A Millerton love story

Mary Howard and Louise R. Black at their home in Millerton.
Natalia Zukerman


Mary Howard and Louise R. Black at their home in Millerton.
As we celebrate Pride Month, the love story of Mary Howard and Louise R. Black stands as a testament to the power of love at any age. The couple found each other later in life through the unlikeliest of places: Match.com.
Louise R. Black was born in Astoria in 1939 and raised in Elmhurst, Queens. “It was a great place to grow up,” she recalled. “A lot of people from foreign countries. We just had so many friends from all over.” Mary Howard was born in Alexandria, Virginia in 1942 and spent her formative years in Endicott, NY. Her life has taken her through Washington, D.C., Eugene, OR, and Mount Vernon, NY, where she lived for 31 years and ultimately met Louise.
In 2002, they both joined Match.com, a platform that neither initially embraced with enthusiasm. “I met a lot of females that I just thought were not interesting at all,” said Louise. But upon reading each other’s profiles, something clicked. Mary shared, “I wrote an ad that said I don’t care whether they’re tall or short, fat or skinny. I’m looking for somebody who has some genuine interests of their own that they’re pursuing.” Louise added, “And I said pretty much the same thing.” Their connection was immediate, leading to a memorable first date at an Indian restaurant, an establishment they frequented during the years they lived together in Louise’s apartment in White Plains.
Before meeting Louise, Mary had been married to a man for 30 years. “And happily married,” she added, noting that she had always harbored feelings for women. “I had had feelings for women from a very young age,” Mary explained, “and the marriage was, frankly, over and done with.” Mary and her ex-husband, whom she met as a doctoral student at the University of Oregon, had a daughter together and are still very good friends. Their daughter, who lives in Brooklyn, married a woman and Robert, her ex, conducted the ceremony.
Of her daughter’s sexuality, Mary shared, “My husband and I both just understood that that’s what was happening from a fairly young age for my daughter. She never, you know, made a declaration about it. That’s how it was. It all seemed very natural.” She added, “And the gal that she’s married to now is really very delightful.”
“I love her ex-husband,” Louise added. “We all get along so fabulously well.”
Mary and Louise’s affinity for the Hudson Valley runs deep. Mary, who spent 30 years as a sociology professor at Brooklyn College, conducted extensive research in the area. “The Hudson Valley was kind of the cradle of civilization in many ways,” she noted. Louise’s family owns an island above Saratoga Springs in Fort Edward and the family would spend time up there in the summers when she was little. “It’s 7 1/2 acres and it has a house on it and now my nephew lives across the river.” The couple still go visit from time to time even though the nephew has really “made it his man cave,” laughed Louise. Though she spoke of the house fondly, her memory is scarred by the significant environmental degradation from GE’s pollution. Beginning in 1947 and continuing until 1977, GE intentionally dumped approximately 1.3 million pounds of highly toxic polychlorinated biphenyls (PCBs) into the Hudson River from Fort Edwards and the neighboring plant in Hudson Falls (now closed). GE also polluted the soil and groundwater under its plants and in the surrounding communities. Louise recalled, “I was about 7 or 8 years old, and I walked out the door of the old house and the river was pink. I screamed for my father, and he explained that it was pink because ‘those are all dead fish belly up.’” GE didn’t close the plant for several years and Louise experienced the “pink” water phenomenon several more times. “It was really sad because we swam in the river, we’d bathe in the river, wash our hair in the river. It was all so wonderful.”
This impactful experience has led Louise to be particularly mindful of the environment as she tends to the gardens at their home in Millerton. The couple have planted numerous trees, native plants, and butterfly bushes and would never dream of using pesticides. About their move from White Plains, Louise shared, “I had always been in apartments, and I decided I wanted to live in a house. So, we came up and we had a lot of fun riding around up here.” The couple knew they wanted to be near the river but weren’t yet set on a town. Every time they came up to look at properties, however, they ended up at Irving Farm in Millerton to regroup.
“We’d have coffee, and we’d cross things off our list,” Mary said.
Louise added, “I finally said to Mary, ‘You know, we keep coming back to this town every time, maybe we should go look at that house again.’” The couple purchased their house in Millerton in 2007.
Their life in Millerton is full of creativity and community. Louise paints, while Mary crafts handmade birdhouses. In her professional life, Louise was a gym teacher and athletic director at Scarsdale High. “I was the first woman straight out of college that they ever hired,” she shared. But her passions have always extended beyond sports to painting, dancing, singing, and acting. The couple now participate in local art shows and open studios and take care of the upkeep of their home themselves. “This horseshoe neighborhood is just incredible,” said Louise, describing the welcoming community they’ve found on their street and in the village. As of now, their plan is to stay in their house and if need be, hire caregivers to come in and help. “Right now, we still do all the work out here with a young man who comes every Thursday. He does the stuff that’s impossible,” said Louise. “He spends four hours and he’s tall,” Mary laughed.
