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Searching for Bigfoot
Nov 13, 2024
Nathan Miller
A group of nearly 30 squatchers and skeptics gathered at David M. Hunt Library in Falls Village Thursday evening, Nov. 7, for a presentation from Bigfoot researcher Mike Familant.
Familant is the Bigfoot fanatic behind “In the Shadow of Big Red Eye,” a weekly show he produces to document his hunt for Bigfoot in the Eastern U.S.
Familant said he began his Sasquatch hunting career basically on a whim. In 2011 he bought tickets to join fans on a Bigfoot research expedition at Torreya State Park in the Florida Panhandle, put on by the crew behind Animal Planet’s “Finding Bigfoot.”
That first trip was life changing for Familant. He and his friend Jimmy had set up their encampment away from the other guests on the trip, both to reduce the chances of bothering the other campers with late-night fireside chatter and to improve their chances of encountering the elusive Bigfoot. The woods were quiet until the last night of the trip. Early in the morning, as Familant and Jimmy were relaxing by the fire, they began hearing knocks on trees surrounding the tent. Frightened, Familant retreated to the car to avoid any wildlife that might want to hurt him. Undeterred, Jimmy coaxed him back to the campfire to experience the strange encounter. Shortly after returning, Familant said a series of fist-sized rocks flew through the trees and landed on the ground with solid thuds around their camp. Familant’s friend then picked up one of the fist-sized rocks, and in an attempt to communicate with whatever might be throwing them, threw it back. “I knew it wasn’t a person,” Familant said. “Because at that exact moment a 15 pound, laptop-sized boulder came crashing down and lands just five feet from us.”
Familant said during his talk that getting friends and families outside is his biggest inspiration.Nathan Miller
That night in the woods convinced Familant of the existence of Bigfoot, and he has been producing his show ever since. “I would still be sitting in an ambulance on the street corners of Tampa if that rock hadn’t been thrown at me,” Familant said.
Now, producing “In the Shadow of Big Red Eye” is Familant’s full-time job. He spends over a hundred nights camping ever year, collecting footprint casts, video and audio in his search for evidence of Bigfoot. Familant’s travels have taken him across the Eastern U.S. into nearly every state east of Ohio.
Familant’s mission in producing the show and touring the country for presentations is to “entice friends and families to get off the couch and into nature, to see something you wouldn’t normally see.”
“Growing up I was happiest in front of the TV playing a video game,” Familant said. But now, he spends most nights in a tent or on the road, hiking or on his way to the next hike to find Bigfoot in the Appalachian wilderness. Whether or not Bigfoot really exists, Familant said what’s important is discovery, curiosity and getting outside.
“Life with the possibility of Bigfoot and the Loch Ness Monster,” Familant said, “is a hell of a lot better than life without it.”
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Transforming collective healing
Nov 13, 2024
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Rebecca Churt, a grief and death doula based in the Berkshires of Western Massachusetts, got her MBA at The MIT Sloan School of Management during Covid and immediately joined a Buddhist monastery.
“I think getting my master’s degree was an exercise in highlighting just how much of the current way of doing things isn’t working, is not meant for what needs to be happening going forward,” Churt explained.
Churt’s own journey into grief work has been shaped by personal experience, including moving from Germany to the United States at a young age. “Grief has kind of been a lifelong companion to me in lots of different forms,” she explained. This early experience introduced her to the nuanced ways grief can manifest. The pandemic deepened her commitment, highlighting the urgent need for collective grief spaces. Then, her time at the Upaya Zen Center in Santa Fe, New Mexico, and her exploration of the concept of “hospicing modernity” (a thought-provoking guide to facing global pandemics, climate change, and other modern crises as outlined in the book by Vanessa Machada de Oliveira), influenced her to embrace a model of grief work centered around presence, not answers. Her new company, The Grievery, was born.
