Thank you!
Your support is sustaining the future of local news in our communities.

Sharon’s forgotten animal pounds draw new attention

Sharon’s forgotten animal pounds draw new attention

Lynn Kearcher and her husband, Carl Chaiet, pull brush from within the pound’s walls just off Sharon Mountain Road. Kearcher said the boulder embedded in the slope at the back of the pound is a unique architectural feature.

Alec Linden

SHARON – While many think of the “pound” as a place for stray dogs, a century and a half ago town pounds were a fixture of life in rural Connecticut, used to temporarily contain wandering livestock. Today, a Sharon resident is working to restore one of those long-forgotten stone enclosures.

Lynn Kearcher, a town selectman pursuing the project independently, has spent months restoring an old-fashioned pound on Sharon Mountain Road in an effort to preserve a little-known piece of the town’s agrarian history.

“It’s a structure that links us to our past in what was a very important period,” she said June 4, while pulling brush from the pound’s low stone walls. The site, near the intersection of Sharon Mountain and Jackson Hill roads, is owned by three private landowners, all of whom have given permission for the effort.

The now-tidy plot looked very different just several months ago, Kearcher said. Since then, she, her husband, Carl Chaiet, and other volunteers have spent many hours clearing weeds and brush, while several community members donated money to hire Applewood Tree Care to remove several dead trees from the site.

Kearcher is continuing to raise money to restore the pound to an appearance she believes reflects the dignity such a vestige of town history deserves.

In pre-barbed wire days, when farms were more numerous and often smaller with limited means of monitoring livestock, New England towns built special corrals for animals on the loose. A resident known as the pound keeper rounded up rogue animals in a common pen. Farmers could either pay a fee to collect them or surrender them to the town, which could then auction the animals and keep the earnings.

Town pounds emerged in New England from the earliest days of livestock husbandry up until the late 19th century, and their importance in that era is hard to overstate, said history writer Matthew E. Thomas, author of a 2023 book on New England’s remaining animal pounds.

“You had to have a pound to be able to prevent all of these different livestock animals from escaping from their farms and wreaking havoc in neighbors’ property, which did not make for good neighborly dealing sometimes,” Thomas said.

“These are wonderful monuments to the past,” he added, noting that a runaway cow could wreck someone’s food stores for the hard winter ahead.

Thomas’s research identified approximately 170 known pounds intact today in New England, but he said he’s grateful to residents like Kearcher who show that there are likely many more lost to time in yards and woods across the region.

“It just makes it so much more meaningful to know that there are people out there that genuinely care about preserving our early American history,” he said.

Kearcher has identified two more suspected pounds nearby, with one hidden in the woods farther south on Sharon Road and the other sitting in a thicket next to Fairchild Road. Both are located on land owned by the Sharon Land Trust, which has given permission for future restoration.

The goal, Kearcher said, is to protect these sites with an ordinance that would herald them as artifacts of Sharon’s history, potentially dating back to the early 18th century. Kearcher has been communicating with the state archeologist to organize a visit that may shed some light on the specific stories of the structures.

For his part, Thomas said the pounds, while forgotten by many, are a strong reminder of a different way of living in the countryside: “A time,” he wrote, “when nearly all social, economic, religious and political issues were handled primarily at the local level.” In that bygone era, sometimes locking up a cow or pig for a few days was another means to keep the peace.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.