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Canaan’s dairy legacy

Riley Klein’s excellent survey of the state of dairy farming in North Canaan in this week’s newspaper is a reassuring testament to the  enduring nature of our agricultural sector here in the Northwest Corner. The story, which appears on Page One, also is an invaluable trip down history lane as it chronicles the origins of dairy farming in the state, and tells the story of the family dairy farm over the past half century, and even before then in the 18th and early-19th centuries when farming in the region was necessary for self-sufficiency and the surest way to obtain fresh, safe milk for the family was to own a cow.

Today, it’s a striking fact that more than 10 percent of Connecticut’s dairy cows live in the barns in North Canaan. Given wind conditions on any given day, a drive along Route 44 through East Canaan with the windows open will testify to that fact.

The story also conveys an upbeat outlook, despite the odds. And it highlights the smart innovations employed by our own local farmer-businessmen. It shows how they make things work through diversification and innovation. Not to be overlooked, it also tells a story about how hard our farmers work. They don’t have days off. They get up before any of us. They feed their cows before they feed themselves. You can find them still working late on a Sunday evening, offloading a truckload of fresh-cut feed for heifers who will become the next milkers. Our farmers don’t have virtual schedules. They are on the ground, in the field, always working. David Jacquier of Elm Knoll Farm, who started with three cows in 1968 when he was still at Housy, doesn’t ever seem to be at a standstill.

The four farms remaining in North Canaan have ideas for the future that don’t include being a vanishing species. They are multi-generational farms, with plans for more generations that will continue a proud legacy that dates to our Colonial era.

The next time traffic backs up behind a slow-moving farm vehicle, it’s a time to be thankful.
 

State labor outlook

Connecticut’s unemployment rate fell to 3.6 percent in July, the lowest since September 2019 as employers added 2,900 jobs. According to the state Department of Labor, Connecticut has added 19,100 jobs so far in 2023. The economic outlook is positive, Commissioner Danté Bartolomeo says in his July report, with a lower unemployment rate, job growth, and a low unemployment weekly filing rate.

Employers have about 90,000 jobs available in the state—it’s a good economic climate for job seekers with employers hiring for a wide variety of jobs and skill levels — and Connecticut’s labor force participation rate remains above national levels. Still, the number of available workers is a concern for recruiters trying to fill jobs, the department reports.

It’s also good news that total jobs are 98.2% recovered from the pandemic shutdown with the private sector just 100 jobs shy of full recovery at 99.9% recovered.

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Original art, attainable prices

Original art, attainable prices

Kenise Barnes Fine Art presents “Cool & Collected ’26,” its annual exhibition celebrating the joy of collecting, featuring works priced under $2,000.

D.H. Callahan

There’s a corner of YouTube populated by real-time footage of high-dollar art sales from prestigious New York and London auction houses like Sotheby’s, Christie’s and Phillips. Hundreds of thousands of viewers routinely watch with rapt attention, popcorn and cocktails in hand, as recognizable pieces from art history make their way to the upper echelons of grossly unattainable hammer prices. Pieces can often start with opening bids of tens of thousands of dollars and work their way up to multiple millions. Bidding increments alone can grow to sums unattainable for the average American family in several lifetimes.

Kenise Barnes Fine Art in Kent, Connecticut, wants to help make fine art more accessible. The 2026 version of the gallery’s annual “Cool and Collected” exhibition is subtitled “The Gift Edit” and features dozens of works by fine artists at prices that are much more in reach than an art-world outsider might expect. More than 30 artists contributed pieces to the show. Almost all available works are priced under $2,000, with many below $500. The collection features paintings, drawings, collage and ceramics.

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Jennifer Terzian’s sanctuary for contemporary art
Jennifer Terzian, founder of Jennifer Terzian Gallery in Litchfield.
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The gallery is really meant to create a very intimate relationship with the artist and the story behind their work.
—Jennifer Terzian

On a recent crisp, fall afternoon in Litchfield, Jennifer Terzian welcomed a steady stream of collectors, artists, and art-world insiders into her jewel box of an art space on South Street, just off the town’s manicured historic Green.

The occasion was an opening for Jenny Kemp, an artist noted for balancing fluidity and structure in her abstractions through repetition, variation, and gradual shifts in hue. Hers is exactly the kind of tactile, process-driven work Terzian champions at a subterranean space that feels less like a commercial art gallery and more like stumbling into an impeccably edited sanctuary of contemporary thought.

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Peter Cusack is finding the eternal in North Canaan
Peter Cusack in his studio.
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“I think art is the thing that allows us to feel there’s something in the universe that loves us,” said painter Peter Cusack in his new studio, a mid-19th-century stone church on Main Street in North Canaan.

For Cusack, art has always been a way of reaching toward something beyond the physical world. That sensibility runs through “Eternal: New, Recent, and Near Distant Paintings,” his upcoming exhibition in the church, a setting that seems an improbably good fit.

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Cowboy Junkies celebrate 40 years at the Mahaiwe

Cowboy Junkies celebrate 40 years together at the Mahaiwe Nov. 14

Heather Pollock

Now celebrating 40 years, Cowboy Junkies will perform Saturday, Nov. 14, at the Mahaiwe Performing Arts Center in Great Barrington, Massachusetts.

The band is celebrating its long career with a triple-vinyl retrospective album called “Open to Beauty,” featuring a selection of songs from 2000 onward, including material from its most recent release, “Such Ferocious Beauty.”

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Mike Selbach finds the extraordinary in everyday life
“R46 Interior” (2026). Solid cherry and acrylic, 21” x 26.75” x 0.75”
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Subway stations may seem unlikely places to encounter the divine, but amid the rumble of trains, the crush of commuters and the cavernous underground passageways, Salisbury artist Mike Selbach finds moments of unexpected beauty.

In “Subway Saints,” his solo exhibition opening Thursday, Nov. 12 at the Warren Family Gallery at Berkshire School in Sheffield, Massachusetts, Selbach transforms ordinary commuters and familiar transit spaces into sacred moments.

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