PORTLAND, Maine — Good things are worth waiting for, and that includes the latest work from Pine Plains award-winning author Darrah Cloud, lyricist for the musical “Sabina,” first conceived of in 2012 and now streaming from its debut performance at the nationally recognized Portland Stage Theater in Portland, Maine.
Cloud also happens to be the former town supervisor of her hometown of Pine Plains, a well-known playwright and teacher, a local businesswoman and landlord, and a volunteer who spends her “free time” running a writing workshop.
The musical “Sabina” was adapted from playwright Willy Holtzman’s off-Broadway 1996 production of the same name. It was originally set for 2020 but was delayed by the COVID pandemic.
In it, Cloud, who as town supervisor once helped write town resolutions and laws and gave a voice to those in need of aid, has given a powerful voice to Sabina Spielrein, who herself gave voice to others through her groundbreaking work in psychoanalysis.
The musical centers around a wealthy catatonic Russian woman who was cured by Carl Jung using Sigmund Freud’s then-new technique.
She became Jung’s lover, was known for helping to forge a relationship between the Freud and Jung, and eventually become a therapist herself, pioneering treatment for women before being murdered by a Nazi Death Squad in 1942 at the age of 56.
Fascinating as this real life character is, equally interesting is the way in which Cloud’s words reached the stage.
For years, Cloud’s plays and TV movies have been known for featuring solid roles for women.
“All my writing is to focus on female characters based on getting to New York in 1981 and realizing that there were all these incredible actresses and they had crappy roles or roles that were small or roles that were inaccurate,” she said. “It was horrible… In meeting those actresses I realized there’s a whole 50% of the country not being addressed accurately in the theater.”
So began her quest to provide quality roles for females despite the male-dominated theatrical scene.
While a hard choice, she labeled “The Stick Wife” as her favorite. It “features a woman married to a member of the Ku Klux Klan in 1963 and unbeknownst to him, she acts the role of the loving and dutiful housewife while informing on him to the FBI,” said Cloud.
“She’s utmost in my mind because that’s the play that got me really started in the theater. There were a number of ideas in the premise that if you behave a certain way all your life, you do you not end up sort of having to be that.”
Being flexible herself, she answered the call in 2005, when Holtzman’s best friend suggested turning the well-received dramatic play “Sabina” into a musical.
Always working on a play, at that time she was busy with “Makeover” a musical about Estee Lauder. Cloud nevertheless joined Holtzman and the “amazing” composer Louise Beach.
The group would meet at Beach’s house — often weekly, and “just hammered it out —the three of us. We chose what we wanted to include… and kind of got rid of what we couldn’t put into a musical,” with its faster pace and monologues that become songs in the more emotional medium.”
Throughout the process, the work changed “hugely and constantly,” as it evolved from a play about the two men and centered on Sabina.
Delighted to be again working in a “very influential regional theater with a lot of new work that’s gone out into the rest of the nation,” Cloud lauds those responsible for this “dream production.”
That includes the many young performers who had to manage the difficult task of Zoom auditions after having graduated from Yale and Juilliard, with their careers put on hold as COVID darkened theaters.
Of the entire production, Cloud said, “I am so proud,” noting she’s delighted local viewers, including those in her Pine Plains Writing Group, will be able to download tickets to share in the experience.
Tickets for the download are available from Wednesday, May 18, through Sunday, June 5, through www.portlandstage.org.
WASSAIC — Shelea Lynn “Shalay” Hurley, 51, a longtime area resident, died peacefully on Tuesday, Jan. 7, 2025, at Vassar Brothers Medical Center in Poughkeepsie, following a lengthy illness. Her husband, Michael, was at her bedside when Shalay was called home to be with God.
Born April 19, 1973, in Poughkeepsie, she was the daughter of the late Roy Cullen, Sr. and Joann (Miles) Antoniadis of Amsterdam, New York. Shalay was a graduate of Poughkeepsie High School class of 1991. On July 21, 2018 in Dover Plains, New York she married Michael P. Hurley. Michael survives at home in Wassaic.
Shalay was a beautiful soul who would do anything for anyone. She enjoyed crafting, making wreaths, spending time with her husband Michael and playing with their dog Autumn. Shalay was a longtime member of Faith Bible Chapel of Shekomeko in Millerton, where she made many friends over the years.
