, he’s gonna blow up the world. That’s an oversimplification, but it’s also accurate. He’s like the kid whose dad owns the rec-center and thinks that all the kids should like him, but he’s obnoxious and mean so no one wants to hang out with him,” Oswalt said.
Like many comedians, Oswalt tests out new material in small clubs and open mics. When asked if he receives any pushback on his politically pointed jokes, Oswalt said, “When you go out in the world, people are just kind of the same. I’m never saying anything that’s unreasonable, even when I’m making fun of stuff like religion, conservatism and especially, fascism. It’s not in a way that people can say, ‘No, wait a minute, fascism’s good!’ unless they’re just trolling.”
At this point in his career, Oswalt has developed his own fans who come to see him. He wins crowds over by staying welcoming of everyone.
“I’m a big believer that if you treat audiences with respect, they’ll come and meet you. I’m always excited to be in front of people,” he added.
With surprise as a key element to any new show, Oswalt won’t divulge the nature of his new act, but he guarantees it will feature new material.
“Look at how accelerated the news has gotten. Who knows what I’ll be talking about by the time I get to Great Barrington!” he said.
For tickets to Patton Oswalt’s show, go to: mahaiwe.org
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Hector Pacay Service: House Remodeling, Landscaping, Lawn mowing, Garden mulch, Painting, Gutters, Pruning, Stump Grinding, Chipping, Tree work, Brush removal, Fence, Patio, Carpenter/decks, Masonry. Spring and Fall Cleanup. Commercial & Residential. Fully insured. 845-636-3212.
SNOW PLOWING: Be Ready! Local. Sharon/Millerton/Lakeville area. Call 518-567-8277.
PUBLISHER’S NOTICE: Equal Housing Opportunity. All real estate advertised in this newspaper is subject to the Federal Fair Housing Act of 1966 revised March 12, 1989 which makes it illegal to advertise any preference, limitation, or discrimination based on race, color religion, sex, handicap or familial status or national origin or intention to make any such preference, limitation or discrimination. All residential property advertised in the State of Connecticut General Statutes 46a-64c which prohibit the making, printing or publishing or causing to be made, printed or published any notice, statement or advertisement with respect to the sale or rental of a dwelling that indicates any preference, limitation or discrimination based on race, creed, color, national origin, ancestry, sex, marital status, age, lawful source of income, familial status, physical or mental disability or an intention to make any such preference, limitation or discrimination.

On Thursday, Oct. 30, from 5:30 to 7 p.m., the Norfolk Library will host a free public screening of “Tiananmen Tonight,” a film by Bestor Cram and Michael Streissguth about the 1989 student uprising in China and the daring coverage by Dan Rather and CBS. Director Cram will introduce the film.
A documentary filmmaker whose life was forged in the fire of Vietnam, where he served as a Marine, Cram earned the Navy Commendation Medal. He returned home to become a conscientious objector and leader of Vietnam Veterans Against the War. After working in the MIT Film Studies Program, he founded Northern Light Productions in Boston, producing media for museums, and has made more than 30 feature documentary films.
His credits include the 1995 Academy Award-winning documentary “Maya Lin: A Strong Clear Vision,” as well as “After Innocence and Wrestling with Angels: Playwright Tony Kushner.” His film “Unfinished Symphony,” premiered at the 2001 Sundance Film Festival.
JA: When did you begin telling stories?
BC: I began my filmmaking adventure as an organizer for Vietnam Veterans Against the War. I arranged for a group of filmmakers to document our march, which followed the ride of Paul Revere in reverse, a warning to folks to become patriots and oppose the war.
JA: How does our current political and moral dilemma, with journalism under fire, inform this film?
BC: The film is about a momentous event that became a defining example of how television journalism lived up to its promise, providing in-depth, ongoing reporting that enabled an audience to understand the evolution of a news story. It provides insight into the decisions journalists face in dealing with management, restrictive budgets, governmental impediments, and the dilemmas that arise when reporters become part of the news.
JA: What drew you to the story of Dan Rather and CBS in China?
BC: Dan Rather and his team were in a ratings fight, but more importantly, they were fighting to reestablish their reputation as the gold standard in TV journalism.
JA: How can we protect our free press?
BC: The bottom line rules capitalism. When corporations become owners of the press, they no longer view news as a public service but as another commodity on the balance sheet. I believe the best way to protect the free press is to limit who owns it.
JA: What is the role of the press, and of film, in truth-telling?
BC: The role of the press is to inform. The role of film is also to inform, but its format is essentially an editorial perspective. Telling the truth is more a process of what is chosen to be presented and its sources.
JA: How do you define bravery?
BC: Bravery is the notion of expressing oneself physically and intellectually based on one’s conscience, kind of a Henry David Thoreau ideal. Following the law is part of citizenship, but ensuring the justness of the law is also part of citizenship.
JA: Do you think China is more or less repressive now than in 1989?
BC: Economically, people are better off. But the price paid for not contesting the Chinese totalitarian regime is one of accepting the repression of free speech and the rewriting of history.
JA: What do you want people to take away from this film?
BC: Appreciation for the quality and courage of the journalists who reported Tiananmen, and a consideration of what is being done in TV journalism today. And a reexamination of the stand the Chinese took then as an inspiration for how movements today can shape change, knowing that there are consequences to be considered when dealing with governments.
JA: What is your current project?
BC: A feature documentary called “Not Your Average Citizen,” the story of Boris Nemtsov, leader of the Russian opposition and critic of Vladimir Putin, who was gunned down outside the Kremlin in February 2015. As Nemtsov often said, “Freedom comes at a high price.”
More at notyouraveragecitizen.com.
Register at norfolklibrary.org
Abstract artist Vincent Inconiglios' love and enthusiasm for color and form are evident all around him at his Falls Village studio, where he has worked for 25 years. He is surrounded by paintings large and small, woodcuts, photographs, collages and arrays of found objects.
The objects Inconiglios has found while out walking — in Falls Village, near his studio on Gansevoort Street in New York City, and in other places throughout the world — hold special importance to him. Appreciation of them, he says, comes from “seeing while exploring. I am always finding things.” His particular delight is finding objects that look like faces, many of which will be featured in the ArtWall show at the Hunt Library.
The found objects inspire him, are his “friends,” and serve as muses for his work. He has had some in his collection for more than 50 years. “I’ve always thought of them as parts of me.”
As he shows these objects and tells how he found them, his enthusiasm is contagious. It suggests a new way of looking at the world, even at the most mundane bits of debris.
The sheer volume of paintings and collages displayed in his Falls Village studio attests to his interest in form, color, and composition.
Inconiglios will bring his sense of play and love of discovery to his show, “Face Time,” opening at the Hunt Library in Falls Village on Oct. 25, with a reception from 5 to 7 p.m. It features faces in collages, photos, and found objects. The works will be on display until Nov. 21.
Inconiglios explained a little about his process. “If I am stuck,” he said, “I’ll cut something and put it down. One thing leads to another and forces me to focus.” Next month, in a workshop with children, he will share techniques like this that have guided him in his work.
The children, students at Lee H. Kellogg School in Falls Village, will create their own face collages. Inconiglio enjoys the spontaneity children bring to their creations and is eager to work with them.
On Nov. 13, Inconiglio will give an artist’s talk at 5:30 p.m. at Hunt Library.
He looks forward to feedback about “Face Time,” commenting, “I’d rather get bad feedback than no feedback.”
For more information, visit: huntlibrary.org/art-wall/.