The couple had a commitment ceremony in Provincetown, Massachusetts in 2009 but they haven’t legally married. Louise shared, “I would like to have done that because I haven’t been married, but Mary wasn’t for it.”
“As a sociologist, I know that signing all those legal papers has an effect on people,” Mary laughed. “Things are not the same after and if you are like we are, you know, we’re reasonable, we discuss with each other what we want or don’t want and that kind of stuff. And then there’s no need, it seems to me.”
The couple have joint and separate accounts and a will delineating the legal rights for their shared property. Said Louise, “We are in a situation where we can provide adequately for ourselves, and we don’t require assistance.”
Independence has always been important to both Mary and Louise but as they age, they find they need one another in new ways that deepens their bond. For years, people have called them “The Divas” including their friend, the singer, Suede. “She called us that first,” said Louise. “We have it on our license plate! And then we also have…” Louise paused and turned to Mary for help remembering. “What do we have on our other license plate?”
“MaLou,” said Mary with a smile. “You know. Mary and Louise.”
Graham Corrigan
North East Town Hall will be open on Thursday, July 2, for people who need a cool place to sit and sip water. The Town Hall is located at 19 N. Maple Ave. in Millerton.
Community cooling centers are opening across Dutchess County as extreme heat brings temperatures into the high 90s.
Many libraries, town halls and community facilities are serving as cooling centers, offering air-conditioned spaces, drinking water and restrooms. Temperatures are expected to reach triple digits in some areas of the county this week.
The centers will not be open this weekend. All locations will be closed on Saturday, July 4, and Sunday, July 5, for the holiday weekend.
Northeast-Millerton Library, located at 28 Century Blvd., will be open and air-conditioned during its normal business hours — 11 a.m. to 6 p.m. — Wednesday, July 1, to Friday, July 3. The North East Town Hall, at 19 N. Maple Ave., will be available as a cooling center Wednesday, July 1, and Thursday, July 2, between 9 a.m. and 5 p.m.
The Pine Plains Community Center, located at 7775 S. Main St. above the Pine Plains Free Library, will be open 24 hours a day from Wednesday through Friday. The Free Library downstairs is open noon to 6 p.m Friday, and Town Hall, at 3284 Route 199, is open 8 a.m. to 3 p.m. on Wednesday and Thursday.
The Stanford Free Library, located at 6035 Route 82, will be open Monday through Friday from 9 a.m. to 7 p.m., and Stanford’s Town Hall at 26 Town Hall Rd is available from 8 a.m. to 1 p.m. on Monday through Friday.
Extreme heat can cause dehydration and heat stroke. Residents are encouraged to remain inside or under shade whenever possible and drink plenty of water.
Jennifer Almquist
Benjamin Reynaert
Creating a home is, at its core, an act of love.
— Benjamin Reynaert
Benjamin Reynaert is focused on creative direction and interior styling. He is market director at Elle Décor, a design consultant, and author of “The Layered Home: Inspiration for Crafting Cozy, Collected Rooms,” published this year by Clarkson Potter. He co-founded Ticking Tent, a market featuring antiques, luxury items and vintage treasures. The biannual event is held in New Preston, Connecticut, and Bedford, New York.
Adopted from South Korea at 3 months old, Reynaert grew up in Bloomfield Hills, Michigan. He always knew he wanted to be an artist. “I just loved drawing. I loved making things with clay,” he said. “Remembering what it felt like to be creative as kids and applying that to our creativity as adults is essential.” A graduate of the Rhode Island School of Design (RISD), where he earned a BFA and a degree in architecture, Reynaert also studied bookbinding in Rome. His attention to detail and aesthetic sense reflect years of training and a finely tuned eye for objects. “Attending RISD nurtured my creativity and taught me how to problem-solve,” he said.
His career began at Martha Stewart Living. A contributor to Architectural Digest, Elle Decor, House Beautiful and Veranda, Reynaert has also served as style director at Domino. He has worked with Farrow & Ball, Chairish, Neiman Marcus, Sunbrella, Anthropologie, Gap, Bunny Williams Home and Stella Artois. He shares his work on Instagram via @aspoonfulofbenjamin.
