Cary’s Data Jam jams on, virtually
Image courtesy of the Cary Institute of Ecosystem Studies
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Samuelle Green turned paper, wire, and glue into a honeycombed hive at Wassaic Project’s Maxon Mills in Wassaic.
Photo by Graham Corrigan
Wassaic Project acquired the property in 2024, when the organization was approached by the property owners. “It wasn’t master planned at all,” said Jeff Barnett-Winsby, who co-founded Wassaic Project in 2008. “But our town and our county have been able to support us, and we haven’t embarrassed them.”
The chapel has quickly been folded into the organization’s larger programming plans. Coming up in 2026, Newburgh-based artist Liz Nielsen and her unique photograms will be the first visual artist to have a long-term installation at the chapel.
Listeners enjoy the acoustics inside Gridley Chapel, Wassaic Project’s latest addition to its campus.Photo by Graham Corrigan
Barnett-Winsby, now the organization’s co-executive director, said they have big ambitions to turn the space into a year-round music and performance venue — once it’s insulated. “That’s essential for us,” said Barnett-Winsby. “For years, it felt like every other festival was a monsoon situation.”
Preserving the chapel’s historic architecture is also a priority. “We’re trying to respectfully utilize these buildings, and also preserve them,” Barnett-Winsby continued.
Meanwhile, the summer exhibit, called “Because, now is the time of monsters,” was thronged with crowds that packed into the nooks and crannies of the Maxon Mills space and spilled out onto the lawn. The exhibit took place across the area.
Curated by Jeff Barnett-Winsby, Bowie Zunino, Eve Biddle and Will Hutnick, the show is aptly described by the organization as “something between a vision and a fever dream.” Climbing through the mill’s seven levels, the viewer is transported to worlds wrought from paint, plaster, paper, ceramic, metal, and more. It is both dreamlike and nightmarish, comforting and uncanny.
These projects are made possible in part by funding from the National Endowment for the Arts, which recently approved a grant application sought by the Wassaic Project.
Also returning is Wassaic Project’s Art Nest, an all-ages classroom led by Special Projects Manager Emi Night. On opening weekend, a group of young art lovers were engrossed in projects based on two of the exhibition’s artists: felt tapestries in the style of Saul Chernick, and collaborative sculptures inspired by Samuelle Green. The art nest is open every Saturday from 12-5.
The larger Wassaic Project is open Thursday-Sunday from 12-5. Admission is free, with a suggested donation of $10.
The seventh floor of Wassaic Project was transformed by Clarissa Pezone and her surreal ceramics. Photo by Graham Corrigan
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Sheila Srere, left, and Cathy Fenn plant flowers in a small island at the Harlem Valley Rail Trail’s intersection with Main Street in Millerton on Thursday, May 21.
Photo by Nathan Miller
Photo by Nathan Miller
Dave Vandebogart, left, and George Kaye plant red and white flowers at the base of the veterans memorial monument in the front yard of the United Methodist Church in downtown Millerton.
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