Hiker’s Notebook — Hitting the Alander Brooke Trail

Distant ridges occasionally peak through the dense tree cover on the Alander Mountain Trail, providing a view of the rugged Oblong Valley landscape.
Photo by Grace Demarco

Distant ridges occasionally peak through the dense tree cover on the Alander Mountain Trail, providing a view of the rugged Oblong Valley landscape.
MILLERTON — On a warm Sunday, I ventured to escape the heat of a mid-August afternoon under the bright-green protective canopy of the Alander Brooke and CCC Trail. After the minor delay of forgetting my boots at home, I laced up my well-loved Merrells and took to the trail for the perfect mind-clearing and balancing activity to bridge one week to another.
This 2.6 mile hike is accessible from Under Mountain Road in Millerton, just off of Route 22. I headed down the road, passing the trailhead marked by visible signs on the left, and followed the arrows up a bit toward a parking pulloff.
After parking and retracing my steps a short way down the road, I headed down the Alander Mountain trail. Immediately I was under the full coverage of the trees above, engulfed by the sights and sounds of nature.
Although there were no other hikers to be found on this late afternoon, the wide trail appeared to be heavily trafficked and well marked. The compact and colorful fallen leaves, scattered pinecones and acorns set the trail aside from its fern and vegetation linings.
Shortly after beginning, I approached a fork in the trail and, following the signs, went left toward the easier Alander Mountain trail. As I winded through the trail with manageable inclines and declines, I followed the blue trail markers which appeared frequently on the trees.

Although my heart beat rapidly and I was getting a workout, my mind and body calmed the second I stepped off of the concrete and onto the trail. The sights and sounds around me captured my attention and I absorbed everything I could in the 2.6 miles that separated me from the edge of the woods and the resumption of real life responsibilities.
The trail remained non-technical and beginner friendly with easy footing, allowing me to keep my head and eyes up. Along with the marginal wood ferns, the trail was lined with common witch hazel, white birch and the occasional white baneberry. I was greeted by chipmunks and squirrels who scurried across the trail ahead of me, and the birds, visible and hidden, accompanied my trek with their songs.
Along with the melodious and regular crunch coming from under my boots, the flow of an upcoming body of water bubbled through the brush. The trickling water added to the already present harmonies of nature all around me. Shortly after, at about 0.6 miles, I approached a culvert and crossed over a small stream toward another split in the trail.
At the fork, the blue trail veers to the right and straight up Alander Mountain, but bare left for the CCC loop which remains manageable and beginner friendly. Although the loop was unmarked, the trail was unmistakable.
It seemed to be the road less traveled, in the best way possible, as the trail thinned and wound toward a shaded downhill stretch. Here, I was even more a part of my surroundings. The trees provided refuge from the sun which peaked through the gaps in leaves, offering a welcoming and cooling breeze. A black and white striped feather had dropped from its original wearer and was now, like the leaves, a part of the trail.
As I approached the tip of the CCC loop, marking the halfway point of my adventure, I curved through a grassy area and was met by a frog who hopped across into the shelter of the nearby foliage. I heard the frog longer than I saw him, as the leaves rustled with its every movement.

After walking around a white birch road block, two stone walls corralled the trail until the loop circled back and met up with the blue trail.
The scent of pine and something sweet lingered in the air when I stopped for a moment after hearing rustling in the grass. From out of the brush, turkeys, one after the other, emerged just feet ahead from my right. Some ran, some flew, but no less than twenty turkeys flapped their wings and waved me goodbye.
After they finished their grand gesture, I stood there and thanked myself for lacing up my boots and walking the trail. To encounter animals and plants in a place we all share is a gift. Taking the time for myself and getting out there was the best thing I could do.
As the warmth of summer lingers and gives way to fall, it is the perfect time to grab your old and dusty boots from the attic and get back out there. It is also the perfect time to step out onto the trail for the first time. Let the breeze push you toward the everchanging landscape of the forest, especially through the changing of the seasons. The trails will always be there for you.
Alander Brook and CCC Trail is not the only trail in the area. For a moderate 5-mile trail look to Mount Frizzell and Brace Mountain Loop Trail. For a short, yet steep, trail with waterfalls, look to the Quarry Hill Trail. For an easy 2.4 mile hike, look at the Mary Moore Cliff Trail Loop.
For more information on hikes nearby, complete with maps, reviews, and difficulty ratings, alltrails.com is a great and free resource.
Whether it’s short, long, fast, slow, completely flat or a vertical climb, the trees will overshadow your worries, and the breeze will carry you along. The hardest part is getting there.
After that, it’s just a walk in the woods.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org