Thank you!
Your support is sustaining the future of local news in our communities.

Cary Institute talks about carbon credits

Cary Institute talks about carbon credits
The Cary Institute spoke about trees and the impact of climate change in a recent talk. 
Photo by Janet Manko

MILLBROOK — Charles Canham, Ph.D. and recently retired from the Cary Institute of Ecosystem Studies, is well versed in the dynamics of forests, their ecosystems and the impact humans have on them. His research in the field, and the use of computer-generated models and statistics, allows him to address how forests respond to human impact, as well as to fire, insects and overall climate change.

He shared his 35-plus years of experience with the Cary Institute audience as he spoke about trees and forests and carbon credits on Thursday, Nov. 11.

Canham has become an expert at studying and explaining Forest Carbon Offsets, which offer a tradable certificate or permit that allows a company, country or other entity to emit or spend a given amount of carbon dioxide or an equivalent greenhouse gas. A single carbon credit equals 1 ton of either carbon dioxide or other greenhouse gas emission.

While this practice began in as attempt to lower global emissions and to promote clean energy, many are uncertain if it will work. Some see serious problems with the plan.

It basically began with the Kyoto Protocol, an international treaty to reduce greenhouse gas emissions (GGE). It  applies to six greenhouse gases: carbon dioxide, methane, nitrous oxide, hydro fluorocarbons, per fluorocarbons and sulfur hexafluoride. It is an extension to the 1992 UNFCCC treaty.

When companies buy and sell carbon credits, the money goes to fund carbon offset projects, meant to eliminate the amount of carbon dioxide equal to the amount emitted.   

The premise sounds good, said Canham. The country or company receives a set of quota of credits, depending on the size of the company or properties or what their function is.

The amount of credits can vary each year and can be used throughout the year. If the entity goes over the allotted credits, there are severe penalties.

Each country or company gets a set of number of credits. The amount depends on their size and what they do.

Every year they get a new set of credits, which can be used throughout that year.

It is worth noting there has been very little change in carbon reduction practices since the Kyoto Protocol began.

Canham used an example of the Nature Conservancy, which is currently conducting a self-examination of its carbon offset  portfolio. A nonprofit, it is developing over 20 carbon offsets of forest areas, mainly in the United States, with companies such as  JP Morgan Chase & Co., BlackRock Inc., and Walt Disney Co. The companies use the credits to claim reductions in their own projects and expended emissions.

The Nature Conservancy is concerned that it could be helping to sell useless carbon credits to its corporate clients. Last year it was discovered that the largest environmental group, active worldwide, was claiming credits for forested areas that were not in danger of being destroyed. In other words, getting credit for doing absolutely nothing.

Canham and Cary Institute President Joshua Ginsberg discussed at the Nov. 11 presentation the fact that there are pros and cons to obtaining carbon offsets. As with any credit system, it can be abused. It also may promise more than it can deliver.

So how much carbon do U.S. forests store each year? How does that number change when one includes urban trees, furniture and harvested wood products? Well, in 2018, the 691 million acres of U.S. forestland sequestered 564.5 millions tons of C02.

This means the net sequestration across all five categories offsets 11% of total U.S. greenhouse gas emissions annually.

Canham showed an image that showed that all not all of this country’s forestland is a carbon sink. The Eastern U.S. is a sink equaling 85% of total forestation sequestration; the Rocky Mountains is a source due to the effects of fire and insects; the Pacific Coast is a sink, with a high biomass and sequestration rates but is also threatened by fire.

Natural climate solutions can put unrealistic demands on the forests yet there is a possibility of climate mitigation potential by 2025 by raising the price of carbon credits from $10 to $50 per ton, suggested Canham, by halting all harvests on private non-plantation forestland across the U.S., and by making up the lost harvest through reforestation and thinning fire-prone forests in the West.

What can we do to reduce carbon dioxide emissions? Corporations and businesses “can purchase legitimate carbon credits,” said Canham. “Forest owners can evaluate whether joining the forest carbon market is of benefit to attaining global carbon reduction. And for everyone else, use your voices: Demand transparency in net zero goals and in the methods used for valuing carbon credit projects.”

Latest News

Wassaic Project co-founder Eve Biddle presents her “Field Notes”

Artist Eve Biddle and Tremaine Gallery Director Terri Moore.

D.H. Callahan

On Wednesday, Sept. 2, the Tremaine Gallery at the Hotchkiss School in Lakeville opened its new show, “Field Notes,” with works by multidisciplinary artist Eve Biddle.