In addition to her husband Michael, her mother Joann (Nick) and her dog Autumn, Shalay is survived by three children, Rebekah Antoniadis, Brittany Holton (Tyler) and Jimmy Antoniadis; three brothers, Thomas Cullen, Roy Cullen, Jr. and Shaun Cullen; four grandchildren, Ioannia, Adaline, Aubrey and Chandler and several aunts and uncles and many friends. In addition to her father, Roy Sr., Shalay was predeceased by her daughter, Savannah, her foster parents, Mr. & Mrs. Murphy, her grandparents, several uncles and her dear in-laws, James and Shirley Hurley.
Calling hours will take place on Saturday, Jan. 11, 2025, from 10 a.m. to 12.p.m. at the Scott D. Conklin Funeral Home, 37 Park Avenue, Millerton, NY. A funeral service will be held at 12 p.m. at the funeral home. Pastor William Mayhew will officiate. A private burial will take place at Amenia Island Cemetery in Amenia, NY at a later date. Memorial contributions may be made to the American Kidney Fund, 900 Walt Whitman Road, Suite 304, Melville, NY 11747. To send an online condolence to the family, flowers to the service or to plant a tree in Shalay’s memory, please visit www.conklinfuneralhome.com
Seth Rogovoy at the screening of “A Complete Unknown” at The Triplex.
When Seth Rogovoy, acclaimed author, critic, and cultural commentator of “The Rogovoy Report” on WAMC Northeast Public Radio, was asked to lead a talkback at The Triplex in Great Barrington following a screening of the Bob Dylan biopic “A Complete Unknown,” he took on the task with a thoughtful and measured approach.
“I really try to foster a conversation and keep my opinions about the film to myself,” said Rogovoy before the event on Sunday, Jan. 5. “I want to let people talk about how they felt about it and then I ask follow-up questions, or people ask me questions. I don’t reveal a lot about my feelings until the end.”
The film, directed by James Mangold and starring Timothée Chalamet as Bob Dylan, portrays young Dylan’s arrival in Greenwich Village during the early 1960s. The film depicts his interactions with key figures like Woody Guthrie, Pete Seeger, Joan Baez, and Suze Rotolo (called Sylvie Russo in the film), while also exploring Dylan’s evolution from performing traditional folk songs to writing his own, including iconic tracks like “Blowin’ in the Wind.” The narrative touches on his struggles with fame, identity, and the pressure to conform, culminating in his controversial electric performance at the 1965 Newport Folk Festival.
“I went into seeing the film with an open mind,” said Rogovoy, “recognizing that this film is not for me. It’s not for ‘Dylanologists,’ for experts. It’s a Hollywood film. I don’t think it does harm, but I think it doesn’t do a lot of what it could have done.”
The film presents a sentimental narrative with many historical inaccuracies. “According to Elijah Wald, whose book the film is based on, he said he likes the film but that it’s entirely fictional,” said Rogovoy.
The talkback itself was lively, with audience members sharing their thoughts on the film’s nostalgic appeal and its historical inaccuracies. Several attendees mentioned how the film helped them relive the cultural transformation of the era.
“It brings to mind the first time I heard that music, and the change it had on our culture,” shared one audience member.
Another attendee, who was just a baby during the time period depicted in the film, said, “I loved how much of his music they did play. It wasn’t just one verse and then cut away. I really got a renewed appreciation for his genius. I’m going full Dylan when I get home.”
While Rogovoy’s approach during the talkback was to facilitate discussion, audience members were eager to hear his analysis. His 2009 book, “Bob Dylan: Prophet Mystic Poet” explores Dyan’s connection to Jewish liturgy. In contrast to “A Complete Unknown,” Rogovoy offered a reminder of “I’m Not There,” the 2007 experimental musical drama co-written and directed by Todd Haynes where six actors portrayed different facets of Dylan’s persona. He described the film’s nonlinear narrative as offering what he called “a Dylanesque portrayal” of the artist, capturing more of the complexity of Dylan’s identity. Rogovoy characterized Chalamet’s portrayal as “one note.”
“And how do we know about the essence of Bob Dylan at that time?” asked Rogovoy. “Well, because there are a number of documentary films with footage of that time, which I’m sure that they (the filmmakers and cast) all viewed again and again. My understanding of Chalamet’s preparation was that he really immersed himself in everything to be a credible Bob Dylan. But in the end, I just found him to be entirely monochromatic.”
