With so many changes taking place in the world today, including in our local business communities, The Millerton News has been taking a closer look at how the village of Millerton has evolved in the years leading up to the present day. The paper has been running a multi-part series on the many alterations that have taken place in the Millerton business district since it was first established in the late 1800s. This is the third and last part in that series.
Part III
MILLERTON — Today, of course, the hip village of Millerton offers many amenities and resources for locals and visitors alike — from the scenic Harlem Valley Rail Trail (HVRT) just steps from the Main Street shopping district to the oodles of antiques shops to the trendy spots where one can pick up anything from a 100% natural Pyrenean Duck Down duvet cover for a mere $1,533 at Westerlind to an 8 oz. jar of Meyer Lemon Rosemary Jelly from Les Collines at The Dig for a more reasonable $16 to a catnip seed packet from the Hudson Valley Seed Co. at Oblong Books & Music for an affordable $3.99 — but the one thing shoppers won’t find in Millerton these days is a grocery store.
Sans supermarket & sewer
In 1971 brothers Skip and Robert Trotta, who own the Millerton Square Plaza on Route 44 heading east toward the Connecticut border, opened the Millerton Super grocery store at the plaza; it later became the Great American, then Grand Union, and lastly, the space was leased by the owners of the successful Sharon Farm Market in neighboring Connecticut who opened it as the Millerton Fresh Market in 2017. However, the store’s model did not do well in New York and it closed in 2019.
Millerton has been without a supermarket- ever since — creating a huge void in its ability to remain self sufficient and forcing local residents to rely on convenience stores, farmers markets, food delivery services, specialty shops and food pantries for sustenance. None of these are practical for a community that wants to be 100% independent and build up its reputation as a place where economic development can thrive.
The village is also without a sewer system, which the Village and Town Boards have been actively pursuing; the Millerton Business Alliance (MBA) just launched a petition drive during the weekend of April 17, “to build support for the creation of a wastewater disposal system” in the business district.
Oblong Books & Music co-owner and HVRT Association President Dick Hermans, who was recently tapped to be on the town’s Economic Development Committee, said he’s confident a “grocery store will be on the top of their agenda,” words the town supervisor has himself confirmed to this newspaper. Hermans, who is also active with the Millerton Business Alliance, said he firmly believes a wastewater solution is essential for future economic development.
“I would just like to see the septic water disposal happen because it really would inspire people to fix our properties a little more and to fix up older buildings in town,” he said.
Hermans owns the Oblong property at 26 Main St. and has invested in his building over the years, making regular repairs to the older structure and improving property values in the village’s business district as a result.
Other Main Street upgrades and additions
Improvements are also being made right now at The Moviehouse, which was just sold on March 15 by longtime owner Carol Sadlon. Sadlon founded the theater and arts space with her late husband, Robert, in 1978. She sold the iconic entertainment venue to Connecticut buyers David Maltby and Chelsea Altman. The pair has big plans, which will keep the theater as an anchor in the business district and as a draw for residents from around the Tri-state region.
It’s one of the many reasons why Gillian Osnato, who is also from over the border but now lives in Millerton, said she decided to open a confectionery and ice-cream shop on Main Street — smack in the middle of the COVID-19 pandemic. Osnato named her shop Candy-O’s; it’s located at 28 Main St. She spoke of the village’s other attractions.
“I definitely think the Rail Trail is a really unique and exciting feature that draws people to the town, and then there’s The Moviehouse,” she said, “when it opens up again it will be a really fun and exciting thing to have, especially because as a kid that’s what we did, you would go to the movies and you would get excited to do that. Otherwise you had to travel so far.
“This really is a tourist town, even before the pandemic. You can’t go over the border to Lakeville or to Salisbury or Sharon even. The closest tourist hub is Great Barrington, Mass.,” she said. “This has become the spot, and it’s the kind of place where having grown up here and seeing it evolve is kind of amazing.”
Osnato’s father, Sal, owns the T-Shirt Farm, just a few stores down, at the corner of South Center Street and Main, where he sells all sorts of T-shirts that can be customized with graphic iron-on images along with sweatshirts and mugs and other novelty items. He’s been a Millerton merchant for years and encouraged his daughter to open, even though it was an unusual business climate. The risk was well worth it, she said.
A surprisingly good time to start a business
“There wasn’t anything like it,” said Osnato of her candy store. “We knew it would be a good fit… having sweets and everybody loves ice cream… Go to any destination town and there will be a shop like mine.”
In fact, Osnato has been so successful since opening on March 19, mainly catering to families with children after 3 p.m. on weekends, that some days she serves 100 people or more.
“I think people are ready to just indulge, in the best sense of the word,” said the new businesswoman, who praised her fellow Main Street merchants for being so supportive.
She also said, while realizing that business today is not like in the old days when everybody knew their neighbors and shopkeepers, she is getting acquainted with her regulars.
