
Jared Voorhees, left, founder of vegan baked goods website Shared Gooods and his partner, Caroline Robins.
Photo by Natalia Zukerman
MILLERTON — During COVID-19, many of the more fortunate took up pottery.
Windowsill herb boxes became full-fledged botanical paradises. Some people took the time to sew or knit, to learn a language, to adopt a puppy, and for a while, it seemed that all anyone talked about was baking. As grocery store shelves became bare and toilet paper became a commodity, so, too, did baker’s yeast, and the topic of “to sourdough start” or “not to sourdough start” became common dinnertime conversation.
For some, this period was an opportunity to elevate hobbies into passions, while others took the time to realize dormant dreams and, some might even say, step more fully into lifetime callings.
Jared Voorhees dropped out of college after a few semesters to tour the country in a band. After that, he was unemployed for a while and, a bit panicked, applied to pretty much any job available. He saw a job opening at Ceremony, a specialty coffee company based out of Maryland, and got the part-time job in fulfillment.
“Over the years at Ceremony, I just got close to everyone, and I’d spend time on the roast floor when I had free time,” said Voorhees. “I tried to stay out of the way, but I let them know, ‘Hey I wanna learn.’”
His goal was to fill in once a position became available in roasting, and soon enough, that’s what happened.
In 2021, the position of head roaster at Irving Farm became available. Voorhees came to see Millerton, Face-Timing his partner, Caroline Robins, back at home in Annapolis to show her the town.
He got the job and moved right away. Robins and their dog, Greta, came about a month and a half later, having never seen the place in person.
Robins, a personal trainer and yoga teacher, had transitioned to teaching mostly online during the pandemic, so the move was an easy one for her professionally, and they both were excited to explore and become part of a small town. Voorhees lived above the café in town for a bit before the two found their home.
The style of coffee and coffee culture was different at Irving than Voorhees was used to at Ceremony. “I’ve been head roaster at Irving Farm for two and a half years now, “ said Voorhees, “and I’ve really enjoyed the transition and creating a roasting program with my coworkers that we’re really proud of.”
The coffees are tasted each day, and special attention is paid to each blend and single-origin bean they offer. Voorhees’ personal favorite right now—“It changes all the time”—is Rwanda Mushonyi.
“Roasting is kind of like tattooing,” said Voorhees. “Someone has to teach you. There are courses you can take and stuff, but you can’t apply any of the knowledge unless you are in front of a roaster somewhere.”
Voorhees learned baking in a similar way: by watching his mother. “My mom was always baking when I was younger. She would make chocolate chip cookies from scratch probably every weekend or every other weekend.” Voorhees laughed, “To this day, she probably doesn’t have her recipe perfected.”
His mother was more of a trial-by-success-and-failure baker. “I was a kid, so they always tasted the same to me. I mean, they were chocolate chip cookies and they always tasted good.” He added, “Always. There just were cookies around at all times.”
His mother’s experimental approach influenced Voorhees, but he didn’t bake much after leaving home. During COVID, like so many, however, he had a craving for homemade chocolate chip cookies.
“I looked up a recipe on Bon Appetit. Everyone was learning from Bon Appetit and YouTube videos. I used Chris Morocco’s recipe and I just veganized it.”
The couple had become vegans in 2015. Robins “went first,” she explained. “Environmental, family health history,” being the first reasons, she said, and then, “we became more interested in learning about our own personal health and having agency over that.”
Voorhees started a blog, sharing recipes and vegan baking tips. He started making cookies and bringing them to work at Ceremony. He also posted the recipes on Instagram.
“Baking just became a hyperfixation for a while, and then the fixation just never went away,” said Voorhees, who is also a graphic designer. Soon, he made his own website at www.sharedgooods.com with enough baking content and a space for the investigation of vegan ingredients that “are just different,” he explained.
In fact, the website has a section titled “The Index,” dedicated to vegan substitutions. There, you’ll find suggestions for vegan alternatives for eggs, butter, flour and even sugar.
“The butter has more water in it,” for example, said Voorhees, so making sure each baker trying his recipes understands an ingredient’s effect on the baked goods is important to him.
“I have a little of my mom’s mentality, that nothing’s ever perfect and I’m always iterating the recipe. I’m not searching for perfect.”
But he is searching. Since that first Bon Appetit-inspired recipe, Voorhees said,“ Yeah. I’ve probably made them hundreds and hundreds of times.”
“Adjusting the butter,” added Robins, “the sugar, all the things.”
“It’s changed 10 or 12 times at least,” said Voorhees, “But I feel like I’ve landed on one that I’m proud of.”
The Shared Gooods website also has a section about Voorhees in which he wrote: “I don’t aim to be ‘healthy’, or (on the contrary) ‘indulgent’. I like baked goods. To me they’re a food group, and I eat them when I want to. I only make two claims: the recipes are vegan, and the recipes are tasty.”
“I hate the word, ‘healthy’” Voorhees added, “because I think it’s different for everyone.”
“It’s such a diet culture word,” said Robins.
“Yeah, totally,” added Voorhees, “And it’s so just so vague. I mean, there’s not just heart health or physical health, but also mental health. Eating baked goods makes me happy,” he laughed.
Voorhees started doing pop-ups at the Millerton Farmer’s Market last year, and this year, has committed to being at the market with his Shared Gooods stand the first Saturday of every month. On those days, he wakes up at 2 a.m. and gratefully has use of the Irving Farm kitchen to make his baked goods. Robins rides her bike to meet him and the two are at their stand until 2 p.m., a long but fun 12-hour day.
When asked if he envisions having a bakery someday, he said, “If I had to answer, I’d say not right now. I want to own a business with Caroline for sure. I don’t know that it would be a bakery, though. A bakery is such a different beast. It’s a lot and it’s really hard.”
“One of the main things when we moved here,” said Robins, “is to be respectful of the town and not just come in and say we knew what it needed or what it was missing, but actually live in it for a moment and be in it for a moment. And two years still isn’t enough to fully experience something. But,” she added, “The farmer’s market feels like such a natural place to meet people where they are.”
Voorhees is also doing occasional pop-ups elsewhere at places like BES in Millerton, and the coffeeshop Ilse in Canaan, Connecticut, where he collaborated with Daniel Meissner, a local chef.
“Those are the things that are the most fun for me,” said Voorhees. “They’re really about community and meeting people.”
When asked about the extra “O” in Shared Gooods, the two talked excitedly about its fun and playful nature and about giving away from the overflow.
“I love baking and sharing my recipes. The whole point for me is that people walk by and see my baked goods and get excited and just think they’re delicious.” Voorhees added, “It doesn’t matter that they’re vegan, but once they find out they are, they’re sometimes totally surprised, and that makes me happy.”
SHARON — Angela Derrick Carabine, 74, died May 17, 2025, at Vasser Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino