After painter’s death, friends reflect on a life rebuilt

Michael Moore with his son, Lucian. Friends and family say much of his life revolved around raising his son.
Photo provided


Michael Moore with his son, Lucian. Friends and family say much of his life revolved around raising his son.
LAKEVILLE — Friends and coworkers say Michael Moore spent years rebuilding his life.
Now, they are grappling not only with the loss of a friend and employer, but with the loss of a father whose life had come to revolve around his 7-year-old son, Lucian.
The 40-year-old painting contractor was killed June 1 in Ashley Falls. Authorities allege that fellow painting contractor Cole Bushnell was responsible. Bushnell, 41, has pleaded not guilty to a charge of first-degree murder and is being held without bail.
Friends say Moore had overcome addiction, regained custody of his son and built a business that employed people who, like him, were trying to get back on their feet. He was also talking about marriage after more than six months in a committed relationship.
For many who knew both Moore and Bushnell, the allegations remain difficult to reconcile. The two men had known each other since their days at Housatonic Valley Regional High School, worked together for years and remained close friends.
“They were best friends,” Moises Reyes, a painter who was employed by Moore, said.
Friends say Moore and Bushnell spoke daily, shared workers on larger jobs, consulted one another on estimates and occasionally helped each other financially when business slowed.
One friend and fellow painter, who has known both men since childhood but didn’t want his name disclosed, said Bushnell served as a mentor to Moore as the younger contractor built his own business.
“Cole was like a mentor to him,” the friend said. “Whatever job one got, they would run it by the other.”
Friends said it was not uncommon for the two men to loan each other money when cash flow tightened, a reality of running small contracting businesses.
“I saw it both ways,” the friend said. “Mike would help Cole. Cole would help Mike.”
That history has left many searching for answers.
“I don’t understand how it happened,” the friend said.
Rebuilding his life
Those closest to Moore acknowledge that he struggled with addiction during his younger years and had several encounters with the criminal justice system. But friends say those challenges became the foundation of a turnaround.
After becoming sober, Moore focused on rebuilding his life, establishing his own business and gaining sole custody of Lucian nearly four years ago.
“He got clean. He got his son back,” said Joey St. John, who worked for Moore but had been friends with him for nearly a decade.
Friends describe that achievement as one of Moore’s proudest accomplishments. They say much of what he did in recent years revolved around creating stability for his son. Lucian’s mother, they said, had her own personal struggles.
A father first
By all accounts, Lucian was the center of Moore’s life.
Friends describe him as a single father whose daily routine revolved around his son. He dropped him off at daycare in Winsted most days and picked him up at the end of the day.
Friends say Moore worked hard to regain custody of Lucian and was devoted to raising him.
“Lucian loved his daddy more than anything,” said Jacklyn Evon, whose husband grew up with Moore and was a friend.
Her husband, Bryan, attended Kellogg Elementary School in Falls Village with Moore in the 1990s, when there were only about 10 children in the grade, with just three being boys.
“They were like brothers,” she said, noting that Moore gave a lively speech at their wedding.
Following Moore’s death, friends and family members have rallied around Moore’s son.
Evon launched a GoFundMe campaign noting that Moore was Lucian’s sole caregiver, provider and primary source of support. The fundraiser seeks to help cover counseling, educational expenses, daily needs and long-term financial support for the boy.
“No amount can replace Michael or erase the pain of this loss,” the fundraiser states. “However, together we can help ease some of the burdens that now lie ahead for Lucian.”
The GoFundMe had generated about $18,000 in a week, with about 150 contributors.
Evon said that Lucian has a strong foundation but there is uncertainty ahead.
Moore’s death has also left his workers grieving and uncertain about the future.
Many of the people Moore employed were themselves rebuilding their lives after addiction, incarceration or other setbacks.
Reyes said Moore gave him an opportunity after he completed rehabilitation in 2025 and began trying to turn his life around.
“He uplifted me,” Reyes said. “He pointed me in a better direction. I am completely heartbroken by this.”
Reyes said Moore believed in him and helped him develop skills that allowed him to earn a better living. Reyes was working at Burger King in Torrington before Moore hired him.
“If my motivation went down, he would help me,” Reyes said.
Today, Reyes is still trying to process the loss.
“It’s hard to wake up in the morning and concentrate,” he said, who now has to find a new job. “Every 30 minutes I feel grief.”
Meanwhile, St. John was also recovering from addiction and needed a job. “He’s like, ‘I’ll give you some days, come work for me.’ I said: ‘All right.’”
St. John said he became friends with Moore through their shared love of music and Moore’s passion for playing guitar.
Fernando, who didn’t provide his last name but worked for Bushnell, said he is struggling to process the alleged homicide and is now in therapy. He was the employee who was allegedly shown Moore’s body by Bushnell on June 1.
St. John, who had planned to spend the summer working for Moore, has been making deliveries through DoorDash while searching for another job.
Others remain uncertain about what comes next.
Coworkers say Moore looked after his crew, bought lunch, solved problems and treated employees with respect.
Remembering the man they knew
Many of Moore’s friends say his death came at a time when he appeared to have found a path forward.
They said the timing of his death was tragic, since he had got back on track and had rebuilt his life around his family and work.
“He poured all of his energy into his son,” Evon said. “And whatever he had left, he put into his business.”
Graham Corrigan
North East Town Hall will be open on Thursday, July 2, for people who need a cool place to sit and sip water. The Town Hall is located at 19 N. Maple Ave. in Millerton.
Community cooling centers are opening across Dutchess County as extreme heat brings temperatures into the high 90s.
Many libraries, town halls and community facilities are serving as cooling centers, offering air-conditioned spaces, drinking water and restrooms. Temperatures are expected to reach triple digits in some areas of the county this week.
The centers will not be open this weekend. All locations will be closed on Saturday, July 4, and Sunday, July 5, for the holiday weekend.
Northeast-Millerton Library, located at 28 Century Blvd., will be open and air-conditioned during its normal business hours — 11 a.m. to 6 p.m. — Wednesday, July 1, to Friday, July 3. The North East Town Hall, at 19 N. Maple Ave., will be available as a cooling center Wednesday, July 1, and Thursday, July 2, between 9 a.m. and 5 p.m.
The Pine Plains Community Center, located at 7775 S. Main St. above the Pine Plains Free Library, will be open 24 hours a day from Wednesday through Friday. The Free Library downstairs is open noon to 6 p.m Friday, and Town Hall, at 3284 Route 199, is open 8 a.m. to 3 p.m. on Wednesday and Thursday.
The Stanford Free Library, located at 6035 Route 82, will be open Monday through Friday from 9 a.m. to 7 p.m., and Stanford’s Town Hall at 26 Town Hall Rd is available from 8 a.m. to 1 p.m. on Monday through Friday.
Extreme heat can cause dehydration and heat stroke. Residents are encouraged to remain inside or under shade whenever possible and drink plenty of water.
Jennifer Almquist
Benjamin Reynaert
Creating a home is, at its core, an act of love.
— Benjamin Reynaert
Benjamin Reynaert is focused on creative direction and interior styling. He is market director at Elle Décor, a design consultant, and author of “The Layered Home: Inspiration for Crafting Cozy, Collected Rooms,” published this year by Clarkson Potter. He co-founded Ticking Tent, a market featuring antiques, luxury items and vintage treasures. The biannual event is held in New Preston, Connecticut, and Bedford, New York.
Adopted from South Korea at 3 months old, Reynaert grew up in Bloomfield Hills, Michigan. He always knew he wanted to be an artist. “I just loved drawing. I loved making things with clay,” he said. “Remembering what it felt like to be creative as kids and applying that to our creativity as adults is essential.” A graduate of the Rhode Island School of Design (RISD), where he earned a BFA and a degree in architecture, Reynaert also studied bookbinding in Rome. His attention to detail and aesthetic sense reflect years of training and a finely tuned eye for objects. “Attending RISD nurtured my creativity and taught me how to problem-solve,” he said.
His career began at Martha Stewart Living. A contributor to Architectural Digest, Elle Decor, House Beautiful and Veranda, Reynaert has also served as style director at Domino. He has worked with Farrow & Ball, Chairish, Neiman Marcus, Sunbrella, Anthropologie, Gap, Bunny Williams Home and Stella Artois. He shares his work on Instagram via @aspoonfulofbenjamin.
“I’ve been fortunate to travel the country and abroad for Elle Decor, covering design fairs and trade shows like Deco Off in Paris, London Design Week in England, Cersaie Tile Show in Bologna, Italy, High Point in North Carolina and the Kitchen and Bath Industry Show in Las Vegas,” he said. He is drawn to unique objects and textiles. “As a market editor, the pieces that stick with me are not the newest. They are the ones I stumble upon and imagine living with.”
