PINE PLAINS — Motivated by an inspirational mix of food, music, speeches and generosity, area residents seemed more than happy to attend the Ukraine Emergency Fundraiser in support of Sunflower of Peace at The Stissing Center in Pine Plains on Sunday, June 5.
Organized by Stanfordville residents Mark Lagus and his wife Leevi, 100% of the funds raised through ticket sales and online donations went toward Sunflower of Peace, a nonprofit committed to helping Ukrainians affected by the Russian military invasion.
As his parents fled from the advancing Russian army in World War II, Lagus, a first-generation American-Estonian, said Russian President Vladimir Putin’s invasion of Ukraine on Feb. 24 significantly shook him.
Leevi added, “In this day and age, for the tanks to be rolling across Europe was unfathomable to us.”
After spending the first night in shock, the couple immediately thought about what they could do to help. By early March, they became involved in community events to support Ukraine and encouraged their neighbors in Bangall to write to their congressmen.
Taking action
Inspired by local fundraisers organized by Millerton residents André Wlodar and his wife Kim, Lagus and Leevi gathered a group of friends and neighbors to start a fundraiser.
“It’s just that I worry people will get tired of the story and all the people deported and killed will become just numbers,” Leevi said. “We are trying to keep it alive, the interest and attention, even though the war seems so far away from America.”
They were able to get in contact with David Byrne, the Scottish lead singer and guitarist of the iconic American ‘80s rock band Talking Heads. Byrne was quick to get on board with the fundraiser.
“David has connections with people in the area, became aware of the event and graciously agreed to be part of it,” said Mark.
The couple reached out to the local chapter of the Ukrainian National Women’s League, who connected them to the Ukrainian folk band, Korinya.
The main event
The 5th was a lovely summer day for the fundraiser, which began with an opening reception at 1 p.m. Guests mingled over national Ukrainian dishes, drinks and a rolling slide show on stage.
A two-part live auction listed a number of local items, including dinner for four at Champetre in Pine Plains, a membership to Troutbeck and VIP tickets to see Bernie Williams & Band at the Millbrook Winery.
Stepping on stage at 2 p.m., Lagus welcomed everyone and had them rise for a heart-stirring performance of the Ukrainian National Anthem.
Leevi then reminded everyone ready to enjoy the entertainment, “We cannot dismiss and never forget why we are having this event. The free world cannot sit back and decide the war is too far or too complicated. It seems too common that the world finds it easier to get along with evil than to work against it.”
Words of thanks
Thanking the Laguses for their help and everyone for paying attention to the news, Sunflower of Peace Treasurer Olga Yasinnik said she initially anticipated 2022 as the year she’d see her family in person again after the COVID pandemic. Even after learning of the war, she remained hopeful it would resolve peacefully.
Once the shock that her homeland was a war zone wore off, Yasinnik said she became determined to help the Ukrainian people and became involved with Sunflower of Peace.
“Three months into the war, we were able to raise more than $7.5 million,” Yasinnik said, commending the nonprofit for being “a bridge for donors and volunteers eager to help send a message to the Ukrainian people that they are not alone.”
Tuning in via Zoom, Estonian politician and keynote speaker Eerik Niiles Kross said he was honored to say a few words about Sunflower of Peace.
In light of how often Russia has tried to invade Estonia over the years, Kross spoke of Estonia’s efforts to help Ukraine. He commended the Ukrainian people’s heroic efforts to fight for their freedom and spoke of how people have been drawn to their TVs and Twitter feeds, triggering a movement to support Ukraine.
“What Ukrainians need most right now is to feel that the world is with them,” Kross said. “They need to know we will not tire, we will not ask for concessions… Yes, they need peace, but they can’t have peace before they win, so what they need is for us to help them win.”
During the intermezzo, the floor opened to bids for the live auction. Korinya then took up its instruments and the band rendered its audience wonder struck as it performed an uplifting tune.
Though the language was foreign, the lyrics were captivating. The music celebrating Ukrainian traditions through song.
After the second intermezzo, which featured a special Stissing Center prize, Lagus welcomed Byrne to the stage.
The famous musician with the distinctive voice and musical style performed original pieces and songs by fellow artists and shared moments of light of laughter. As he exited the stage, the audience gave a wild standing ovation that continued until Byrne returned for one last song.
Before parting for the day, the Laguses stepped onto the stage to give thanks to their team, Sunflower of Peace and everyone from the restaurateurs and entertainers to their guests for their contributions.
“Lives will be changed by what we’ve done today,” Leevi said, before Korinya returned to the stage sing the Ukrainian song, “Oh, the Red Viburnum in the Meadow.”
Known as lead singer and guitarist for the iconic band Talking Heads, David Byrne performed original music, familiar tunes, country hits and other songs at the Ukraine Emergency Fundraiser. Photo by Kaitlin Lyle
Kenneth Weiss (above) will play a solo recital performance in honor of Wanda Landowska, a harpischord virtuoso, who lived in Lakeville for many years.
Landowska fled Nazi Germany in 1941 with two of her students one of whom was Denise Restout, who later became her companion of many years, and a harpsichord in a box. They landed in New York. Landowski performed the Goldberg Variations of Johann Sebastian Bach at New York Town Hall to “Incredible success.” She then looked around for a place to live and found Lakeville where she resided until her death in 1959.
Kenneth Weiss made “a pilgrimage “to Lakeville in the 1980’s. “Madame Restout received us in the kitchen of the home she shared with Landowska. From the two Pleyel Harpsichords to Landowska concert gowns on display it felt as if Landowska had just stepped out.”