“I know a lot of them… and track new and returning customers; I’m getting a lot of returning customers and have my regulars already,” she said. “I already know what they’re going to get before they walk in the door. I have one gentleman who gets two scoops of vanilla with hot fudge and whipped cream. It’s great, it’s kind of really cool to see them; you get to know your customer by what they like and what they’re excited about. If they like a special candy I’ll order it for them.”
Shopping local
Osnato said she also makes it a point to shop locally herself, and support her fellow merchants.
“I just bought a birthday present for my sister at Demitasse next door, then I went to The Dig. I love the bakery, and obviously I love my dad’s shop; I love shopping locally,” she said. “Obviously there are things you can’t get locally but people are starting to fill the void. You can go into The Dig or Demitasse and get a toothbrush made of wood or recycled materials that is eco-friendly, and that’s good. Then there’s the bookstore, which I love. The only thing we really need is a grocery store. I get my lunches all the time at Irving Farm or the diner, and get dinner take-out. It’s nice to get to know the people in the community.”
Part of the next generation, having just turned 32 on May 4, Osnato said shopping locally is incredibly important to her.
“The idea of supporting businesses locally that need our support is great; instead of shopping on Amazon I said I’ll go see what I can get in town and support merchants locally,” she said. “I think that empowered me in a way, and I saw how everyone was successful.”
One thing she would really like to see added to the business community besides a grocery store? A shoe store.
“Just the other day I thought I need a pair of shoes and wished we had a cool small shoe store,” said Osnato. “We need something like that. We need to bring back all those small merchants that you see in those busy popular towns because locals shop there as well as people visiting and people like to see that uniqueness.”’
Which is the ultimate balance long-time residents, business owners and their workers, as well as the newcomers who fall into those categories seemingly want to strike — to create a community that provides for everyone — all of whom seem to fall into the broad definition of “locals” and all of whom clearly feel an ownership and a love for the village of Millerton.
Left to right: Emi Night (Lead Educator), Luna Reynolds (Intern), Jill Winsby-Fein (Education Coordinator).
The Wassaic Art Project offers a free, weekly drop-in art class for kids aged K-12 and their families every Saturday from 12 to 5 p.m. The Art Nest, as it’s called, is a light, airy, welcoming space perched on the floor of the windy old mill building where weekly offerings in a variety of different media lead by professional artists offer children the chance for exploration and expression. Here, children of all ages and their families are invited to immerse themselves in the creative process while fostering community, igniting imaginations, and forging connections.
Emi Night began as the Lead Educator at The Art Nest in January 2024. She studied painting at Indiana University and songwriting at Goddard College in Vermont and is both a visual artist and the lead songwriter and singer in a band called Strawberry Runners.
Night sources her ideas for projects “from all over,” she said. “Sometimes we’ll pull ideas from artists in the shows [at The Wassaic Project] and if there’s something that seems like it would be fun for the kids, we’ll create a project around it.”
Night emphasized that the Art Nest is a drop-in opportunity as opposed to a drop-off class.
“Some families come in that are new in the area and don’t have a lot of parent friends,” Night said. “And they meet people here and develop a network. It’s a really cool space for that, and art is a great way to bring people together.”
Jill Winsby-Fein, Education Coordinator at The Wassaic Project also emphasized the community aspect of the offering. “We ask families to stay together, and that results in family art making that’s actually really special.”
Depending on the day, there can be up to 20 children and their families in the space. “Most days we have five or six kids at a time,” said Night.
The summer exhibition, “Tall Shadows in Short Order,” opens May 18 and the teachers expect an increase in attendance. The Wassaic Project has partnered with the Intern Project through the NECC (North East Community Center) and Luna Reynolds, a student at Webutuck Central School, is “our intern extraordinaire,” said Winsby-Fein.
“The projects I plan are geared toward kids ages four and up,” said Night, “but they are always adaptable to engage younger artists in sensory play and fine motor skill development. The average age range of attendees since I started working here in January has been three to 12. We do have materials and equipment more appropriate for teens like sewing and embroidery machines, jewelry and wire sculpture tools, button/pin-makers, and we’d love to have more teen artists working in the space.”
The program is funded through the Wassaic Project, which relies on grants, individual and donor funding, and artwork sales. Winsby-Fein is currently in the process of applying for various education grants to help fund the program.
“We have kids who walk from nearby and come every week,” she said. “A lot of the feedback I’ve gotten from families is about the community aspect.”
Families seeking to explore the world of art through The Art Nest are invited to drop by on Saturday afternoons. Visit www.wassaicproject.org for more information.
A detail from a fabric-crafted wall mural by Carlos Biernnay at the annual Kent Arts Association fiber arts show.
The Kent Arts Association, which last summer celebrated 100 years since its founding, unveiled its newest group show on Friday, May 11. Titled “Working the Angles,” the exhibition gathers the work of textile artists who have presented fiber-based quilts, landscapes, abstracts, and mural-sized illustrations. The most prominently displayed installation of fiber art takes up the majority of the association’s first floor on South Main Street.
