Folk, food and fall views at annual Stissing Center fundraiser

Amazing views from Globe Hill in Pine Plains will be the backdrop for this year’s fundraiser for The Stissing Center.
Alicia King

Amazing views from Globe Hill in Pine Plains will be the backdrop for this year’s fundraiser for The Stissing Center.
The Stissing Center for Arts & Culture is hosting its Harvest Sunset Celebration at Globe Hill in Pine Plains on Saturday, Sept. 27. Set against panoramic views, the event promises an evening of music, locally sourced food, and community spirit — all in support of year-round arts programming.
The celebration will feature a performance by Jay Ungar and Molly Mason, the renowned folk duo best known for their rendition of Ashokan Farewell, used as the the hauntingly beautiful theme from Ken Burns’ “The Civil War.” Their evocative blend of Appalachian, Cajun, and Celtic music has earned them a lasting place in American acoustic music.
Opening the musical lineup is Long Steel Rail, a dynamic bluegrass trio. The evening will be emceed by Ophira Eisenberg, comedian, author, and host of NPR’s “Ask Me Another.” Eisenberg is known for her sharp wit and engaging presence on both stage and radio.
A seasonal harvest dinner will be prepared by The Farmer’s Wife, a local favorite recognized for celebrating farms — and seasonal ingredients — from the area. The dinner will be accompanied by local beverages and set amid the natural beauty of Globe Hill’s expansive landscape.
The Harvest Sunset Celebration serves as a vital fundraiser for The Stissing Center. Proceeds support accessible ticket pricing, free children’s programming, and diverse arts offerings throughout the year.
“This event is really a celebration of The Stissing Center’s deep connection to our community,” said Gwen Greene, President of the Board. “The spectacular venue, the extraordinary entertainment, and the delicious local food and beverages are all a part of our commitment to this area. By the same token, the breadth and depth of our programming also speaks to our mission to bring to our audiences something that each and every person can enjoy. We are very excited to share this celebration with our friends and neighbors.”
Executive Director Patrick Trettenero added, “As summer turns to fall, this is the perfect moment to gather, give thanks, and support something meaningful. There’s no better way to celebrate the season than with delicious local food, world-class music, and one of the most spectacular views in the Hudson Valley.”
Tickets are available at thestissingcenter.org
With the property up for sale and its future uncertain, programming is winding down at the iconic Race Brook Lodge in Sheffield, Massachusetts. But there are still events on the calendar designed to carry music lovers through the winter and into spring.
From Friday, Nov. 21, to Monday, Nov. 24, Race Brook Lodge will hold its Fall Gratitude Festival. Celebrating the tail end of fall before the colder depths of winter, the festival features an eclectic mix of music from top-notch musicians.
The festival begins Friday, Nov. 21, with an evening of Indian classical music with Eric Fraser (bansuri flute), Abhik Mukherjee (sitar), Mir Naqibul Islam (tabla) and Vinay Desai (santoor). Fraser is one of the few exponents of the original “gayaki-ang,” or vocal style, of bansuri flute. He is also a key member of Brooklyn Raga Massive, a nonprofit musicians’ collective that creates cross-cultural understanding through the lens of South Asian classical music. Fraser’s playing rings with authenticity and pure Indian tone, carrying a distinct and masterful sound imbibing a pure gharana, or lineage. He is also a multi-instrumentalist, educator, composer and songwriter.
On Saturday, Nov. 22, Palestinian multi-instrumentalist Zafer Tawil (qanun, violin, nay) performs alongside friend and collaborator Rabbi Zachi Asher (oud), offering Arabic maqam, Sufi trance, piyut and tarab sounds that bring ancient desert traditions to life. Tawil and Asher present a rare vision of collaborative futures at the crossroads of art and justice, music and spirituality. For this performance, Duo al Rouh will be joined by vocalist Zahra Zubaidi, percussionist Rich Stein, violinist Megan Gould, belly dancer Myrto Daskaloudi and other special guests.
Rabbi Asher will also lead a special Shabbat gathering, ceremony and dinner with songs, teachings, dance, stillness, silliness, poetry and wilderness time for adults and kids on Friday, Nov. 21. Everyone is welcome. Shabbat dinner is included.
On Sunday, Nov. 23, master Senegalese sabar percussionist Aba Diop performs with fellow griot artists and global collaborators the Yermande Family. The group’s full-length release, “Family,” affirms sabar as a rhythmic language that has shaped music across continents and centuries and continues to shape what comes next. The group takes its name from the Wolof word “yermande,” which means compassion, care for others and deep respect for community.
Closing out the festival on Monday, Nov. 24, keyboardist John Medeski, along with bandleader Mike Rivard on bass and sintir, Will Bernard (guitar), Mister Rourke (turntables) and Dean Johnston (drums), performs as Club d’Elf. Club d’Elf has been helping audiences lose track of time for 27 years with its synthesis of Moroccan traditional music and electronic, dubbed-out funk.
Race Brook Lodge is a restaurant, inn and event space that provides a place for guests to engage with nature, culture and community. With a commitment to sustainability and accessibility, Race Brook Lodge is a unique Berkshire institution. The property is for sale and long-time owners Dave Rothstein, Casey Rothstein-Fitzpatrick and Saadia Khan hope that the new owners “will care for the property in a way that is respectful to the land and our local community,” said a social media post.
For tickets to the Fall Gratitude Festival, visit rblodge.com/fall-gratitude-festival-2025.
Holiday decorations bring cheer.
I just put the skeletons away — literally — into their neatly labeled Halloween plastic bins, along with the faux cobwebs, flickering lanterns and haunted houses that feature tiny tea lights. As I closed the lid, I found myself eyeing — albeit hesitantly — the Christmas décor.
We just voted, and now I’m sprinting toward Christmas? Too soon? Maybe. But before you judge, hear me out.
As an interior designer with a seasonal division, decorating restaurants, hotels and client homes fills the calendar long before December’s first flakes fall. While many of you are still working your way through leftover trick-or-treat candy, I’m busy fluffing garlands, steaming bows and untangling strings of lights that somehow tie themselves into sailors’ knots. Full inventory assessments are underway, batteries and extension cords are being tested, and by Thanksgiving or shortly after, every wreath, tree and ornament will be perfectly placed.
As for my own holiday décor? Well, it’ll likely go up somewhere between Black Friday and Christmas Eve, when I’ll be tiptoeing through my living room at 2 a.m., stringing lights and hoping I get even half of it up before I run out of time.
This year, I’m seriously considering pulling a page from my freshman daughter’s and college-aged niece’s book. Their bedrooms in our home are already little winter wonderlands — soft fairy lights, flocked mini trees, cozy throws, flannel sheets and all the sparkly magic of the season. It’s less “Santa’s Workshop” and more “quiet snow globe” — peaceful, pretty and brimming with cheer.
And honestly, who couldn’t use a bit more of that?
Truth be told, there’s some science behind it. Studies show that people who decorate earlier tend to be happier. Psychologists say it triggers nostalgic feelings, releases dopamine — the “happy hormone” — and brings back joyful memories from childhood. In other words, twinkling lights really do make life brighter.
Still, not everyone’s on board with decking the halls before the bird’s even in the oven. So, in the spirit of balance, let’s do a deep dive into the pros and cons.
The Pros of Decorating Early.
Longer enjoyment: You’ve spent time, energy and maybe a small fortune on décor — why not enjoy it for more than three weeks?
Less stress: Getting it done early means you can actually relax come December. Imagine that!
Instant cheer: The world feels a little kinder under twinkle lights.
Creative freedom: You’re not rushed. You can style and restyle until it feels just right.
Built-in motivation: Once it’s up, you’ll want to keep everything else organized and tidy. (It’s the decorator’s paradox.)
The Cons of Decorating Early.
Holiday burnout: Start too soon and you might be ready to take it all down before Santa even arrives.
Thanksgiving confusion: A turkey centerpiece under mistletoe just feels ... conflicted.
Peer pressure: Not everyone’s thrilled about jingling bells before mid-November.
Storage shuffle: Early decorating means the Halloween bins and Christmas bins battle for garage space.
Power bills: All those early twinkle lights can add up — financially and electrically.
For me, it’s a toss-up. I’m not hosting Thanksgiving — I do a big bash in October for our traditional Canadian Thanksgiving — so we’ll be at my in-laws’ here in Lakeville. That might give me just the breathing room I need to lean into the sparkle a little sooner.
But really, in the end, it isn’t about when the décor goes up — it’s about what it stirs inside us. The scent of pine, the glow of soft lights, the little moments that slow us down and remind us what we’re grateful for. Whether in November or December, if your holiday décor fills your home with peace and your heart with joy, that’s perfect timing.
Kerri-Lee Mayland is an Emmy award-winning news anchor and designer. She lives in Lakeville.