Joy Brown’s retrospective celebrates 50 years of women at Hotchkiss

Joy Brown installing work for her show at the Tremaine Art Gallery at Hotchkiss.
Natalia Zukerman
Joy Brown installing work for her show at the Tremaine Art Gallery at Hotchkiss.
This year, The Hotchkiss School is marking 50 years of co-education with a series of special events, including an exhibition by renowned sculptor Joy Brown. “The Art of Joy Brown,” opening Saturday, Feb. 22, in the Tremaine Art Gallery, offers a rare retrospective of Brown’s work, spanning five decades from her early pottery to her large-scale bronze sculptures.
“It’s an honor to show my work in celebration of fifty years of women at Hotchkiss,” Brown shared. “This exhibition traces my journey—from my roots in pottery to the figures and murals that have evolved over time.”
Co-curated by Christine Owen, Hotchkiss ceramics instructor, and Joan Baldwin, curator of special collections, the scale and scope of the exhibition was inspired by a recent Ed Ruscha retrospective in Los Angeles. “I thought it would be incredible to showcase all these different aspects of Joy’s work,” said Owen, who has known Brown for over 30 years.
Brown’s father, a Presbyterian missionary and medical doctor, opened a hospital in Japan where Brown grew up and cultivated her love of clay. Her first apprenticeship was in Tomba, a region in Hyogo Prefecture known for its ancient pottery kilns and Tambayaki pottery. “There are thousands of years of continuous history of clay there and I was working with a 13th generation potter.” Brown recalled that as part of her early training, her teacher handed her a sake cup and said, “make these.” With no extra instruction given, Brown proceeded to make thousands of copies of the cup. Never fired, she realized that the pieces were an exercise. She explained, “You’re not really making something, you’re participating in a process that these things emerge from.” From there, she embarked on an apprenticeship with master potter Shigeyoshi Morioka. As part of the process she learned from Morioka, Brown has built a 30-foot-long wood-firing tunnel kiln on her property in Kent, Connecticut, where she fires her work once a year in an intensive month-long process. The fire’s natural interaction with the clay creates unique earth tones and ash patterns, highlighting the raw beauty of the material.
Natalia Zukerman
“I learned not just pottery but a whole way of life,” she recalled. “The work is a continuous process—like practicing a signature until it evolves into something uniquely yours.” Her figures, initially emerging as playful puppets, have since evolved into large-scale sculptures now found in public spaces from Shanghai to Broadway to Hotchkiss’s own campus.
Brown’s seven-foot “Sitter with Head in Hands” was installed near Ford Food Court in October, followed by “Recliner with Head in Hands” near Hotchkiss’s Main Building in November. She welcomes interaction with her sculptures, encouraging visitors to touch them and even dress them with scarves or hats. “These figures transcend gender, age, and culture,” Brown noted. “They’re kind of like when you’re 4 years old and you didn’t know or care what you were, you know? All of us meet in that field and I think people resonate with that.”
In conjunction with the exhibition, Hotchkiss will host a screening of “The Art of Joy Brown,” a documentary by Eduardo Montes-Bradley, followed by a panel discussion with the artist and filmmaker on March 6 in Walker Auditorium. Brown will also serve as an artist-in-residence, collaborating with students on special projects.
On being part of the celebration of women at Hotchkiss Brown said, “Fifty years ago, I was deep in the mountains of Japan, immersed in clay.” With a soft spoken and almost childlike quality, Brown spoke about and interacted with her pieces with curiosity, reverence and wonder.
“The practice of working with clay for all these years is grounding and centering for me. It challenges me,” she said. “The work forces me to put myself out there. It’s not just the making of the pieces that make me more whole, the pieces themselves become more present.”
Brown reflected on the retrospective nature of the show and shared that putting it together has been like looking at a family album. “It’s kind of like I’m seeing my whole life in front of me,” she said. “It’s humbling and makes me think about why I do what I do. It comes back to the idea of those thousands of sake cups, you know? We’re just here, being as present as we can be. We’re not making things, we’re participating in a process of being more present, and all that spirit is reflected in the work.”
“The Art of Joy Brown” opens Saturday, Feb. 22, and runs through April 6. For more information, visit www.hotchkiss.org.
This story has been updated to reflect a change in the scheduled opening date due to forecast extreme weather conditions.
Devon Allman
On Friday, Aug. 15, The Devon Allman Project will play Infinity Hall in Norfolk. As the son of the legendary musician Gregg Allman, Devon carries on the family tradition while stepping out on his own.
