Millerton springs into fashion

MILLERTON — Loosely conceived as an opportunity to shake off the winter doldrums and celebrate the early spring the area has been enjoying, Millerton shopkeepers Kate Carty, Jan Gilmor and Barbara Walker of BW’s Eagle Eye are throwing their shop doors open wide and inviting customers to “Spring Into Fashion” this weekend, Saturday, March 31, and Sunday, April 1.Gilmor Glass is not a clothing store but Jan Gilmor has invited Annie Walwyn-Jones to have a trunk show of her made-to-measure and made-to-fit fashions in the Gilmor Glass showroom. Walwyn-Jones has been designing clothes since she graduated from Parsons School of Design with a Golden Thimble award in 1975. Though she spent some time on Seventh Avenue her preference has been to work independently serving a customer base that has come to rely on her for distinctive clothing that fits well. She has had long-term relationships with Bloomingdale’s, Josie Natori and Paul Smith, but these days she relies largely on her website and trunk shows to showcase her designs. Walwyn-Jones makes made-to-fit and made-to-measure clothing as well as original bridal designs. Made-to-fit describes clothing that is already made but that can be altered to fit the customer. Walwyn-Jones designs for real women — not mannequins. She has a skirt that she describes as perfect for someone with a pear-shaped body and for the woman blessed with boy’s hips but without J Lo’s butt she has a skirt that will look good on her too. With made-to-measure designs, the customer has more of a voice in the style and design. It might involve radically changing a design to fit the customer better. This attention to detail and concern for the customer may be why one 80-year-old woman told Walwyn-Jones, “I feel so confident when I’m wearing the clothes you made me.”In an interview with The Millerton News she described her customer; “Funnily enough, my customer is the person I would most like to dress — elegant women who have to look good all day, a lot of professional people,” Walwyn-Jones said. “I try to help people be their best selves, but not be someone else.” She also admitted that, “When I dress-up I like to make a bit of an effort. I love making special-event clothes, like dresses for the mother-of –the-bride.” She recently designed and made her daughter’s wedding dress which can be seen on her website, www.walwyn-jones.com. Across the street at Kate Carty many of the winter goods will be on sale as well as cotton sweaters, scarves and shoes. Carty makes custom-made dresses and has clothing for men as well as women.BW’s Eagle Eye is known for its vintage clothing but also has a selection of new T-shirts and spring handbags.

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Classifieds - February 26, 2026

Help Wanted

PART-TIME CARE-GIVER NEEDED: possibly LIVE-IN. Bright private STUDIO on 10 acres. Queen Bed, En-Suite Bathroom, Kitchenette & Garage. SHARON 407-620-7777.

The Salisbury Association’s Land Trust seeks part-time Land Steward: Responsibilities include monitoring easements and preserves, filing monitoring reports, documenting and reporting violations or encroachments, and recruiting and supervising volunteer monitors. The Steward will also execute preserve and trail stewardship according to Management Plans and manage contractor activity. Up to 10 hours per week, compensation commensurate with experience. Further details and requirements are available on request. To apply: Send cover letter, resume, and references to info@salisburyassociation.org. The Salisbury Association is an equal opportunity employer.

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To save birds, plant for caterpillars

Fireweed attracts the fabulous hummingbird sphinx moth.

Photo provided by Wild Seed Project

You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.

These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.

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Stephanie Haboush Plunkett and the home for American illustration

Stephanie Haboush Plunkett

L. Tomaino
"The field of illustration is very close to my heart"
— Stephanie Plunkett

For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.

Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.

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Free film screening and talk on end-of-life care
‘Come See Me in the Good Light’ is nominated for best documentary at this year’s Academy Awards.
Provided

Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.

The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.

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