The screening and talkback provided a nuanced platform for discussing “A Complete Unknown”—a film that, while not without flaws, ignited a conversation about Bob Dylan’s influence and his enigmatic role in shaping American music and culture.
The author planted this Yellowwood tree a few years ago on some of his open space.
As an inveterate collector of all possibly winter hardy East coast native shrubs and trees, I take a rather expansive view of the term “native”; anything goes as long as it grows along the East coast. After I killed those impenetrable thickets of Asiatic invasive shrubs and vines which surrounded our property, I suddenly found myself with plenty of open planting space.
That’s when, a few years ago, I also planted a Yellowwood tree, (Cladastris kentukea). It is a rare, medium-sized tree in the legume family—spectacular when in bloom and golden yellow in fall. In the wild, it has a very disjointed distribution in southeastern states, yet a large specimen, obviously once part of a long-gone garden, has now become part of the woods bordering Route 4 on its highest point between Sharon and Cornwall.
It has always intrigued me that so many species, whose native ranges today are much further south, grow so well here. Besides Yellowwood, that includes, for example, the Bald Cypress (Taxodium distichum) of southern swamps whose natural range reaches into southern New Jersey. However, it also grows in Litchfield hills gardens and, incongruously, even as a street tree in New York. Among others are PawPaw (Asimia triloba), Carolina silverbell (Halesia carolina), American snowbell (Styrax americanus), Redbud (Cercis canadensis), and Sourwood (Oxydendron arboreum), a good-sized tree with white flowering racemes and outstanding brilliant, deep red fall foliage. Besides our local swamp and Pinxter azaleas, others that are very hardy here include the early-flowering Pinkshell azalea (Rhododendron vaseyi) of the North Carolina mountains and from the mountains of Georgia, the rare-in-the-wild, July-flowering Plumleaf azalea, (R. prunifolium). Robust and larger in habit and most stunning of all is the Flame azalea (R. calendulaceum), which historically grew as far north as southeast New York, where it is now extirpated.
After some research, I learned that Cladastris kentukea might have grown over a much wider and more northern area, but during the last glaciation episode, it survived in the wild only in those isolated southern locations. That it survived at all so close to the glaciers edge is in itself an indication of cold hardiness. It is estimated, based on fossil plant and pollen records, that with the retreat of the icecap around 16,000 years ago, trees migrated again northward at a rate of approximately 50 km per century. This may apply to prolific sprouters such as maples, ashes and oaks, but it could be much slower, I suspect, for the many rarer plants which don’t get around by wind, squirrels, and birds, or are—unlike our common trees—finnicky to sprout from seeds. I can also imagine how many of the rarer trees and shrubs, for example Fringetree (Chionanthus virginicus), became collateral damage during the 19th century clearcutting for charcoal and farming. In any case, Yellowwood didn’t manage to recolonize its former range, and a similar scenario may apply to those other woody plants with a more southerly distribution today but that are perfectly hardy up here.
Climate change, which used to occur over millennia, now seems to happen within half a century. Birds, like the Carolina wren, can adapt quickly and become abundant after just a few warm winters—but plants are stuck. They need help to keep up with such rapid change. In the case of trees and shrubs, human gardeners can assist them in expanding their ranges into areas that are now warm enough for them to live thrive again.
I bought a sapling Water tupelo (Nyssa aquatica), native to southern swamps, from a Missouri nursery. It has survived two winters so far—albeit quite mild ones—in a woody swamp here at 1100ft elevation. One hundred years from now, who knows—ugar maples, which thrive in cold, snowy winters, might be replaced with sweetgum (Liquidambar styraciflua), a more southern hardwood.
I found space for trees by clearing thickets of invasives. The modern trend of transforming excessively large lawns into natural meadows also provides an opportunity to plant native trees with an understory of shrubs and ferns, whether as a stand-alone copse or a forest edge. This is not meant to replace flowers and grasses but to complement them, based on the understanding that, in our region, the primary ecosystem is forest—an exceptionally species-rich one to boot, with over a half dozen oaks alone.
Compared to watching grass grow, watching a tree—any tree—grow is almost exciting, given a bit of patience. Early on, protection against deer is necessary, but later, maintenance is relatively minimal; the leaves can simply fall and stay where they may.
Fritz Mueller lives in Sharon.