Madame Wanda Landowska, world famous harpsichordist and resident of Lakeville from 1941 until her death in 1959, will be honored in a concert presented by Crescendo and featuring a performance by Kenneth Weiss, renowned harpsichord soloist and professor at the Paris Conservatoire.Provided
Wanda Landowska was a child prodigy. Christine Gevert, Founding Artistic Director of Crescendo said that Landowska “went way beyond the harpsichord to other instruments.”
Landowska commissioned music from composers and wrote some of her own. She also had harpsichords built to order. She founded a music school in Paris where she “invited her students to come and stay on the property as if they were her own children.” She often became a lifelong mentor to students.
Landowska also authored many articles, some of which were translated from Polish and French and made into a book by her life partner Denise Restout who was left to take care of Landowska’s legacy when she died. Most of Landowska’s papers are in the Smithsonian, unfortunately still boxed up.
One reason for Landowska’s fame was that “she changed the course of music and how people perceived and enjoyed it.” She had a Bauhaus architect, Jean-Charles Moreux, design a concert hall, near Paris in the 1920’s, which was filled with light, in contrast to most darkened theaters. She had a low stage built so she could be close to the audience and would bring a carpet and lamp from home “to create ambience” said Gevert. Landowska had a “Holistic concept and made performances more attractive and accessible. She was one of the first performers to talk to the audience.”
The concert will be at the Lakeville Methodist Church at 6 p.m. on Sept. 14. It is presented with special support by Leszek Wojcik, famed Carnegie Hall recording engineer who lives in Lakeville. Wojcik “understands the importance of Landowska’s legacy,” said Gevert, and works with Crescendo to preserve it.
Tickets are available at www.crescendomusic.org or at the door, first come, first serve, forty-five minutes before the concert. Prices are forty dollars for general seats, ten dollars for youths or seventy-five for an up-close seat.
Support for the concert has also been provided to Crescendo by the Connecticut State Department of Economic and Community Development/Connecticut Office of the Arts (COA) from the Connecticut State Legislature, and NBT Bank.
The cover art for Seidelman's memoir "Desperately Seeking Something."
Susan Seidelman on set.Courtesy of MGM
Natalia Zukerman: How has it been for you watching the film all these years later?
Susan Seidelman: It’s been interesting to watch it with multi-generational audiences. You never know whether something’s going to pass the test of time, but I think it does.
NZ: You write in the opening of your memoir, “If how one sees the world is a reflection of who they are (and I believe it is), then you can look at the world reflected in any of my films and see little pieces of me. Like Where’s Waldo? I’m hidden somewhere in each of them.” So where are you hidden in “Desperately Seeking Susan?”
SS: Well, I’m not so hidden in that. I’m a little bit of both characters, really. I mean, I was a girl who grew up in the suburbs, but I was also that rebellious girl from the suburbs who moved to New York City to live a different kind of life. It’s really about wanting to be your authentic self, that within all of us, there’s this other person that we sometimes want to let out.
NZ: Was there pressure for you to top the success of “Susan”?
SS: You know, no one expected this movie to be successful. It was made for $5 million, which for a studio movie was low. We shot it in New York, and the studio in LA kind of thought, “Oh, it’s just a little bit of money, we’ll leave them alone.” And then surprisingly, Madonna became such a superstar at the exact moment that we were making the movie. That was something that we couldn’t have planned any better. So, suddenly the film got way more attention critically as well as commercially than we ever expected. I knew that at some point, people were looking over my shoulder saying, ‘What are you going to do next?’ People were paying attention.
NZ: And was that hard or demanding of you in a new way?
SS: There’s something in the film industry called “the sophomore slump” so I knew that whatever I did next was going to be viewed differently because of the success of “Susan.”
(Seidelman’s third film was “Making Mr. Right” which came out in 1987 and starred John Malkovich and Ann Magnuson.)
SS: “It’s an AI romantic comedy. It’s about a woman who falls in love with an android that she gets to program. It’s sort of a Pygmalion story. She creates what she thinks is the perfect man, and then she falls in love with her creation.
NZ: Tell me about “Sex and The City.” How did that come about?
SS: That came about because Darren Star was a fan of “Desperately Seeking Susan” and a few of my other movies that are about New York City as much as they are about the characters. He wanted “Sex and The City” to be about the women, but to also be about the city. So, he contacted me, which was interesting because I never really wanted to work in television. Back then, it was kind of like the ugly stepsister to the movie business. I mean, it was great for writers because there was some wonderful writing going on. But by the mid late 90s, HBO and Showtime really reinvented television and suddenly TV didn’t look like TV anymore — the language was bolder, the themes were more adult. So, when I got the script and I first heard it was going to be a pilot for a TV series, I was not that excited about it. And then I read the pilot, and I thought, ‘Wow, this is pretty amazing.’ The writing was smart, and it was about women in their mid 30s, and there weren’t that many shows that starred women of that age at that time.
NZ: So how old are you now, may I ask?
SS: 71
NZ: Incredible. And how do you feel?
SS: I feel good. I mean, I think another factor of why I wanted to write this book was because suddenly I felt I was old enough to kind of look back on my career with enough objectivity, with a filter of time, and with enough to say about it and maybe enough distance. And I can’t believe it’s been more than 40 years now. You know, I didn’t want to tell tales out of school or be snarky or vindictive. It wasn’t about airing dirty laundry or anything. I wanted to tell my story from the inside out. I mean after 40 years of reading other reviewers or people writing about what they thought I was doing or thought my motivation was, I thought it was time to do it myself.