“We’re honored to keep the tradition alive,” said Allman. “But I don’t play my records and try to compare them to records from 50 years ago. I try to write songs that mean something to me, and hopefully they’ll resonate with other people.”
His band features harmonica player/singer Jimmy Hall, guitarist Larry McRae and singer Sierra Green.
“It’s an all-star show. Jimmy Hall is from the great Wet Willie band from the ‘70s. Larry McCray is regarded in blues circles as a legend, and we’re honored to introduce Sierra Green. She’s a fantastic up-and-coming R&B singer from New Orleans who has been wowing the crowds. Everybody gets to pick up the ball and run with it. It’s an elevated show for sure.”
Their Infinity Hall Norfolk gig will feature cuts from his new album “Blues Summit,” as well as hits from The Allman Brother’s catalog, tunes from Devon’s early catalog and songs by Jimmy Hall.
The Devon Allman ProjectHeather Johnson
Asked what he learned about life from his famous father, Allman chuckled and said,
“Stay away from drugs and don’t get married seven times! My dad would laugh and agree to that. Musically, just let the music ooze out of you know. You don’t want to force it. Play what moves you.”
“I didn’t meet my father until I was 17. Once I met him, I went out on tour with The Allman Brothers instead of going to my senior year of high school. I already knew what I wanted to do, but I really wanted to see if it was going to be my calling. They had me sit in on the final night of the tour in Miami singing “Midnight Rider” to 5,000 people. I was 17, and that did it. The energy was just amazing. I was putting bands together from then on,” he added.
Various members of the extensive Allman Brothers family have their own musical projects such as the “Allman Betts Family Revival.” For those shows, Devon tips his hat to Duane Allman and Dicky Betts by playing a Gibson Les Paul but for The Devon Allman Project, he primarily plays a 1966 Fender Stratocaster.
Gregg Allman, who died on May 27, 2017, passed down many of his prized instruments to his son.
“He left me 43 guitars. I also got his grand piano and his Hammond B3 organ. The grand piano is set up in my music room; the Hammond B3 comes with us on the revival tours. I try to utilize his instruments so they’re not just sitting around,” he said.
Audiences at Infinity Hall Norfolk can expect solid grooves, dynamic range, and a lot of energy.
Having started their tour in Sweden, the band will carry on playing the USA and Europe for three week stretches over the next year.
“We’re just having a lot of fun. Infinity Hall is a great venue, and we always love playing it. We hope to see everybody!” Allman said.
For ticket info, merchandise and more, visit:devonallmanproject.com
Fire hydrant replacements in the village disrupted water service for businesses on Main Street.
MILLERTON — Construction on Main Street last week disrupted traffic as crews worked to replace an outdated fire hydrant next to Oakhurst Diner.
The scheduled maintenance, which continued into this week, was part of a 2019 grant awarded by the New York State Department of Health under the Water Infrastructure Improvement Act. Since then, the village has been upgrading undersized, damaged and outdated hydrants. A total of 25 hydrants have been replaced.
A statement on the village website reads, “This initiative aims to align our water system with the 10 States Recommended Standard for Water Works, enhancing safety by reducing the risk of hydrant vehicular strikes.” Water service was temporarily shut off at times last week and Monday as part of the scheduled work.
An employee at Oakhurst Diner said the water disruption caused the restaurant to open late on Friday at noon but had otherwise not affected business as of Monday morning.
The Millerton Moviehouse was granted $150,000 for HVAC repairs. Moviehouse owner David Maltby said the repairs were needed as the HVAC system in the building is 40 years old.
MILLERTON — The Millerton Moviehouse announced last week that it received a $150,000 grant from State Senator Michelle Hinchey (D-41). Moviehouse Chair Chelsea Altman and Co-Chair David Maltby accepted the check alongside town supervisor Chris Kennan and Senator Hinchey.
The funds will be allocated toward HVAC repairs that were completed in April, a crucial part of ongoing capital projects necessary for maintaining the historic 120-year-old building.
In an era when arts funding is increasingly unpredictable, the board and staff expressed “deep gratitude” for Senator Hinchey’s support. Maltby said securing the grant took more than a year and he credited the grant to the transformative work he, Altman and their team have done since purchasing the Moviehouse during the COVID pandemic and converting it into a 501(c)(3) nonprofit.
No longer a one-trick pony, the Moviehouse has grown into a community arts organization, offering more than just movies. “We have something for everyone, from first-run features and independent films to documentaries and special events like Q&As with filmmakers,” said Maltby, who grew up going to the Moviehouse as a child and had a vested interest in the preservation of the historic building.
