The Serious Make-Believe of Artist Danielle Klebes

On the penultimate floor of Maxon Mills in the Wassaic Project's 2023 summer exhibition, "Counting the Seconds Between Lightning and Thunder," several life-sized, 3D portraits on wooden cutouts stood like ushers, guiding the viewer to climb the last staircase and enter the final installation: Danielle Klebes' "7th Floor Walk-up." 

A collection of over 100 paintings made up the contents of this space, an interior blending reality with imagination. From the red plastic Solo cups on the mantle to the taxidermy on the walls, from the books on the bookshelf to the magazines on the coffee table to the floor itself, everything in the space was a painting, creating a liminal space between reality and fantasy.

Klebes was born in Rochester, N.Y., but moved for the first of many times just two weeks later. Her mother, an artist as well,  lived her life following her muse, which meant that Klebes and her sister followed along with her. 

This itinerant childhood left Klebes with brief stints in "all of New England," Florida, and even some time in Japan. Now rooted more than she's ever been in Wassaic, a hamlet in Amenia, N.Y., Klebes is investigating place and what it means to be in a community.

In 2020, she applied to The Wassaic Project's exhibition and residency program. "It's pretty famous in the art residency world," said Klebes, "and I'd been doing residencies for about three years, so I was dying to get to Wassaic." 

The residency and the exhibition were both canceled due to the pandemic. A fellowship opportunity opened instead, which Klebes applied for and received. She was a fellow for about five months and then was hired as the full-time programming coordinator. "This is like my dream job, so I'm so excited." 

This is also the longest she's ever been anywhere. Standing relatively still, Klebes now gets to observe as other artists come and go, inspired and ignited by an ever-changing cast of characters. She said: "I love the community aspect of being in a residency. It keeps me pushing myself. If I'm alone in my studio, it's too easy to let yourself off the hook. It's really important to be around people that inspire you."

Klebes knew she loved painting from a very early age. She took a painting class as a child at the Currier Gallery (now Currier Museum) in New Hampshire. "I wasn't interested in make-believe. I was very serious." It is this kind of serious make-believe that is at the center of Klebes' work. Her upcoming solo show, "NOWHERE," at the Jennifer Terzian Gallery in Litchfield, Conn., opening Sunday, Oct. 29, will showcase interiors transporting viewers into a world where reality and imagination coexist. 

The beauty of everyday life is in a conversation with the intricate details that often go unnoticed in what Klebes calls a sort of "eye spy" approach to painting. "I'm having fun doing multiples," she said, "where the same things appear…find this car, find this calendar..."

In the few weeks leading up to the show, Klebes is interested in painting real spaces and the made-up ones of her imagination. She explained, "It's the accidental things that make you realize it's a real space." She continued: "I did this painting of my brother and sister, and my brother was wearing these weird black socks, and you realize these would never be there unless they were really there because they're just so strange. Those moments only happen in real life. By inventing, it cleans it up too much somehow. So in my last month before the show, I want to paint real spaces."

Sharing a home with her girlfriend, former Wassaic print fellow McKinzie Trotta, and working at The Wassaic Project has provided Klebes a new stability and space to explore. It has also provided ample storage space for her paintings—her mother's ever-changing abode required a recent relocation of her artworks from her basement. 

The question of what makes a space "real" now pervades her artistry. With incredible attention to detail, she dissects the essence of presence, the tangible evidence of existence, and the struggle to portray "now HERE" instead of, perhaps, "nowhere." 

"There's something about queerness in a small town," she explained, "I feel much more like I want to shout it from the rooftops." Now reunited with some of her older work, she's curious about the characters and what role they will play, the role that a chosen family plays in one's life. 

Klebes mused, "I am still trying to find the balance of reflecting my life in my work," and continued, "I love painting. Period. I'm curious. I like people. It's what always comes back."