‘Selected Shorts’ comes to Stissing Center

The Stissing Center was bustling just before the show on Sunday, March 9.
Photo by Alec Linden
The Stissing Center was bustling just before the show on Sunday, March 9.
PINE PLAINS — The Stissing Center was packed on Sunday for an afternoon performance of podcast and NPR series “Selected Shorts.” The sold-out show, which was recorded for national broadcast at a later date, brought a lineup of four accomplished actors and storytellers to the Pine Plains stage to recite a selection of short stories from award-winning authors.
“Selected Shorts,” a product of Manhattan-based performing arts powerhouse Symphony Space, features prominent actors who recite works of short fiction. The full program usually revolves around a theme; Sunday afternoon’s focus was “transformations.”
Comedian, writer and actress Ophira Eisenberg — or “renaissance woman of storytelling,” as Stissing Center Executive Director Patrick Trettenero introduced her — assumed hosting duties, warming up the crowd with jokes about Brooklyn egg prices and doctors with self-esteem issues — “I want a megalomaniac with a god complex and no hobbies.”
Every seat in the large coffeehouse-style auditorium was filled, and the crowd was engaged. “For a 3 p.m. audience, you guys are amazing!” exclaimed Eisenberg.
Actor David Straithairn took the stage first, reading a short story by Pulitzer Prize winning author Steven Millhauser titled “Green.” Straithairn’s classic, almost antique delivery suited the small-town American ethos of the story well. A somewhat detached but observant narrator recounts the story of a sort of anti-plant mania that started “innocently enough” in his town, stripping public and private property alike of all greenery. Eventually, a few intrepid neighbors add shrubbery back to their yards, prompting a swing back in the other direction: “After a brief diversion, a playful experiment, things had returned to normal in our quiet town — or had they?”
Straithharn’s reading was followed by an animated performance from actor Lauren Ambrose, whose long resumé is most recently punctuated by her role in the popular television series “Yellowjackets.” Ambrose read “Quantum Voicemail” by novelist and short-story writer Kristen Iskandrian, a woozy tale from a particular and slightly neurotic narrator who describes voicemail in probably the most poetic language ever put to page about the messaging format. Voicemail is “a stirring three minute soliloquy,” and “like a photograph, it capture[s] a moment of attention,” says the rapt narrator.
A brief intermission enabled patrons to refuel with drinks or popcorn from the bar, or head outside to enjoy the early spring weather. For those who remained in the theater, the sunken lounge-like space in the center of the room facilitated easy conservation between neighbors as they reflected on the performances.
Eisenberg herself recited the third story, “Squirrels” by Israeli writer Etgar Kenet. The action opens with a description of a family myth — or was it? — about a grandfather being reincarnated as a giant squirrel after a battle with cancer, and which subsequently halts his widow’s next wedding by biting the groom-to-be’s thumb. The story does get sentimental, which Eisenberg’s mostly comic oration accented well.
The final performance was of New York City-raised writer Jamel Brinkley’s “Blessed Deliverance,” a coming-of-age story about a group of college-bound teenagers growing up and growing apart in gentrifying Brooklyn. New York stage and screen actor Teagle F. Bougere handled the tension and confusion of late childhood/young adulthood well in his recitation. The plot reaches a high point when an unhoused man releases a pack of rabbits from an animal rescue shelter into the street while the group of teens looks on, cheering but not entirely sure what for.
After a few closing remarks from Eisenberg, the show was complete. Satisfied attendees made their way back to their cars and released the streets of Pine Plains into Sunday quietude once again.
Kevin Kelly
“I was exposed to that cutthroat, ‘Yes, chef’ culture. It’s not for me. I don’t want anyone apologizing for who they are or what they love.”— Kevin Kelly
Kevin Kelly doesn’t call himself a chef; he prefers “cook.” His business, After Hours, based in Great Barrington, operates as what Kelly calls “a restaurant without a home,” a pop-up dining concept that prioritizes collaboration over competition, flexibility over permanence, and accessibility over exclusivity.
Kelly grew up in Great Barrington and has roots in the Southern Berkshires that go back ten generations. He began working in restaurants at age 14. “I started at Allium and was hooked right off the bat,” he said. He worked across the region from Cantina 229 in New Marlborough to The Old Inn on the Green at Jacob’s Pillow before heading to Babson College in Boston to study business. After a few years in Boston kitchens, he returned home to open a restaurant. But the math didn’t work. “The traditional model just didn’t feel financially sustainable,” he said. “So, I took a step back and asked, ‘If that doesn’t work, then what does?’”
The answer became After Hours. Rather than investing in a single location, Kelly partners with various venues and brings the restaurant experience to them. He uses the commercial kitchen at The Thornewood, a former inn turned workforce housing in Great Barrington. “They didn’t really have much use for the commercial kitchen, and I happened to connect with them when they acquired the property. We were actually the first tenant in the building,” said Kelly. Events are usually family-style and rooted in seasonal, local ingredients, sourced from local farms whenever possible including Dancing Greens, Indian Line, Off The Shelf and North Plain.
