Managing holiday stress


The holidays are a source of joy for some, and challenge for others.
For many of us, the holidays are simultaneously filled with the promise of making new memories, and rife with recollections of the past. The emotional and physical energies often expended during this season can leave us exhausted. Top stressors reported by people are: financial, travel, hosting, overloaded or empty schedules, grief and loss, and strained relationships.
Challenges
Feelings: In managing holiday stress, the first thing that mental health providers recommend is to acknowledge feelings. Any and all of our feelings are acceptable, both positive and negative.
Allow the negative feelings to pass when ready, and notice the positive ones with appreciation.
Grief and loss: A sense of loss can stem from many reasons. For some it might be the first holiday after the death of a loved one. For others, divorce can cause transition stress in addition to new and positive experiences and relationships. Perhaps some are struggling with health challenges.
Others are finding it hard to celebrate when larger world conflict and loss is happening.
Financial stress: With many people facing economic challenges, the pressure to buy gifts or produce elaborate meals can seem daunting. Media advertising and marketing content is not always helpful. Town food banks and agencies can be helpful with assistance. In some areas like the Northwest Corner, towns have social workers to help connect people with services. For people of all socioeconomic, groups it might be important to reframe the holidays as a time to connect with others versus overspending.
Relationships: Strained relationships can be a source of pain during the holiday season.
Although it might be tempting for some to air grievances or resolve conflict, it is likely better to put these types of agendas aside during this time. Focusing on positive qualities in one’s self and others has better outcomes and produces a sense of grace/acceptance.
Overload and isolation: For some, it might be tempting to overfill their holiday calenders with events and travel, which can often lead to burnout. For others, the impulse might be the opposite, and can create loneliness. The ideal is to strive toward balance.
Setting limits with “no” to an invite might be equally balancing as accepting an offer that could be nourishing. Self care means knowing when to look outward for connection and when to spend more quiet time with one’s self or an intimate few.
When this season becomes too busy, arranging for down or quiet time can help us to recharge. Stress-free, screen-free time can allow us to drop into our “rest and digest” parasympathetic nervous system, rejuvenating the body and brain.
Techniques
In coping with holiday stress, there are a variety techniques that have proven to be helpful. It can be challenging to regulate one’s emotions and behaviors during this time.
Mindfulness and meditation: Even brief mindfulness meditations with breathing can be helpful. The following link to a meditation on Insight Timer is an example of the many apps and forms of online support available, some of them free: insighttimer.com/terrijenkins/guided-meditations/holiday-de-stress-with-mindfulness-of-now.
Yoga might also be helpful, whether it be online or in person locally at a practice such as Be Well Community Yoga in North Canaan.
Lowered expectations: Lowering expectations of those around us, and of the holiday experience itself, is beneficial. None of us are going to be on our best behavior at all times. A forgiving sense of humor, different from sarcasm or barbed commentary, about one’s self and others can be fun and emotionally freeing.
Humor, as they say, “is often the best medicine.” When in doubt, “put on” comedy, whether it be through humorous personal recollections/observations or entertainment media.
Faith: Whether it be religious or spiritual, faith can provide a spiritual rudder when we are challenged and help us to navigate better choices once we are not “operating” from a place of fear.
Empathy and giving back: Often, we find meaning and healing in service to others. Helping a friend or neighbor, making a financial donation, or volunteering for a community agency are all powerful ways to make a positive impact. As we all know, the holidays can spark feelings of generosity.
Boundaries: In the rush to celebrate the season, we can all get overwhelmed by an innundation of invitations to create, donate and celebrate. Evaluating when to say yes and when to say no can be part of healthy self preservation.
Being mindful of our own and other people’s particular vulnerabilities, whether they be physical or emotional, is especially important during the holidays.
Perhaps seating, timing, location and other concerns need to be thought out the best we can in order to accommodate different personalities and generations. Thoughtful and active listening can be more rewarding than any heated debate or conflict that may come up.
In some settings there is an agreement to stay away from divisive topics during gatherings. Others may not want to take this more structured approach. In these cases, taking space for a time when needed and then rejoining activities might be helpful.
Self care: Self care can mean many things: sleep, exercise, fresh air and vitamin D.
Abstaining from or limiting alcohol, nicotine, caffeine and excess sugar intake can reduce stress and protect the immune system. Overall, balancing care of one’s self and others seems to be a key element in creating a positive holiday experience.
Isabelle Clark Foster and Margo Davis are licensed independent clinical social workers. Davis publishes at goingforwhole.substack.com and offers a free meditation group every Friday at 4:30 p.m. at the Bushnell-Sage Library in Sheffield, Massachusetts.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org