![‘Living Millbrook’ co-founder Rona Boyer remembered](https://millertonnews.com/media-library/rona-boyer-relaxing-on-her-back-deck-at-home-when-she-was-interviewed-for-the-lakeville-journal-companys-2017-special-supplem.jpg?id=48218704&width=980&quality=90)
Rona Boyer, relaxing on her back deck at home, when she was interviewed for The Lakeville Journal Company’s 2017 special supplement Towns and Villages.
Photo by Judith O’Hara Balfe
MILLBROOK — Rona Boyer, 74, passed away on Friday, Nov. 27, at Vassar Brothers Medical Center in Poughkeepsie from lung and kidney issues. She had lived in the village of Millbrook for the past 10 years.
Boyer moved to the village in 2010, a stranger. But in the years that she made Millbrook home, she had become a vital part of the community. She helped out with the annual Millbrook Literary Festival, as a member of its standing committee. Boyer was also involved with the Millbrook Rotary Club, joining in 2011 and becoming its president at one point, as well as becoming the president of the Millbrook Business Association (MBA). Both institutions help support the community and its businesses. Boyer’s business know-how was invaluable to the two groups.
Boyer was born Rona Pashkin in The Bronx on May 31, 1946; she later moved to Mount Vernon, where she graduated high school. She earned a college degree from SUNY Albany and received certificates from the International Marketing Institute at Harvard University and studied top management in business at Chicago University.
After graduation she worked for McCann-Erikson for 20 years. Requesting a transfer to Europe, she spent two years in Helsinki, Finland. Later, she worked in Portugal, then Italy, as creative director for McCann-Erickson. Boyer then moved to Paris, France, working for L’Oreal, where she learned to speak French; the job took her all over the world. While in Paris, she met and married Gerard Boyer; they had two daughters.
In 1993, she contracted malaria while on a trip to Africa; she became seriously ill and upon recovering decided that she wanted to return to America. Her husband agreed, and the family moved to Los Angeles, Calif. Her husband worked for a French wine company; she worked in advertising. When the wine company was sold, her husband was offered a job managing Beaverbrook Farm, an estate in Millbrook belonging to Frederick Fekkal.
Upon arriving in Millbrook, Boyer made it her business to get involved in local activities. She began writing for The Millbrook Independent, a small local newspaper; she became its food editor and advertising director. The Boyers also opened their own consulting firm. When her husband died in 2015, at about the same time that The Millbrook Independent stopped publishing, Boyer had to reinvent herself — again.
Boyer became the market manager and publisher, as well as the recruiter, for Best Version Media Magazine. She created, along with Carola Lott, “Living Millbrook” and “Living Rhinebeck,” two high-end super-local magazines that feature stories about businesses and people in those communities. They were a testimony to her expertise in both the business and publishing worlds.
In her private time, Boyer stayed busy playing cards, mah jong and backgammon with her many friends. She was also an accomplished cook; the magazines featured many of her favorite recipes.
Boyer was a die-hard Democrat and a passionate debater who loved to discuss history and religion.
This Millbrook transplant leaves behind daughters Jennifer Boyer Volturno and Samantha Boyer, along with three grandchildren whom she dearly loved.
A small group of close friends will gather at a service on Thursday, Dec. 10, at the Allen Funeral Home in Millbrook at 2 p.m.
The family has asked anyone who wants to make a donation in Boyer’s name to send it in support of the Democratic Party by going to www.ActBlu.com.
Maxon Mills in Wassaic hosted a majority of the events of the local Upstate Art Weekend events in the community.
WASSAIC — Art enthusiasts from all over the country flocked to the Catskill Mountains and Hudson Valley to participate in Upstate Art Weekend, which ran from July 18 to July 21.
The event, which “celebrates the cultural vibrancy of Upstate New York”, included 145 different locations where visitors could enjoy and interact with art.
On Saturday, July 20, The Wassaic Project hosted numerous community events. Will Hutnick, the director of artistic programming, said “We’ve been a part of it since the beginning, this is the fifth year of UPAW.”
Most of the action was based at Maxon Mills, the seven-floor grain mill located in the heart of Wassaic. On exhibit was work from 30 artists, 18 of whom were past residents of The Wassaic Project. “Artists can come and do a residency here, meaning they live and work with one another for a couple months at a time,” Hutnick stated.
The first floor held work by Petra Szilagyi, who uses dirt and linseed oil to construct images of paranormal concepts, most of which include bats. They reflected that a recent trip to a fifth sense competition in Vietnam was the influence behind the exhibit.
Across the floor was Tiffany Smith’s interactive installation which incorporated plants and wicker chairs, all of which were objects associated with her Carribean upbringing. “The room being filled with plants is symbolic of hurricane prep which often included bringing the plants from outside into the house,” Smith said.
As visitors made their way up the narrow wooden stairs, music could be heard from behind the walls. The echoing music was Daniel Shieh’s installation, entitled Mother’s Anthem, which played a recording of the American Anthem in 30 languages. The languages ranged from Spanish and Italian to Navajo and Bengali.