Since launching in December 2023, After Hours has hosted more than 150 events and partnered with nearly 100 local businesses including Wards Nursery in Great Barrington, Paige’s Place in Otis, Massachusetts, The Berkshire Botanical Garden, and coming up is a summer residency at The White Hart in Salisbury. From multi-course dinners to casual market pop-ups, its model adapts to the space, the moment, and the ingredients. “We design menus based on the venue,” said Kelly. “Whatever the kitchen allows, we make it work.”
Looking for partnerships that are mutually beneficial adds to the community-oriented business model. “Something we always look to curate with events and event partners is finding ways to mutually collaborate on marketing. So, Wards is a great example where they’re really looking to tap into a younger demographic and that’s something we’re able to really bring to the table.”
Now, Kelly is extending the model with a new initiative called The After Hours Supper Club. A subscription-based model, members will receive monthly meals for two or four with seasonally inspired mains, small plates, desserts, and extras. A portion of the proceeds supports Berkshire Bounty, a nonprofit fighting local food insecurity.
The Supper Club is not Kelly’s first collaboration with Berkshire Bounty. Last Thanksgiving, he launched a “buy one, give one” meal kit where one purchased meal equaled one donated to a local family. “Berkshire Bounty is so grateful for the continued support from Kevin and After Hours. Through Kevin’s creativity and care, together we are making an impact on food security in this community and providing nourishing food for the most vulnerable among us,” said Morgan Ovitsky, Executive Director of Berkshire Bounty.The subscription model allows After Hours to extend its reach into homes across the region. “We’ve had strong early interest,” said Kelly. “We’re fulfilling our first orders in June.”
Staffing such a fluid operation is a challenge. To address this, Kelly also created After Hours Gigs, a flexible labor system where people can sign up for one-off shifts. “Most people around here have three or four jobs,” he said. “This lets them pick up a gig with low commitment.” About 15 to 20 people work regularly through the system, but Kelly is often still scrambling to fill roles on busy weekends. With five events in just four days on the calendar, Kelly keeps moving. “It’s a lot,” he said. “But you just do it. One event at a time.”
There is a distinctly anti-macho ethos to his kitchens. “I was exposed to that cutthroat, ‘Yes, chef’ culture. It’s not for me. I don’t want anyone apologizing for who they are or what they love.” When someone asks what to wear to a gig, his response is simple. “Be comfortable. Be presentable. Be yourself.”
What Kelly has built with After Hours is less a brand than a belief that food should be personal, shared, grounded in place and people. So, what’s the most delicious thing he’s made recently? “A white pizza with ramp pesto,” he told me, eyes lighting up. “We’ve started doing Sicilian slices at the farmer’s market. Breakfast pizzas are next.”
For more information, visit: www.afterhoursgb.com
Dee Salomon on what makes a garden a garden.
On June 20 and 21, the Cornwall Library will celebrate its 10th anniversary of Books & Blooms, the two-day celebration of gardens, art, and the rural beauty of Cornwall. This beloved annual benefit features a talk, reception, art exhibit, and self-guided tours of four extraordinary local gardens.
The first Library sponsored garden tour was in June 2010 and featured a talk by Page Dickey, an avid gardener and author. This year’s Books & Blooms will coincide with Ellen Moon’s exhibit “Thinking About Gardens,” a collection of watercolors capturing the quiet spirit of Cornwall’s private gardens. Moon, a weekly storyteller to the first grade at Cornwall Consolidated School and art curator for The Cornwall Library, paints en plein air. Her work investigates what constitutes a garden. In the description of the show, she writes: “there are many sorts...formal, botanical, cottage, vegetable, herb...even a path through the woods is a kind of garden. My current working definition of a garden is a human intervention in the landscape to enhance human appreciation of the landscape.” Also on display are two of her hand-embroidered jackets. One depicts spring’s flowering trees and pollinators. The other, a kimono, was inspired by Yeats’s “The Song of the Wandering Aengus.”
On Friday, June 20 at 5:30 p.m. writer and garden philosopher Dee Salomon will give a talk titled, “What Makes a Garden a Garden?” at Cornwall Town Hall. Beloved for her “Ungardener” column here in our newspapers, Salomon will reflect on the meaning of gardens and their place in the human imagination. The presentation is followed by a festive cocktail reception at the library, with live music by the Crownback Funk Trio, an improvisational blend of funk, blues, and jazz.
Then on Saturday, participants can enjoy self-guided tours of four distinctive Cornwall gardens, each with docents on hand to answer questions. From a terraced Italianate hillside overlooking the Housatonic River to a wild deer-frequented garden brimming with perennials and daffodils, these gardens tell stories of transformation, imagination, and place.
Books & Blooms is a reflection of the Cornwall Library’s vital role in town. “The library really is the central meeting place,” said event organizer Kirk Van Tassel. “People come here for talks, kids’ programs, art exhibits. It’s a cornerstone of community life.”
To purchase tickets, visit cornwalllibrary.org