Reynaert is also co-founder of Ticking Tent with Christina Juarez, president of Christina Juarez & Company. The biannual event has become a destination for collectors and designers seeking curated antiques and design objects.
“I met Ben about 15 years ago when he was a young design editor and I was early into my career as a design communications strategist having switched gears from the fashion world," Juarez said. “We immediately clicked. I was impressed by his multidisciplinary creative talents — styling, writing, vision and impeccable eye — and his passion for the thrill of the hunt. I could not ask for a better partner and friend — my brother from another mother — and a yin to my yang. Two creatively minded people with a love of old and new beautiful things, and the ability to curate what the luxury shopper doesn’t know they need and most definitely wants.”
Reynaert described the most recent Ticking Tent as the largest yet. “We hosted over 2,000 guests and transacted our most sales to date with 75 vendors,” he said. “The most exciting part is seeing friends and watching new connections being made. I’m excited for the next event, Nov. 13–14, in Bedford, N.Y.”

For Reynaert, objects are defined as much by narrative as by design. “An object is about the story — whether it’s passed down in your family, something you worked hard for, bought on a trip, or a friend gave you,” he said. “With that added narrative, it doesn’t need to be the most aesthetically pleasing thing. The memory attached makes it beautiful. I like the idea of simple, seemingly insignificant items having a ton of meaning. Treat a thrift store painting as you would a Picasso.”
Greg Domres and Peter Nichols’ residence in Litchfield, which they share with their miniature schnauzer, Bunny, is one of 15 homes featured in Reynaert’s book, “The Layered Home.” The couple hosted a book signing at George Home in Washington Depot. “I first met Ben at press events during my time at John Derian,” Domres said. “We became friends and stayed connected professionally over the years.”
The book spans interiors from Eric Goujou’s shop The Wolf Tile in Paris’ 5th arrondissement to textile designer Schuyler Samperton’s Litchfield farmhouse. “Sharing the stories of talented, stylish people I’ve met during my tenure in magazines has been a privilege,” Reynaert said. “The most inspiring interiors are layered — with personality, patina and the poetry of a life lived. This book is my love letter to that idea.”
Reynaert said he would like to travel to Japan and Australia and hopes to develop his own product line in the future. “Balancing work and life is a challenge,” he said. He spends downtime with his husband, Luis Illades, in Delaware, where they are renovating a Victorian home.
“I feel incredibly fortunate to blend my work and my life in the home I share,” he said. “Creating a home is, at its core, an act of love.”

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Natalia Zukerman
Mickalene Thomas and Delano Dunn at Wassaic Project.
Before “Echoes in the Margin,” Delano Dunn’s new solo exhibition at Troutbeck in Amenia opened, the artist sat down with curator and artist Mickalene Thomas for a conversation at the Wassaic Project on Wednesday, June 24. Their wide-ranging discussion offered an intimate look into Dunn’s practice while situating the work within broader questions of history, memory and representation.
Presented by the Wassaic Project, the exhibition brings Dunn’s richly layered paintings into conversation with Troutbeck itself, the historic estate long associated with artists, writers and civil rights leaders, including W.E.B. Du Bois, Langston Hughes and many more.
Thomas, an artist whose multidisciplinary practice spans painting, collage and installation, first met Dunn when she was his graduate adviser at the School of Visual Arts. “I think your work needs to be out there more,” she said, noting the urgency of this collection in the current socio-political moment.
Dunn’s layered collages often begin with an image unearthed from flea markets, used bookstores and forgotten archives.
“I go to secondhand shops, old bookstores, any place that looks like it has history in it,” he said.
Sometimes, he explained, an image becomes the centerpiece of a work. Other times it simply sparks an idea.
“There’ll be an idea that pops into my head. I’ll read something or hear music or a lyric, and then I’ll think, ‘I’ve got to find an image that matches that.’”
His color palette also carries its own history.
“I grew up in L.A. during the L.A. riots,” Dunn said. “I would sit on my porch as a kid. I was watching the neighborhood burn, but the sky was beautiful.”
He still paints with those saturated blues, reds and oranges.
“Color can transport you. Color can make you feel safe, or happy or scared,” he said. “Those colors made me feel safe.”
For Dunn, Troutbeck’s own layered history became an active part of the work. Learning that the estate had hosted W.E.B. Du Bois, Langston Hughes, Ida B. Wells and generations of civil rights leaders informed his direction.