The old way of operating a movie theater, Maltby said, relied on successful blockbusters and audience turnout. Additionally, theaters were impacted by COVID habits and streaming technology. The nonprofit model has brought opportunities to sustain The Moviehouse’s bottom line, but perhaps more importantly, has brought the community together.
Maltby said he is especially proud of their expanding education and community partnerships programs, which include after-school filmmaking workshops and free screenings, showcasing student-made films and partnering closely with local schools and organizations. “Becoming a nonprofit has allowed us to fully embrace and grow that mission,” he said.
Maltby believes their nonprofit status, which enables the organization to give back to the community through a variety of programs, played a key role in securing the grant.
About a year and a half ago, Senator Hinchey had an initial meeting with The Moviehouse to discuss a grant. “She’s known us for years and recognizes us as a key part of Millerton’s economy — arguably one of the most important contributors to the town’s daily life and its growth,” Maltby said.
During their meeting, Hinchey informed The Moviehouse about a state fund available to legislators for capital improvements to local businesses and nonprofits. Given the building’s age and maintenance needs, The Moviehouse saw this as an ideal opportunity to address critical renovation projects.
Their top priority was replacing the 40-year-old HVAC system that had been patched together over time and was expensive to maintain. The Moviehouse developed a $150,000 plan to replace the entire system, ductwork, and boiler and to insulate the attic and other areas.
“It’s the non-sexy, behind-the-scenes work people won’t see, but for keeping the movie theater running, it’s one of the most important things we can do,” Maltby said.
In a statement posted to Facebook, Senator Hinchey said, “I was happy to provide a $150,000 state grant to the Moviehouse in Millerton to support energy-efficient upgrades that will help lower operating costs and keep this treasured community institution accessible and enjoyable for years to come.”
Several years after his COVID purchase of the Moviehouse, Maltby said it is running like a well-oiled machine, and gives effusive thanks and credit to his team, which he describes as intentionally lean and hard-working.
General manager Jeremy Boviard, for example, has been with the Moviehouse since 2021 and Maltby said he “runs the team and day-to-day operations with such efficiency and ease and is a huge reason why this whole thing works.” As for Helen Seslowsky who handles marketing and public relations, Maltby said “If it happens, it’s because Helen makes it happen.” Working under the previous ownership since 2014, they joked that Seslowsky “came with the building.” She handles a wide range of responsibility behind–the-scenes to make things run smoothly.
“Everyone seems to enjoy working here, which is amazing — and I think that energy translates directly to our customers’ experience,” said Maltby, whose children also work at The Moviehouse in the summer. “It’s been incredibly rewarding overall, especially as we’ve been able to grow our mission and our partnerships with the community.”
Correction: Chelsea Altman & David Maltby are the Chair and Co-Chair of The Moviehouse Board, as it is now a 501(c)(3).
Republican County Comptroller candidate Will Truitt currently serves as the chair of the Dutchess County Legislature.
Republican Will Truitt of Hyde Park is facing off against Democrat Dan Aymar-Blair for the county comptroller seat in the Nov. 4 election.
Truitt currently serves as the chair of the Dutchess County Legislature and has served as Hyde Park and Pleasant Valley’s representative in the legislating body for the past ten years.
Truitt, 29, made his first foray into politics as a student at Marist College at the age of 19.
After a stint interning in Marc Molinaro’s office, Truitt decided to run for office himself. At the age of 20 he unseated the incumbent representative of Hyde Park and he’s been reelected to the seat ever since.
“I was knocking on all my neighbors doors,” Truitt said. “A lot of them recognizedand kind of knew who I was. They knew that I really wanted to serve and they put their faith in me.”
Truitt said his experience as the chair of the county legislature’s Budget and Finance Committee, and his current full-time job at Metzger Construction Corp. in Hopewell Junction, have prepared him for the comptroller’s position.
“You have to understand dollars and cents, you have to understand finance,” Truitt said. “I went to Marist for business, finance and accounting and a minor in economics so none of the language felt foreign to me.”
The County Legislature chair cited the passage of term limit regulation as a major success of his 10 years in government. “I have always believed term limits should be in place for all levels of government,” Truitt said. “I brought forward term limits in my first term and it failed pretty miserably. I brought it back in my second year and it passed unanimously.” Now, all elected county officials are limited to no more than 12 years in a particular post.
Truitt reflected on a failed bid to unseat New York Assemblywoman Didi Barrett when he was just 22-years-old, saying he’s eager to return to Northeast Dutchess County and meet more people on the campaign trail.
“I got to really know so many people in that region,” Truitt said. “I ran for the state assembly when I was that young because I — just like I did when I ran for the Dutchess County Legislature — I thought I could provide a strong voice for the people.”