A Millerton love story

Mary Howard and Louise R. Black at their home in Millerton.
Natalia Zukerman

Mary Howard and Louise R. Black at their home in Millerton.
As we celebrate Pride Month, the love story of Mary Howard and Louise R. Black stands as a testament to the power of love at any age. The couple found each other later in life through the unlikeliest of places: Match.com.
Louise R. Black was born in Astoria in 1939 and raised in Elmhurst, Queens. “It was a great place to grow up,” she recalled. “A lot of people from foreign countries. We just had so many friends from all over.” Mary Howard was born in Alexandria, Virginia in 1942 and spent her formative years in Endicott, NY. Her life has taken her through Washington, D.C., Eugene, OR, and Mount Vernon, NY, where she lived for 31 years and ultimately met Louise.
In 2002, they both joined Match.com, a platform that neither initially embraced with enthusiasm. “I met a lot of females that I just thought were not interesting at all,” said Louise. But upon reading each other’s profiles, something clicked. Mary shared, “I wrote an ad that said I don’t care whether they’re tall or short, fat or skinny. I’m looking for somebody who has some genuine interests of their own that they’re pursuing.” Louise added, “And I said pretty much the same thing.” Their connection was immediate, leading to a memorable first date at an Indian restaurant, an establishment they frequented during the years they lived together in Louise’s apartment in White Plains.
Before meeting Louise, Mary had been married to a man for 30 years. “And happily married,” she added, noting that she had always harbored feelings for women. “I had had feelings for women from a very young age,” Mary explained, “and the marriage was, frankly, over and done with.” Mary and her ex-husband, whom she met as a doctoral student at the University of Oregon, had a daughter together and are still very good friends. Their daughter, who lives in Brooklyn, married a woman and Robert, her ex, conducted the ceremony.
Of her daughter’s sexuality, Mary shared, “My husband and I both just understood that that’s what was happening from a fairly young age for my daughter. She never, you know, made a declaration about it. That’s how it was. It all seemed very natural.” She added, “And the gal that she’s married to now is really very delightful.”
“I love her ex-husband,” Louise added. “We all get along so fabulously well.”
Mary and Louise’s affinity for the Hudson Valley runs deep. Mary, who spent 30 years as a sociology professor at Brooklyn College, conducted extensive research in the area. “The Hudson Valley was kind of the cradle of civilization in many ways,” she noted. Louise’s family owns an island above Saratoga Springs in Fort Edward and the family would spend time up there in the summers when she was little. “It’s 7 1/2 acres and it has a house on it and now my nephew lives across the river.” The couple still go visit from time to time even though the nephew has really “made it his man cave,” laughed Louise. Though she spoke of the house fondly, her memory is scarred by the significant environmental degradation from GE’s pollution. Beginning in 1947 and continuing until 1977, GE intentionally dumped approximately 1.3 million pounds of highly toxic polychlorinated biphenyls (PCBs) into the Hudson River from Fort Edwards and the neighboring plant in Hudson Falls (now closed). GE also polluted the soil and groundwater under its plants and in the surrounding communities. Louise recalled, “I was about 7 or 8 years old, and I walked out the door of the old house and the river was pink. I screamed for my father, and he explained that it was pink because ‘those are all dead fish belly up.’” GE didn’t close the plant for several years and Louise experienced the “pink” water phenomenon several more times. “It was really sad because we swam in the river, we’d bathe in the river, wash our hair in the river. It was all so wonderful.”
This impactful experience has led Louise to be particularly mindful of the environment as she tends to the gardens at their home in Millerton. The couple have planted numerous trees, native plants, and butterfly bushes and would never dream of using pesticides. About their move from White Plains, Louise shared, “I had always been in apartments, and I decided I wanted to live in a house. So, we came up and we had a lot of fun riding around up here.” The couple knew they wanted to be near the river but weren’t yet set on a town. Every time they came up to look at properties, however, they ended up at Irving Farm in Millerton to regroup.
“We’d have coffee, and we’d cross things off our list,” Mary said.
Louise added, “I finally said to Mary, ‘You know, we keep coming back to this town every time, maybe we should go look at that house again.’” The couple purchased their house in Millerton in 2007.
Their life in Millerton is full of creativity and community. Louise paints, while Mary crafts handmade birdhouses. In her professional life, Louise was a gym teacher and athletic director at Scarsdale High. “I was the first woman straight out of college that they ever hired,” she shared. But her passions have always extended beyond sports to painting, dancing, singing, and acting. The couple now participate in local art shows and open studios and take care of the upkeep of their home themselves. “This horseshoe neighborhood is just incredible,” said Louise, describing the welcoming community they’ve found on their street and in the village. As of now, their plan is to stay in their house and if need be, hire caregivers to come in and help. “Right now, we still do all the work out here with a young man who comes every Thursday. He does the stuff that’s impossible,” said Louise. “He spends four hours and he’s tall,” Mary laughed.
The couple had a commitment ceremony in Provincetown, Massachusetts in 2009 but they haven’t legally married. Louise shared, “I would like to have done that because I haven’t been married, but Mary wasn’t for it.”
“As a sociologist, I know that signing all those legal papers has an effect on people,” Mary laughed. “Things are not the same after and if you are like we are, you know, we’re reasonable, we discuss with each other what we want or don’t want and that kind of stuff. And then there’s no need, it seems to me.”
The couple have joint and separate accounts and a will delineating the legal rights for their shared property. Said Louise, “We are in a situation where we can provide adequately for ourselves, and we don’t require assistance.”
Independence has always been important to both Mary and Louise but as they age, they find they need one another in new ways that deepens their bond. For years, people have called them “The Divas” including their friend, the singer, Suede. “She called us that first,” said Louise. “We have it on our license plate! And then we also have…” Louise paused and turned to Mary for help remembering. “What do we have on our other license plate?”
“MaLou,” said Mary with a smile. “You know. Mary and Louise.”
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org