“I’ve been fortunate to travel the country and abroad for Elle Decor, covering design fairs and trade shows like Deco Off in Paris, London Design Week in England, Cersaie Tile Show in Bologna, Italy, High Point in North Carolina and the Kitchen and Bath Industry Show in Las Vegas,” he said. He is drawn to unique objects and textiles. “As a market editor, the pieces that stick with me are not the newest. They are the ones I stumble upon and imagine living with.”
Reynaert is also co-founder of Ticking Tent with Christina Juarez, president of Christina Juarez & Company. The biannual event has become a destination for collectors and designers seeking curated antiques and design objects.
“I met Ben about 15 years ago when he was a young design editor and I was early into my career as a design communications strategist having switched gears from the fashion world," Juarez said. “We immediately clicked. I was impressed by his multidisciplinary creative talents — styling, writing, vision and impeccable eye — and his passion for the thrill of the hunt. I could not ask for a better partner and friend — my brother from another mother — and a yin to my yang. Two creatively minded people with a love of old and new beautiful things, and the ability to curate what the luxury shopper doesn’t know they need and most definitely wants.”
Reynaert described the most recent Ticking Tent as the largest yet. “We hosted over 2,000 guests and transacted our most sales to date with 75 vendors,” he said. “The most exciting part is seeing friends and watching new connections being made. I’m excited for the next event, Nov. 13–14, in Bedford, N.Y.”

For Reynaert, objects are defined as much by narrative as by design. “An object is about the story — whether it’s passed down in your family, something you worked hard for, bought on a trip, or a friend gave you,” he said. “With that added narrative, it doesn’t need to be the most aesthetically pleasing thing. The memory attached makes it beautiful. I like the idea of simple, seemingly insignificant items having a ton of meaning. Treat a thrift store painting as you would a Picasso.”
Greg Domres and Peter Nichols’ residence in Litchfield, which they share with their miniature schnauzer, Bunny, is one of 15 homes featured in Reynaert’s book, “The Layered Home.” The couple hosted a book signing at George Home in Washington Depot. “I first met Ben at press events during my time at John Derian,” Domres said. “We became friends and stayed connected professionally over the years.”
The book spans interiors from Eric Goujou’s shop The Wolf Tile in Paris’ 5th arrondissement to textile designer Schuyler Samperton’s Litchfield farmhouse. “Sharing the stories of talented, stylish people I’ve met during my tenure in magazines has been a privilege,” Reynaert said. “The most inspiring interiors are layered — with personality, patina and the poetry of a life lived. This book is my love letter to that idea.”
Reynaert said he would like to travel to Japan and Australia and hopes to develop his own product line in the future. “Balancing work and life is a challenge,” he said. He spends downtime with his husband, Luis Illades, in Delaware, where they are renovating a Victorian home.
“I feel incredibly fortunate to blend my work and my life in the home I share,” he said. “Creating a home is, at its core, an act of love.”

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Natalia Zukerman
Mickalene Thomas and Delano Dunn at Wassaic Project.
Before “Echoes in the Margin,” Delano Dunn’s new solo exhibition at Troutbeck in Amenia opened, the artist sat down with curator and artist Mickalene Thomas for a conversation at the Wassaic Project on Wednesday, June 24. Their wide-ranging discussion offered an intimate look into Dunn’s practice while situating the work within broader questions of history, memory and representation.
Presented by the Wassaic Project, the exhibition brings Dunn’s richly layered paintings into conversation with Troutbeck itself, the historic estate long associated with artists, writers and civil rights leaders, including W.E.B. Du Bois, Langston Hughes and many more.
Thomas, an artist whose multidisciplinary practice spans painting, collage and installation, first met Dunn when she was his graduate adviser at the School of Visual Arts. “I think your work needs to be out there more,” she said, noting the urgency of this collection in the current socio-political moment.
Dunn’s layered collages often begin with an image unearthed from flea markets, used bookstores and forgotten archives.
“I go to secondhand shops, old bookstores, any place that looks like it has history in it,” he said.
Sometimes, he explained, an image becomes the centerpiece of a work. Other times it simply sparks an idea.
“There’ll be an idea that pops into my head. I’ll read something or hear music or a lyric, and then I’ll think, ‘I’ve got to find an image that matches that.’”
His color palette also carries its own history.
“I grew up in L.A. during the L.A. riots,” Dunn said. “I would sit on my porch as a kid. I was watching the neighborhood burn, but the sky was beautiful.”
He still paints with those saturated blues, reds and oranges.
“Color can transport you. Color can make you feel safe, or happy or scared,” he said. “Those colors made me feel safe.”
For Dunn, Troutbeck’s own layered history became an active part of the work. Learning that the estate had hosted W.E.B. Du Bois, Langston Hughes, Ida B. Wells and generations of civil rights leaders informed his direction.