Biddle is best known in the area as one of the founders of the iconic Wassaic Project in the hamlet of Wassaic, New York. The project, which is part art incubator, part gallery, part studio and a whole lot of community, is housed in an old converted grain elevator right next to the Metro North train tracks. It’s credited by many as the spark that revitalized the hamlet, which now boasts a craft bakery, a curated wine and liquor store, a pizza hot spot, the Lantern.

Keep ReadingShow less

Victor Cella is painting his own path

Victor Cella is painting his own path

Artist Victor Cella with his recent painting “White Dog” in his studio and shop, Little Store Antiques in Great Barrington.

L. Tomaino
If I taught art, I’d teach it in a different way. I could teach it as an awareness — how to free yourself up.
— Victor Cella

Paintings by Victor Cella of a blue dog, a flower still life and a colorful abstract greet visitors as they mount the steps to The Little Store, an antique shop he runs with his husband, John Ortisi, at 88 Main St. in Great Barrington, Mass.

The shop is filled not only with antiques but also with Cella’s paintings. People stop by to see what Cella is currently painting and to talk with him. He is known for his amiability as well as his paintings.

Keep ReadingShow less

Fear and Loathing in the Woodland

Fear and Loathing in the Woodland

Fear and Loathing in the Woodland Japanese barberry, an invasive shrub with thorny branches, provides shelter for mice and can contribute to conditions that allow tick populations to thrive.

Provided

I am tempting tick-bite fate by writing this, even from the safety of my office.

Eight people emailed me with a link to the New York Times article on ticks that ran in the Aug. 20 magazine section.My Instagram algorithm made sure that I saw the same story several times over.The article, “The Summer the Ticks Took Over,” by Benjamin Wallace reads like a horror story, engendering a kind of paranoia that sidewalk-hugging New Yorkers can easily fall prey to.The reader comments enhance the author’s terror and fall into key categories: readers who are living proof of the sometimes harrowing, life-altering consequences of a tick bite; readers’ instructive life hacks against ticks (“permethrin is your friend”); readers’ collective chant to kill the deer; and, finally, readers who question why anyone would ever go in the woods again.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Glass artists at Cornwall Open Studios

Jessica Landau creates jewelry from glass. She welcomed visitors to her studio during the Cornwall Open Studio tour on Sept. 5.

Ruth Epstein

David Willis and Jessica Landau were brought together by glass.

They each focus on using the medium for different types of art; he paints and sculpts, while she primarily creates jewelry and glassware.

Keep ReadingShow less
Oldtone brings roots music, dancing and community to Cool Whisper Farm

The Allum Ridge Boys & Ashlee at Oldtone Music Festival in 2025

Jim Wright

The Oldtone Music Festival returns Sept. 10 through 13, bringing musicians and audiences together for a four-day celebration of roots music at Cool Whisper Farm in Hillsdale.

Founded in 2015 as a one-day show in Wassaic, Oldtone moved the following year to the Schober family’s Cool Whisper Farm, where it grew into a three-stage camping festival. The festival ran annually until the COVID-19 pandemic forced its cancellation in 2020. After limited attempts to bring it back in 2021 and 2022, organizers announced in early 2023 that the festival would end.

Keep ReadingShow less
“Come From Away,” a story of kindness at Sharon Playhouse
“Come From Away” cast in rehearsal. (Back Row L to R): Jeffrey Konowitch, Meagan Lewis-Michelson, Max Bennett-Parker, Michael F. McGuirk, Tracy Liz Miller, Ricky Oliver, Cherish Love, Willie Marte (Front Row L to R) Cameron Sirian, Chelsie Nectow, Erin Lindsay Krom, Sophie Nassiri
Lynette Shy

Twenty-five years after the events of Sept. 11, 2001, the Sharon Playhouse is staging a musical about what happened in the aftermath — and about an extraordinary act of kindness in a small Newfoundland town.

“Come From Away,” the Tony Award-winning musical by Irene Sankoff and David Hein, runs Sept. 11 through 27 and concludes the Playhouse’s 2026 MainStage season. Directed by Hunter Foster, with choreography by Krystyna Resavy and music direction by Eric Thomas Johnson, the production tells the true story of the thousands of airline passengers who suddenly found themselves stranded in Gander, Newfoundland, after U.S. airspace was closed following the terrorist attacks.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.