
The Terni’s building at 42 Main St. in Millerton was built in 1909. It was just purchased this July by three investors who plan to “make her shine” again, according to investor Jason Jobson. File photo
MILLERTON — There’s good news for fans of the sea foam green building stationed smack in the middle of Millerton’s business district that was home to the iconic Terni’s Store for 100 years.
The three investors who purchased the Main Street property reportedly plan to keep it mostly intact. At least that’s according to Jonathan Bee of Hunter Bee, the popular antiques shop at 21 Main St., steps from where Terni’s Store had operated at 42 Main St., selling everything from fishing tackle to hunting gear to penny candy to newspapers to wool suits to cozy socks to ice cream sodas once made by a soda jerk right at the marble fountain.
Since 1919, Terni’s served as Millerton’s general store. For the tail end of that period, the late Phil Terni and his widow, Ellen, ran the business. Phil retired in 2020 and passed away on March 5, 2021, at the age of 77. Afterward, friends and family kept the store going for a short while, but then the family ultimately decided to shut down the store that had been run by three generations of Ternis.
It was a loss not just for the family that had emigrated from Italy to America, but for the entire Tri-state community, as so many had come to depend on and love going to Terni’s.
Everyone in Millerton knew of Terni’s; most had been customers at one time or another. Those who were lucky might have been treated to one of Phil’s stories of when Millerton was home to not just one, but three railroads.
Having an empty Terni’s storefront has been difficult for many Millerton residents these past couple of years, as well as for those who visit and shop along the popular Main Street. It was not only a vacant commercial space and lost tax dollars, the lack of activity at the historic site did no favors to the integrity of the structure or any of its mechanical features, either.
Those are just a few reasons why merchants were so pleased to welcome one of the new investors to the most recent Millerton Business Alliance (MBA) meeting on Wednesday, July 24. Richard Lamberston of Sharon, Conn., introduced himself to the MBA and shared some of his ideas for the building.
The investors
Lamberston is a designer with an impressive pedigree; he’s designed for Geoffrey Beene, Gucci and Bergdorf Goodman. He has a home in Sharon, Conn., and currently co-owns the antiques shop Privet House, in New Preston, Conn., with his business partner Suzanne Cassano.
The other two investors in 42 Main St. are Jason Jobson and Christophe Pourny. Like their partner, they both have long resumes boasting high-profile clients in the fashion and design industry.
Jobson is vice president and co-owner of the Christophe Pourny Studio as well as founder and editor of the fashion blog, www.aLIFEofSTYLE.com. He’s spent more than two decades in the luxury goods sector.
Pourny is a French master furniture restorer and author of “The Furniture Bible.” The how-to book offers tips and techniques for those restoring antique furniture with a foreword penned by Martha Stewart.
Local reaction
Days after the MBA meeting, Bee spoke with The Millerton News about his enthusiasm upon learning of the purchase, noting it should be a positive move for Main Street.
“Well, we’re always excited when a new business comes to town,” said Bee. “And I know that the building is sort of iconic, and the goal is to keep its integrity, so I think people are always happy about that.”
Oblong Books owner Dick Hermans said he, too, is excited about the future of the Terni’s building and what it could mean for the village.
“Oh, it’s great. Richard was at our merchants’ meeting and that in and of itself is a positive sign,” he said. “He has two partners, and it sounds like their priority is to get the building into shape. It’s wonderful to have that happening to that building; it was built in 1909.”
Hermans added Lamberston seems eager to get to work as soon as all of the required permits are in order.
“He’s excited to be involved with it,” he said. “And it’s going to be retail, so it will fit in with the village quite nicely. It won’t be the Terni’s of old, but he did mention that they will have some of the product lines that Phil carried at his store, so there will be some connection with that.”
While Jobson informed this newspaper via email the three investors are not quite ready to go public with their plans, as “they just acquired the building” and don’t have “news at this time,” he did end his statement with encouraging words for our readers.
“Our first focus is on the building, which is a 100-plus-year-old gem and we’d like to make her shine,” wrote Jobson, adding, “We love Millerton!”
SHARON — Angela Derrick Carabine, 74, died May 17, 2025, at Vasser Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino
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