Can you perform or is this a force majeure event?

All across America, many corporations — especially those staffed with well-paid lawyers — have seen an opportunity not to pay suppliers, not to honor contracts or, simply, to invoke a delay of indeterminate length to the performance of contractual responsibilities. How? They find comfort in a clause buried deep in every contact called “Force Majeure.”

Simply put, contracts between companies or individuals call for one side to give the other side something in return for financial payment or exchange (you deliver my goods and I supply your wages). Those payment dates — and other performance issues — can be delayed when something happens that was either an Act of God (floods, tornadoes, etc.), any war event in the territory covered by the agreement, changes in laws that were not foreseen by either party before the agreement was concluded, strikes and labor disputes that affect the progress of the use of the rights in the agreement and, basically, unforeseen accidents. “Unforeseen” is a key word here.

In my business (licensing rights for print or media adaptation) I have rarely see a definition of “force majeure” include any mention of epidemic or pandemic specifically. And yet, more than one major company (Disney, for example) are claiming that the pandemic qualifies for a delay in their deadline for payments and contractual performance. 

Now, some could say that the government (state, not federal, so far) lock-down on normal business attendance qualifies as such a disruption that was unforeseen and therefore the disruption is in the spirit of the force majeure clause in the agreement. However, this flies in the face of the work-at-home order all these companies instituted wherein employees are required to continue their use of the rights and materials all the while the parent company delays payments and performance. In short, the workers continue using the agreement rights granted while the right’s holders are left out in the cold financially.

Ah, but there’s a precedent in law, especially in New York and California, where the party seeing to invoke force majeure (well, Disney simply invoked it, without “seeking” any discussion) must attempt to perform its contractual duties and even if partly successful it cannot invoke complete force majeure suspension of agreement terms. In short, if all work is forced to stop, that’s a legitimate excuse to invoke force majeure. If work is not cut off, then, if the parties are fair with one another, they should decide jointly on how to proceed.

To do otherwise, is to allow this terrible pandemic to wreak more havoc on lesser financial parties than necessary. In these times of joint responsibility and suffrage, the last thing we need is an overreach of power over the little guy.

 

Writer Peter Riva, a former resident of Amenia Union, now lives in New Mexico.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

'We need more daycare' — rural parents say

Dutchess County Legislator Chris Drago addresses the crowd at the end of a discussion on challenges facing parents and child care providers in rural northeast Dutchess County on Wednesday, Feb. 25. Drago hosted the forum to collect feedback from local stakeholders ahead of an expected $20 million in state funding to establish a universal childcare program in the county.

Photo by Nathan Miller

PINE PLAINS — Parents and child care leaders gathered Wednesday, Feb. 25, to discuss concerns about early child care access and affordability in the rural northeast corner of Dutchess County.

County legislator Chris Drago, who represents the towns of North East, Pine Plains, Stanford, Milan and Red Hook, hosted the event at the Stissing Center on Church Street to seek community feedback following news about a proposed pilot program that would expand funding for child care, particularly for children under three, in Dutchess County.

Keep ReadingShow less

Classifieds - February 26, 2026

Classifieds - February 26, 2026

Help Wanted

PART-TIME CARE-GIVER NEEDED: possibly LIVE-IN. Bright private STUDIO on 10 acres. Queen Bed, En-Suite Bathroom, Kitchenette & Garage. SHARON 407-620-7777.

The Salisbury Association’s Land Trust seeks part-time Land Steward: Responsibilities include monitoring easements and preserves, filing monitoring reports, documenting and reporting violations or encroachments, and recruiting and supervising volunteer monitors. The Steward will also execute preserve and trail stewardship according to Management Plans and manage contractor activity. Up to 10 hours per week, compensation commensurate with experience. Further details and requirements are available on request. To apply: Send cover letter, resume, and references to info@salisburyassociation.org. The Salisbury Association is an equal opportunity employer.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

To save birds, plant for caterpillars

Fireweed attracts the fabulous hummingbird sphinx moth.

Photo provided by Wild Seed Project

You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.

These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.

Keep ReadingShow less
Stephanie Haboush Plunkett and the home for American illustration

Stephanie Haboush Plunkett

L. Tomaino
"The field of illustration is very close to my heart"
— Stephanie Plunkett

For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.

Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.

Keep ReadingShow less
Free film screening and talk on end-of-life care
‘Come See Me in the Good Light’ is nominated for best documentary at this year’s Academy Awards.
Provided

Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.

The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.