Dunn was given access to Troutbeck’s archives and found handwritten notes by Langston Hughes, and writings by Du Bois and Wells that found their way into the exhibition.
“There was a letter between Amy Spingarn and Martin Luther King Jr.,” Dunn recalled. “To be in its presence and hold it... you don’t see communication like that every day.”

Much of Dunn’s work invites viewers to dig deeper into history rather than accept simplified narratives.
“I want them to look at it and go, ‘Wow, this is really amazing and interesting and colorful and beautiful,’” he said. “And then I want them to be terrified shortly after that.” He accomplishes this through bold, colorful, and often playful compositions that draw the viewer in before revealing their more complex historical underpinnings. As Thomas wrote, “Dunn’s compositions invite viewers to sit within that tension and take it in.” That impulse toward deeper investigation extends to Dunn’s own children, who are often his first audience.
“They’ll ask, ‘What is this? Why does this person look the way they look? Why are you using that color? Why are you using glitter?’”
Those conversations, he said, become lessons in looking beyond appearances.
Thomas framed collage itself as a kind of storytelling practice —“the gathering of information… piecing things together”—and praised Dunn’s ability to translate research, memory and visual pleasure into a unified language. She also underscored the importance of creative joy in the process. “If you’re going to your studio and you’re not having fun,” she said, “you shouldn’t be doing it.”
Dunn said one of the biggest misconceptions he hopes to challenge is the idea that there is a monolithic Black experience.
“There are so many different perspectives out there. This is just one of them,” he said. In the same breath, Dunn said he adopts the label “Black artist” because “it would make my Grandpa proud.”
The nearly two-hour conversation shifted seamlessly between humor and history, studio practice and social commentary, ultimately returning to what both artists believe art can accomplish: encouraging curiosity, complicating familiar stories and inviting viewers to question what they see.
As Dunn put it, “History is so much more nuanced than what we’re taught. There’s so much more going on below the surface.”
D.H. Callahan
Scott Siegler at his home in Sharon.
Scott Siegler is bored of success stories. But Scott Siegler has had the kind of successful Hollywood career that people write books about.
Before he was 30, he’d earned three degrees. Before he moved to Hollywood, he’d already won an Emmy for one of the nine documentaries he directed and produced. Before he helped launch Netscape, bringing the Internet to the public, he’d already started his own Hollywood studio.
Siegler’s had a lot of success in his life, but he’s not going to talk about it unless you ask him directly. He’ll reluctantly tell you about defending “Married… With Children,” the longest-running live-action sitcom ever aired on Fox, when groups of concerned parents tried to get it banned from Television. But bring up a real struggle, like the time he led the board of Pandora through 25 unprofitable quarters, and he lights up. The challenges thrill him more than the successes ever could.
Now, after spending a lifetime rising to business challenges of every stripe, he’s settling into a more creative role. According to his longtime friend David Chase, creator of “The Sopranos,” it’s about time. Chase, who wrote the foreword to Siegler’s debut book, “Mobsters in the Mansion,” reminisces about meeting Siegler over 40 years ago. While Siegler had all the business sense of a top executive, Chase could tell that there was something wilder and more mischievous than the average Hollywood suit.
That mischief springs to life on the pages of“Mobsters in the Mansion.” The loosely autobiographical collection dives into the humor of hubris and failure. The stories unfold chronologically, from adolescence to midlife, but the characters don’t adhere to any timeline. Instead, Siegler uses new people and perspectives to personify the stories he tells, allowing readers to immerse themselves in the emotional truth of the experiences rather than the particulars of one life.
Writing fictionalized stories based in reality freed Siegler from writing the truth. He believes the heart of the story is what matters more than the literal details. “It’s true,” he claimed during a conversation about his book, “but that doesn’t mean it actually happened.”
On Tuesday, July 7 at the Scoville Memorial Library in Salisbury, Siegler will appear in conversation with renowned journalist Brian Ross. Ross has won six Peabodys, six duPont-Columbia Awards and is the author of the New York Times bestseller, “The Madoff Chronicles.” His career in journalism — a profession that leaves little room for creative liberties — should provide an intriguing foil to Siegler’s relationship with the truth.
To register for the event, visit scovillelibrary.org
To order the book, visit 4fireplacepublishing.com
Millerton News
Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, is taking a deep dive into the works of Johann Sebastian Bach this summer as artistic director, Christine Gevert, explores the genius of one of history’s greatest composers through a series of public masterclass workshops at Saint James Place in Great Barrington. More information at crescendomusic.org.

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