David Charles Wilburn


FALLS VILLAGE — David Charles Wilburn, 75, of Falls Village, died peacefully surrounded by his family on March 23, 2025, at Vassar Hospital, Poughkeepsie, New York.
David was born on Aug. 5, 1949, in Asheville, North Carolina. He grew up with his older brother, Randall Wilburn, and was raised by his father, Harold Charles Wilburn, and his mother, Marcene Hicks Wilburn. He was educated at Georgetown Preparatory School in North Bethesda, Maryland, The University of Notre Dame du Lac in South Bend, Indiana, and St. John’s University School of Law in New York City, New York.
He began his career as an attorney at The Tennessee Valley Authority, where he met his wife, Sally Scott Wilburn. The two were married at First United Methodist Church in Jackson, Tennessee on Nov. 29, 1980. It was shortly after that David and Sally, two lifelong Southerners, both with families with the deepest of Southern roots extending back to the English and Scottish Colonies of the 1600s, made a lifelong change — they became permanent East Coasters. They moved to the Upper East Side of Manhattan, where David had a career in corporate and municipal finance, as Vice President at Kidder Peabody and UBS (then United Bank of Switzerland), and later as Managing Director at Paine Webber.
With plans for a family, in 1987 David and Sally bought a Queen Anne-style brownstone on Strong Place in Brooklyn’s Cobble Hill neighborhood, which became the childhood home for their two sons, Alexander and Clayton, and their daughter, Katherine. Their three children were all born at New York University Hospital in Manhattan and christened at Grace Episcopal Church in Brooklyn. In 1998, David and his family moved full time to the second home where they had enjoyed so many summers and Christmases, a Colonial Revival house listed in the Register of Historic Homes of Sharon, Connecticut.
In the Northwest Corner of Connecticut, David was an active and eager community member, especially when it came to athletics. His efforts shaped Salisbury Youth Hockey into the program it is today, including naming the team the Redhawks and designing the original logo with his son, Alexander. He spent many frigid, early winter mornings with a hot coffee in hand, shuttling his two hockey players, Clayton and Katherine, to play in weekend games across New England through their grade school and high school years.
Beyond team sports, David was enthusiastic about giving his children a rich cultural education, whether through old films, photography and art exhibits, productions of Shakespeare and New York’s American Ballet Company — and of course, classic sci-fi, including “The Empire Strikes Back” and “Star Trek: The Wrath of Khan.” He instilled a love of the outdoors in his children as well, and in fatherhood enjoyed downhill skiing, fishing, doubles tennis and scuba diving in the Caribbean. He loved to golf, a passion he inherited from his own father, and spent many early summer mornings on Hilton Head Island, South Carolina, golfing with son, Clayton, his father-in-law, the late Dr. Barnett Scott, his brother-in-law, David Scott, and his nephew, Andrew Scott.
In 2007 David embarked on an unexpected venture and brought his love of the culinary arts to the public when he opened the New American-style restaurant Chives in Lakeville, Connecticut. Favorably reviewed in the New York Times in 2008, Patricia Brooks wrote, “The crisp, neat, fresh-looking little place is enlivened by water glasses in electric Giverny blue” and later complemented the “seared yellowfin tuna and soba noodles, baked Westfield goat cheese salad; asparagus risotto, crispy-skin Loch Duart salmon, pan-seared Maine diver scallops and house-made ice creams.” The tough-as-nails Lakeville Journal food critic Marsden Epworth even complimented the restaurant’s “magazine-cool presentation.”
David and Sally shared a love for home restoration, and the pair could be seen over the years working together as a team on interior renovations and decorating (they were both great fans of the late Mario Buatta), as well as spending their warmer days out among the many pastel peonies, dahlias and roses in their garden.
In the couple’s later years, they bought their shingle-style home in The Historic District of Main Street in Falls Village, Connecticut. David served as treasurer of the Falls Village Community Development Corp., and was elected to two terms on the Falls Village Board of Finance. Especially in his later life, David was a passionate progressive, who believed in economic, racial and housing equity, and that it was the role of the community to look out for those in need.
David is predeceased by his parents, Harold and Marcene Wilburn, his older brother, Randall Wilburn, as well as his departed buddy, the Wilburns’ chocolate Labrador retriever, Jasper, named after the artist Jasper Johns.
He is survived by his wife, Sally Scott Wilburn, and his three children, Charles Alexander Wilburn, Clayton Scott Wilburn, and Katherine Wilburn Lasacco. David was in attendance (and is remembered for his excellent speeches) as Clayton married Elizabeth Teitzel Wilburn in Nashville, Tennessee in 2018, and his daughter Katherine wed Jeremy Lassaco in Ocean Grove, New Jersey, in 2021. David became a grandfather for the first time upon the birth of Jeremy and Katherine’s baby girl, Scarlett Joan Lassaco, on April 19, 2023, and again on Oct. 1, 2024, upon the birth of Clayton and Elizabeth’s daughter, Sophie Madison Wilburn.
The Kenny Funeral Home has care of arrangements.
A private family service is planned for the spring.
In lieu of flowers please make a memorial donation to David’s cherished local library, the David M. Hunt Library, 63 Main St., Falls Village, CT 06031.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org