Bridgeport-based artist Carlos Biernnay was born in Chile under the rule of the late military dictator Augusto Pinochet, but his large-scale work is imbued with fantasy instead of suffering. His mix of influences seems to include Wolfgang Amadeus Mozart’s popular German libretto “The Magic Flute” — specifically The Queen of the Night — as well as Lewis Carol’s “Alice’s Adventures in Wonderland,” The Tudor Court, tantalizing mermaids and exotic flora.
Upstairs, Litchfield-based fiber artist Karen Griska’s large quilts take inspiration from African tradition, although she has also worked in the styles of Amish quilting as well as the Black American tradition of Gee’s Bend, which began in an Alabama town of the same name.
For more on “Working the Angles” and Kent Art Association exhibition viewing hours go to www.kentart.org
A quilt by Litchfield-based artist Karen Griska.Alexander Wilburn
If last month’s solar eclipse taught me anything, it’s that we all still love seeing cool stuff in the sky. I don’t think we realize how fast astronomical wonders are fading out of sight: studies show that our night skies grow about 10% brighter every year, and the number of visible stars plummets as a result. At this rate, someone born 18 years ago to a sky with 250 visible stars would now find only 100 remaining.
Vanishing stars may feel like just a poetic tragedy, but as I crouch over yet another dead Wood Thrush on my morning commute, the consequences of light pollution feel very real. Wincing, I snap a photo of the tawny feathers splayed around his broken neck on the asphalt.
It’s not the only such photo I’ll take this year. The building whose towering windows took this thrush’s life is infamous; like many other passersby, I pay close attention to the ground around such spots to record any victims. We upload our morbid photography to iNaturalist, an app usually reserved for more cheerful records and identifications of flora and fauna, where they automatically join several citizen science projects focused on bird-window collisions.
Why the macabre gallery? These collections provide concrete evidence of just how many birds windows kill. Ideally, that information encourages tactics to reduce casualties, like lobbying homeowners and institutions to add decals or screens to their glass.
Though such measures are critical for limiting window strikes during the day, we often overlook the damage our windows cause at night. Remarkably, most bird migration actually occurs by moonlight; if you stand under the stars and listen during migration — which began in earnest last week — an audible chorus of chirps and buzzes overhead indicates a sky full of birds.
Birds evolved to fly under the cover of darkness for many reasons. Nightly travel means they can spend the bright, bug-filled days gathering food. Darkness helps migrants avoid predators, and the lower turbulence and cooler temperatures of nighttime skies allows for more energetically efficient flights.
Though the specifics of nocturnal navigation are a longstanding ornithological mystery, that navigation is undoubtedly disrupted by the growing brightness of the night sky. Bright lights disorient the birds’ sense of direction and attract them towards the light sources themselves. In that state of confusion, nocturnal window strikes skyrocket.
In the U.S., one billion birds die each year by flying into windows. Distinct behavioral changes around brightly lit structures are the main cause of mortality: the usual conversation of nocturnal flight calls grows into a confused cacophony. Those that avoid collisions face different risks: the energy they waste investigating unfamiliar lights means they’ll have a harder time avoiding predators, catching enough food, and reaching their final destinations.
The harm caused by light pollution is not limited to birds. Even in rural areas, many nocturnal animals struggle to adapt to brightening nighttime environments: bats can’t fly efficiently, amphibians can’t reproduce normally, and insects can’t forage effectively.
Humans aren’t immune either. Brighter nights disrupt our sleep cycles — something I can personally attest to, as someone who grew up in Kent and now struggles nightly with the brightness of New Haven — and are associated with a slew of negative health effects. And though people widely associate more lights with greater safety, evidence of this is mixed.
Despite the repercussions, the reach and severity of light pollution keeps growing. Electricity usage in the U.S. is on the rise again; while much of that energy has more intensive uses, the U.S. Energy Information Administration estimates that 6% of residential and 17% of commercial energy is all for lighting.
As disheartened as I am by increasing energy usage and vanishing stars, by unnecessary lights glaring from empty sports fields or barren storage facilities, and by dead songbirds on my morning commute, there is a silver lining to this story. Fixing most pollution problems — microplastics, oil spills, atmospheric CO2 — requires complex, intractable solutions. Light pollution, on the other hand, is completely, immediately, effectively reversible.
This is a critical time of year to make that change. The transition from April to May brings spring rains, bursting tree buds, and a deluge of migrating birds: cheerful songs of Yellow Warblers, gleaming feathers of Scarlet Tanagers, playful flights of American Redstarts. You can watch these migrants gather above your home like a rising storm using BirdCast, Cornell Lab of Ornithology’s avian version of a weather radar.
The closer that storm comes, the more important it is to flip those light switches off. Simple steps, like limiting the use of aesthetic lighting, keeping the beams of necessary lights targeted, dim, and warmly colored, or curtaining bright windows, make all the difference to our birds. Participating in darkening the skies this spring will help keep these little travelers aloft — and maybe bring some stars back into view, too.
Alison Robey is a writer for the Kent Land Trust, a volunteer at the Sharon Audubon Center, and a third-year PhD candidate in Ecology & Evolutionary Biology at Yale University.