The Grievery is a communal approach to grief, primarily a virtual space where people can navigate sorrow collectively rather than bearing the burden in isolation. Her philosophy and methods represent a rethinking of this work, aiming to transform individual pain into shared healing. “As a death doula or grief worker, I don’t interject solutions, I don’t interject a potential outcome. The idea is for a community to get there together,” said Churt. “Whether you’re experiencing the loss or you’re in the process of dying, the reality is we don’t do any of it alone. We can’t do it alone.”
The Grievery is mostly virtual to accommodate people’s busy schedules and minimize financial barriers, but there’s also a deeper purpose behind this very intentional choice. Churt spent years holding space at Kripalu Center for Yoga & Health in Stockbridge, Massachusetts, among other locations, and shared that “part of the idea behind The Grievery is that we want to remove the sense of someone else having mastery over another person’s experience. That’s very common in traditional therapy sessions, which is really the only other place that people can have time to tend to their grief.” Churt went on to describe a possible power imbalance in those traditional settings where “it’s also more within a setting that tends to pathologize grief, where there’s an intended goal or an objective to help a person get over something.” At The Grievery, there is a set of community guidelines that are reviewed at the beginning of every session— there’s no fixing, there’s no saving, there’s no implied approach to advice giving. “Most often, the way in which people respond is either with a hand on heart or a ‘thank you for sharing,’ and then they go into sharing their own personal experience,” said Churt.
In addition to communal gatherings, The Grievery also offers a specialized program called “The Grievery at Work,” which provides grief support within professional environments. Recognizing the complex, often unacknowledged grief many healthcare workers face, Churt’s team helps integrate grief literacy into workplaces, particularly in healthcare settings where grief training is often absent.
Upcoming offerings include an eight-week workshop exploring the “Gates of Grief,” a framework inspired by Francis Weller’s book, “The Wild Edge of Sorrow.” With five established gates—everything we love we will lose; the places that have not known love; the sorrows of the world; what we expected and did not receive; and ancestral grief—Churt adds a sixth gate, exploring the harms individuals and society have caused, inspired by the work of Rachael Rice.
Through The Grievery, Rebecca Churt not only offers solace to those grieving but is also actively contributing to reimagining grief care itself. Her mission is to build a future where grieving together is normalized, where grief itself becomes a gateway to belonging, wholeness, and communal strength.
For more information, visit https://thegrievery.com
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Swing Dance at American Mural Project
Nov 13, 2024
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Swing music and dance will take center stage on Saturday, Nov. 16 at the American Mural Project (AMP) in Winsted, Connecticut, as Eight to the Bar brings its energetic mix of 1940s jazz, 1950s jump blues, and Motown to the artsy club atmosphere. Founded in 1975, the band carries a legacy of family swing music, making every performance a lively celebration that’s sure to have attendees on their feet.
Kicking off the night, Nate Evans of Hartford Ballroom will lead a swing dance lesson at 7 p.m., catering to both beginners and seasoned dancers. AMP’s unique space, housed in a renovated mill and home to the world’s largest indoor collaborative mural, offers three levels for dancing and mingling, along with a cash bar and food from The Colebrook Store. The mural itself, a five-story tribute to American workers, adds an inspiring backdrop to the event’s lively atmosphere.
Founded in 2001, the American Mural Project (AMP) honors American workers through a massive, 3D mural—120 feet long and five stories high—depicting a century of work and dedication. Inspired by Boeing’s 747 plant, artist Ellen Griesedieck created this unique artwork to inspire and involve young people, partnering with schools, nonprofits, and organizations like NASA and Habitat for Humanity. AMP has engaged over 15,000 students nationwide in creating the mural and offers year-round educational programs.
Tickets to Saturday’s event include the dance lesson, and a limited number of balcony seats provide elevated views of the mural and the stage. Doors open at 6:30 p.m. for an unforgettable evening of swing music in one of Connecticut’s most unique art spaces.
Tickets: www.americanmuralproject.org
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