MILLERTON – At a glance, Millerton’s year was marked by striking contrasts. Moments of division were set against moments of community building. Major municipal milestones were followed by delays and missed deadlines. And years-long efforts to prepare for the future unfolded alongside planning efforts to celebrate the past.
A Feb. 3 fire shaped what would become a year of rebuilding and resilience for the Village of Millerton. The early-morning blaze destroyed the highway and water department building, incinerating the village’s police vehicles, snow-removal equipment and everything inside the building.
What followed was an impressive effort to replace critical infrastructure, secure emergency funding, file and manage insurance claims and reimagine long-term plans for the site. The loss ignited nearly a year of logistical challenges, but also revealed a supportive community of workers, volunteers and neighbors. Demolition of the building began on Oct. 27, and efforts to build two new structures will begin early this year, although an official construction timeline has not been released by the village.
Decaying equipment and infrastructure still greet those walking through the parking lot at the Millerton Square Plaza on Route 44 just east of the Village of MIllerton.Photo by Nathan Miller
One of the biggest questions on residents’ minds this year was the long-awaited return of a full-scale grocery store to Millerton. Early optimism followed the 2024 sale of the Millerton Square Plaza to Kim and Chris Choe, veteran grocers who own the Sharon Farm Market. After the Town of North East Planning Board approved their site plan earlier this spring, many hoped the new “Town Gourmet Market” would open in 2025. The owners even floated an October target.
But as fall came and went, the plaza’s parking lot remained cluttered with debris, and visible disrepair raised new questions about timing. During a recent visit to the couple’s newly opened New Haven store, Market 360, co-owner Kim Choe said extensive interior renovations have delayed progress and that no updated timeline is available. Still, Choe emphasized that the project is moving forward.
In May, a group of residents and neighbors concerned about national immigration enforcement urged the Village Board to adopt a local law prohibiting Millerton police from assisting U.S. Immigration and Customs Enforcement (ICE) without a judicial warrant. Their request was heard at a May 21 board meeting, but momentum surged ahead of a July 29 follow-up meeting that drew nearly triple the crowd. The discussion revealed a deeply divided community. Ultimately, trustees declined to pursue the proposal, and Millerton Police said they would fully cooperate with federal authorities, including ICE, even without a judicial warrant, while noting that the department does not collect immigration status information.
In spite of that decision, local advocates have continued to organize independently. Residents have sought “Know Your Rights” training and rapid-response preparation through regional organizations such as the Columbia County Sanctuary Movement and Vecinos Seguros 2, building informal networks to support neighbors who may be vulnerable. While the village chose not to adopt the new policy, these community-led efforts reflect a broader regional movement to ensure residents understand their rights and have support in an increasingly uncertain enforcement landscape.
Eddie Collins Memorial Park on Route 22. Construction on the proposed pool is set to begin in 2026.Photo by Nathan Miller
Millerton’s long-awaited pool at Eddie Collins Park saw both disappointment and progress this year. In July, Mayor Jenn Najdek announced that construction – originally scheduled to begin in spring 2025 – had been pushed to 2026 due to ongoing wetlands and septic-related reviews by county and state agencies. Residents and officials alike were disappointed that the pool will not be ready for the village’s upcoming 175th celebration in July. Trustees chose to delay construction until after the event, ensuring residents have a place to gather.
Even so, planning continues. Architects from LaBella Associates presented updated designs in December 2025, and trustees finalized several key decisions, including opting against a heated pool because of cost and choosing a fully equipped commercial kitchen for the pool house. With design details now refined and ready for county review, village officials say the project remains very much alive – just on a longer timeline than originally planned.
Zoning, often an overlooked topic, became one of the year’s most contentious issues, as the Town of North East moved toward a rewrite of its commercial zoning code for the first time since the 1970s. After four years of work by the volunteer Zoning Review Committee (ZRC) and nearly a year of Town Board review, officials released a 181-page draft in November outlining major updates intended to modernize the code. Officials stated that additional goals were to encourage new housing options, streamline approvals and support local business growth. A public hearing is set for Jan. 8, where residents will have an opportunity to weigh in.
In recent weeks, however, a group called “Save Millerton” has challenged the process, publishing information that alleges poor transparency, overly dense housing allowances and lax zoning enforcement. Town officials reject those claims, calling them misleading and emphasizing that the rewrite reflects years of public meetings, professional planning input and the goals laid out in the 2019 Comprehensive Plan.
Supervisor Chris Kennan said revisions may still follow the Jan. 8 hearing and stressed that the updated code is designed to encourage much-needed housing and welcome new and existing business development.
Even amid delay and division, Millerton continued to show up for one another. The community turned out in numbers for major events like the Oblong Books 50th Birthday Celebration, the Millerton News Street Fair and the Memorial Day Parade. And while zoning will continue to take center stage and shape Millerton’s future, planning is in full swing to honor its past with the 175th committee working alongside business owners and residents to create a birthday bash in July.
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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