Dunn was given access to Troutbeck’s archives and found handwritten notes by Langston Hughes, and writings by Du Bois and Wells that found their way into the exhibition.
“There was a letter between Amy Spingarn and Martin Luther King Jr.,” Dunn recalled. “To be in its presence and hold it... you don’t see communication like that every day.”

Much of Dunn’s work invites viewers to dig deeper into history rather than accept simplified narratives.
“I want them to look at it and go, ‘Wow, this is really amazing and interesting and colorful and beautiful,’” he said. “And then I want them to be terrified shortly after that.” He accomplishes this through bold, colorful, and often playful compositions that draw the viewer in before revealing their more complex historical underpinnings. As Thomas wrote, “Dunn’s compositions invite viewers to sit within that tension and take it in.” That impulse toward deeper investigation extends to Dunn’s own children, who are often his first audience.
“They’ll ask, ‘What is this? Why does this person look the way they look? Why are you using that color? Why are you using glitter?’”
Those conversations, he said, become lessons in looking beyond appearances.
Thomas framed collage itself as a kind of storytelling practice —“the gathering of information… piecing things together”—and praised Dunn’s ability to translate research, memory and visual pleasure into a unified language. She also underscored the importance of creative joy in the process. “If you’re going to your studio and you’re not having fun,” she said, “you shouldn’t be doing it.”
Dunn said one of the biggest misconceptions he hopes to challenge is the idea that there is a monolithic Black experience.
“There are so many different perspectives out there. This is just one of them,” he said. In the same breath, Dunn said he adopts the label “Black artist” because “it would make my Grandpa proud.”
The nearly two-hour conversation shifted seamlessly between humor and history, studio practice and social commentary, ultimately returning to what both artists believe art can accomplish: encouraging curiosity, complicating familiar stories and inviting viewers to question what they see.
As Dunn put it, “History is so much more nuanced than what we’re taught. There’s so much more going on below the surface.”
D.H. Callahan
Scott Siegler at his home in Sharon.
Scott Siegler is bored of success stories. But Scott Siegler has had the kind of successful Hollywood career that people write books about.
Before he was 30, he’d earned three degrees. Before he moved to Hollywood, he’d already won an Emmy for one of the nine documentaries he directed and produced. Before he helped launch Netscape, bringing the Internet to the public, he’d already started his own Hollywood studio.
Siegler’s had a lot of success in his life, but he’s not going to talk about it unless you ask him directly. He’ll reluctantly tell you about defending “Married… With Children,” the longest-running live-action sitcom ever aired on Fox, when groups of concerned parents tried to get it banned from Television. But bring up a real struggle, like the time he led the board of Pandora through 25 unprofitable quarters, and he lights up. The challenges thrill him more than the successes ever could.
Now, after spending a lifetime rising to business challenges of every stripe, he’s settling into a more creative role. According to his longtime friend David Chase, creator of “The Sopranos,” it’s about time. Chase, who wrote the foreword to Siegler’s debut book, “Mobsters in the Mansion,” reminisces about meeting Siegler over 40 years ago. While Siegler had all the business sense of a top executive, Chase could tell that there was something wilder and more mischievous than the average Hollywood suit.
That mischief springs to life on the pages of“Mobsters in the Mansion.” The loosely autobiographical collection dives into the humor of hubris and failure. The stories unfold chronologically, from adolescence to midlife, but the characters don’t adhere to any timeline. Instead, Siegler uses new people and perspectives to personify the stories he tells, allowing readers to immerse themselves in the emotional truth of the experiences rather than the particulars of one life.
Writing fictionalized stories based in reality freed Siegler from writing the truth. He believes the heart of the story is what matters more than the literal details. “It’s true,” he claimed during a conversation about his book, “but that doesn’t mean it actually happened.”
On Tuesday, July 7 at the Scoville Memorial Library in Salisbury, Siegler will appear in conversation with renowned journalist Brian Ross. Ross has won six Peabodys, six duPont-Columbia Awards and is the author of the New York Times bestseller, “The Madoff Chronicles.” His career in journalism — a profession that leaves little room for creative liberties — should provide an intriguing foil to Siegler’s relationship with the truth.
To register for the event, visit scovillelibrary.org
To order the book, visit 4fireplacepublishing.com
Millerton News
Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, is taking a deep dive into the works of Johann Sebastian Bach this summer as artistic director, Christine Gevert, explores the genius of one of history’s greatest composers through a series of public masterclass workshops at Saint James Place in Great Barrington. More information at crescendomusic.org.

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