
Rebuilding Together volunteers at a National Rebuilding Day project in Poughkeepsie in April 2022.
Rebuilding Together
Rebuilding Together volunteers at a National Rebuilding Day project in Poughkeepsie in April 2022.
POUGHKEEPSIE — Rebuilding Together Dutchess County (RTDC), a leading nonprofit in repairing homes, revitalizing communities and rebuilding lives with more than 40 years of experience, is rebranding as Rebuilding Together Hudson Valley (RTHV) with an expansion into Ulster County.
With the expansion, its reach now extends across the Hudson, continuing its mission to help those in rural communities often overlooked by traditional assistance programs.
At the helm of this organization is Darcy McCourt, who took the reins as executive director in April 2022. McCourt’s vision for Rebuilding Together reflects the organization’s core values, as she stated, “We repair homes, we revitalize communities, and we have a deep impact on people’s lives.”
This impact is not just measured in bricks and mortar but in the restoration of dignity, independence and safety for those in need, said McCourt.
“We’ve been around for 32 years here in Dutchess County,” she said. People know about us, and they’ve been begging, literally, since I joined and prior to see if we would expand into additional counties.”
Not only were homeowners with critical home safety needs asking for support, but the U.S. Department of Housing and Urban Development (HUD) was identifying rural communities, in both Dutchess and Ulster counties, with needs that Rebuilding Together could help meet in its expansion.
HUD has identified that up to 75% of the population in these counties live in a rural community which they define in one of three ways: 1. A place having fewer than 2,500 inhabitants. 2. A county or parish with an urban population of 20,000 inhabitants or less or 3. Any place with a population not in excess of 20,000 inhabitants and not located in a Metropolitan Statistical Area.
By leveraging census data and collaborating with local officials and community partners, Rebuilding Together identified Ulster County as the next frontier for its mission. “For all of the housing support that agencies give,” said McCourt, “we’re only touching 5% of the population in those same rural communities.”
Reaching those in need isn’t just about physical presence, but about meaningful outreach, said McCourt. She emphasized the importance of meeting people where they are, whether it’s through community events, partnerships with local organizations or even bulletin board postings at grocery stores. The application process, though time-limited — applications are sent out in June and must be received by September — ensures that those who qualify can access services regardless of technological barriers.
“Those who live in rural communities may not have computers,” said McCourt. “They may not know about us. Perhaps they don’t go to their local library or food pantry. In the past three years, we’ve spent a significant amount of time with our outreach coordinator to touch all corners of our county.”
Central to Rebuilding Together’s success is also a robust volunteer engagement platform, with over 14,000 volunteers lending their time and skills over the years. In addition to providing services for low-income homeowners, RTHV is also providing jobs for those in the skilled trades.
“Since COVID, we have identified that there is greater need for skilled labor,” said McCourt. These relationships have also allowed for a greater number of in-kind donations from contractors. “They can charge us for the labor to put a roof on, but maybe they have extra roofing materials so they’re able to do the work without the cost,” McCourt explained.
Financially, Rebuilding Together relies on a mix of direct donations, grants and in-kind contributions. Its annual golf tournaments serve not only as fundraising events but as opportunities for community engagement and support. McCourt invites individuals and businesses alike to join the cause, whether through donations, volunteering or simply spreading the word.
A consistent grant it has received is through the Office for the Aging. Said director Todd Tancredi: “Rebuilding Together has long partnered with Dutchess County’s Office for the Aging as we fulfill our mission of keeping older adults in their homes safely for a long as possible. To accomplish that, our organizations have worked together to oversee vital repairs and modifications to houses for older adults in Dutchess, allowing them to continue to live independently. We wish Rebuilding Together similar success as they expand into Ulster County.”
The impact of Rebuilding Together’s work extends far beyond the homes it repairs. McCourt shared poignant stories of homeowners whose lives have been transformed by their services. From empowering seniors to remain in their homes to providing communities resources to care for their own, Rebuilding Together’s ripple effect is profound.
SHARON — Angela Derrick Carabine, 74, died May 17, 2025, at Vasser Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino