Love letters from Goshen

The marquee at Goshen Players for “A Goodnight Kiss.”

Cinzi Lavin

Love letters from Goshen

"A Goodnight Kiss,” premiering June 6 at Goshen Players Playhouse, is a dramatization of real Civil War-era love letters. Written by award-winning playwright Cinzi Lavin and directed by regional theater veteran Kathleen Kelly — both Litchfield County residents — it serves to reminds us that while wars are waged by nations, it is the people who live through them, their lives forever changed.

At the center of “A Goodnight Kiss” is the relationship between Sarah Jane “Jennie” Wadhams, a college student in New Britain, and Sergeant Major Frederick Lucas, a young soldier stationed in Alexandria. Lavin discovered the story of the letters by the couple in a 2002 book by Ernest B. Barker called “Fred and Jennie: A Civil War Story.” Lavin, who holds a certificate in applied history from the University of London and has performed at the White House, read all 90 letters the couple exchanged between 1863 and 1867. “It was like falling into another time,” she recalled. “You hear the dialect, the moral concerns, the humor. Jennie once said someone ‘must think she’s some pumpkins.’ I had to keep that.”


Cinzi LavinAnna Zuckerman-Vdovenko

While staying true to the historical narrative, Lavin and Kelly took pains to adapt with sensitivity, editing outdated language, softening harsh racial terms, and trimming some of the religious fervor of the original texts for modern ears. “We didn’t want to rewrite history,” said Lavin, “but we did need to present some things so that it translated.”

The result is a story of two young people navigating distance, war, and the slowness of the mail. It’s also about community, duty, and the Connecticut town of Goshen itself where Fred and Jennie lived, wrote, and now lay interned. It’s fitting, then, that the Goshen Players opened their doors to this production.

“They’ve been wonderful,” said Kelly. “It’s a story from Goshen, and now it’s being told in Goshen. I think audiences will really appreciate that. It’ll be so interesting to see their reactions as ancestors.”

Kelly’s direction brings a collaborative, actor-driven energy to the stage. “I always say the only good playwright is a dead one,” she laughed. “But Cinzi? Thank God she’s not. She’s a dream.” Lavin, in turn, credits her theatrical background for that flexibility. “Both of our background as actors really helped us connect and then the cast came in with ideas and heart and it became something so much bigger.”

Kathleen KellyProvided

Starring David Macharelli and Olivia Wadsworth as Fred and Jennie, with a supporting cast including Robert Kwalick as Narrator, John Fabiani as Jennie’s father, Joel Osborne as Fred’s fellow solider, Harmony Tanguay and Roni Gelrmino as a gossiping villagers, the play layers historical narration with humor, heartbreak, and a surprising amount of warmth. “There’s a lot of humanity here,” Kelly said. “And a little gossip. The Goshen women definitely bring that.”

Adding texture is a curated selection of Stephen Foster songs arranged by Lavin which the U.S. Library of Congress included in its national “Song of America” archive. And for history buffs, Sunday’s 3 p.m. performance will include a talkback with historians Peter Vermilyea, Carolyn Ivanoff, Kevin Johnson, and Natalie Belanger, whose insights will ground the drama in even deeper context.

“Theater is the one place, even more than television and film, where you can really deal with difficult topics,” said Kelly. “You go into a theater, and you are changed.”

“A Goodnight Kiss” will be performed at Goshen Players Playhouse, 2 North St., Goshen, June 6 to 8. For tickets and more info, visit: goshenplayer.booktix.com

Latest News

Kevin Kelly’s After Hours

Kevin Kelly

Photo by Christopher Delarosa
“I was exposed to that cutthroat, ‘Yes, chef’ culture. It’s not for me. I don’t want anyone apologizing for who they are or what they love.”— Kevin Kelly

Kevin Kelly doesn’t call himself a chef; he prefers “cook.” His business, After Hours, based in Great Barrington, operates as what Kelly calls “a restaurant without a home,” a pop-up dining concept that prioritizes collaboration over competition, flexibility over permanence, and accessibility over exclusivity.

Kelly grew up in Great Barrington and has roots in the Southern Berkshires that go back ten generations. He began working in restaurants at age 14. “I started at Allium and was hooked right off the bat,” he said. He worked across the region from Cantina 229 in New Marlborough to The Old Inn on the Green at Jacob’s Pillow before heading to Babson College in Boston to study business. After a few years in Boston kitchens, he returned home to open a restaurant. But the math didn’t work. “The traditional model just didn’t feel financially sustainable,” he said. “So, I took a step back and asked, ‘If that doesn’t work, then what does?’”

Keep ReadingShow less
Books & Blooms’ tenth anniversary

Dee Salomon on what makes a garden a garden.

hoto by Ngoc Minh Ngo for Architectural Digest

On June 20 and 21, the Cornwall Library will celebrate its 10th anniversary of Books & Blooms, the two-day celebration of gardens, art, and the rural beauty of Cornwall. This beloved annual benefit features a talk, reception, art exhibit, and self-guided tours of four extraordinary local gardens.

The first Library sponsored garden tour was in June 2010 and featured a talk by Page Dickey, an avid gardener and author. This year’s Books & Blooms will coincide with Ellen Moon’s exhibit “Thinking About Gardens,” a collection of watercolors capturing the quiet spirit of Cornwall’s private gardens. Moon, a weekly storyteller to the first grade at Cornwall Consolidated School and art curator for The Cornwall Library, paints en plein air. Her work investigates what constitutes a garden. In the description of the show, she writes: “there are many sorts...formal, botanical, cottage, vegetable, herb...even a path through the woods is a kind of garden. My current working definition of a garden is a human intervention in the landscape to enhance human appreciation of the landscape.” Also on display are two of her hand-embroidered jackets. One depicts spring’s flowering trees and pollinators. The other, a kimono, was inspired by Yeats’s “The Song of the Wandering Aengus.”

Keep ReadingShow less