Each floor was filled with artwork of all mediums, including painting, fibers, collage and photography. Rachel Bussières, who switched her concentration after watching the 2017 solar eclipse, uses varying light sources to produce lumen prints. During the wildfires, she recounted that she “made a new exposure each day to capture the changing air quality”.
Luciana Abait also incorporates the natural world into her pieces, instead using maps. An environmental activist originally from Argentina, Abait’s work highlights “environmental fragility, specifically the impacts it has on immigrants.” Her installation that is currently on display at Maxon Mills, takes the form of a mountain range built solely from maps of the US and Argentina.
Throughout the day, visitors could “Arm Wrestle 4 A Popsicle”. Winners had the choice of 3 playfully flavored trout-inspired popsicles - Nightcrawler, Power Bait, and Salmon Roe. Artist Katie Peck, who spent the day in costume as a rainbow trout, encouraged guests to step up and try their hand at an arm wrestle.
Shibori Indigo dyeing, group meditation, and dance workshops were open for community members of all ages as well.
While the daytime activities fostered appreciation of fixed art, a dance party until midnight at The Lantern Inn offered guests a space for performative art.
When describing the environment of The Wassaic Project, Smith emphasized, “It’s all community, it’s all love.”
A serene scene during the Garden Tour in Amenia.
AMENIA — The much-anticipated annual Amenia Garden Tour drew a steady stream of visitors to admire five local gardens on Saturday, July 13, each one demonstrative of what a green thumb can do. An added advantage was the sense of community as neighbors and friends met along the way.
Each garden selected for the tour presented a different garden vibe. Phantom’s Rock, the garden of Wendy Goidel, offered a rocky terrain and a deep rock pool offering peaceful seclusion and anytime swims. Goidel graciously welcomed visitors and answered questions about the breathtaking setting.
Amenia Finance Director Charlie Miller welcomed visitors to his Bog Hollow Road garden in Wassaic, a manicured expansive yard with well-placed garden beds framing a far-reaching view. He said he plans carefully each winter for the next spring’s improvement.
The organic, environmentally responsible Maitri Farm was next, a lesson in coordinating agriculture with natural balance. The farm stand and a walk among the greenhouses brought visitors together.
Near the center of Amenia was the garden of Polly Pitts-Garvin, offering a chance to visit a robust vegetable garden with raised beds to be envious of and a remarkable absence of any insects or usual vegetable garden problems.
At Chez Cheese, the vast garden acreage surrounding the 1850s historic home of Joan Feeney and Bruce Phillips in Millerton, visitors could begin at refreshment stations where walking tour maps of the 15-acre property were available. There were streams and ponds with docks, and a dozen bridges arranged around the landscape. In the 19th-century, the property had been the home of the Wilson Cheese Factory, inspiring the name of the estate.
The Amenia Garden Tour was supported this year by Paley’s Garden Center in Sharon.
Gary Dodson working a tricky pool on the Schoharie Creek, hoping to lure something other than a rock bass from the depths.
PRATTSVILLE, N.Y. — The Schoharie Creek, a fabled Catskill trout stream, has suffered mightily in recent decades.
Between pressure from human development around the busy and popular Hunter Mountain ski area, serious flooding, and the fact that the stream’s east-west configuration means it gets the maximum amount of sunlight, the cool water required for trout habitat is simply not as available as in the old days.
This is not a new phenomenon. It does seem to be getting worse, though.
Gary Dodson and I convened where the creek makes its final run into the Schoharie reservoir, part of the New York City water supply system, on a semi-broiling Thursday afternoon, July 11.
The goal was simple. Catch smallmouth bass, which abound in the lower section of the river.
This was hot stuff — as in an 80-degree water temperature.
The air temperature was actually slightly less at 77.
After negotiating the intensely slippery rocks, festooned with treacherous algae, the first major pool presented several difficulties, with a back eddy competing with a main flow and several large trees draped about the whole thing.
I hit on the simplest strategy, which was to flip a weighted attractor fly called a Tequilley into the start of the eddy so it would proceed slowly but steadily into the maelstrom, sinking all the while.
This worked. A proper adult smallmouth, with bronze coloring and vertical stripes, took the thing.
The point-and-shoot camera finally died, however, and I was not going to try to fumble my phone out for a nice but routine fish photo.
Why not?
Because I guarantee the fish would have made a sudden, last-moment bolt for freedom, causing me to drop the device into the drink.
Gary moved downstream while I continued trying to annoy the residents of the pool, succeeding a couple of times with different colored Wooly Buggers.
Then we all got bored and I moved off, where Gary was catching rock bass and cussing them out for not being something else. I have to admit, they are not the most compelling critters. Something about the red eyes.
This latest trip was dominated by extremely tedious and distasteful Harry Homeowner activities, but on both Wednesday and
Thursday mornings I prowled Woodland Valley Creek. By “morning” I mean “dawn,” because that was when the water temps were down to a barely acceptable 64.
I made the acquaintance of several stocked browns and of a handful of their wild cousins. The wild fish are smaller and nimbler.
The successful ploy was an Adams wet fly, size 16, drifted behind something big, like a Parachute Adams or Stimulator.