Millerton native Vemilo reflects on a unique life of authenticity

Millerton native Vemilo dresses in unapologetically bold fashions, including a flowing, curly wig that he never leaves the house without.
Photo by Aly Morrissey
Millerton native Vemilo dresses in unapologetically bold fashions, including a flowing, curly wig that he never leaves the house without.
MILLERTON — Vemilo walks into Irving Farm wearing a chic blazer over his shoulders, a red fedora, and his own signature scent called Vetreus, a woodsy blend that carries the air of high-end fashion.
A regular at the coffee shop, the baristas already know his order — lavender vanilla chai in his own mug. The order suits him. Everything about Vemilo is curated, intentional and unapologetically him.
“Being a young, Black, gay man in a small, white town, people often mistake me for being from the city, but I was born and raised here,” he said proudly. On Main Street, there’s no mistaking him. Vemilo’s runway-ready style makes him look as though he’s stepped straight out of Vogue or Rolling Stone.
Often clad in a long wig and high heels, Vemilo continually fields questions about gender. “I don’t identify as a trans woman, and I don’t want to be a woman, but I have this feminine energy that I’ve always wanted to nurture,” he said.
Vemilo’s grandmother Mary, who passed away one year ago, provided a safe space in which he could grow up, explore his identity and lead with what felt right — not what societal norms told him was appropriate. He credits his grandmother with helping him develop what would become a lifelong interest in fashion, music and performance art.
“She always made me put my pain into something creative,” he said, showing a ring bearing the letter “M,” joking that because she was allergic to jewelry he wears enough for the both of them.
This safe space allowed Vemilo to wrestle with questions about who he was and who he wanted to become. He reflected, “I always think about my younger self and how proud he would be.”
Vemilo traces his confidence back to childhood, when his grandmother filled his world with coloring books and Barbies, an early invitation to let creativity lead.
“I used to put on full performances in her living room, pretending I was on tour,” he laughs. “In my mind, I was in Argentina or Australia, doing an hour-and-forty-minute set with outfit changes, like I was in front of 100,000 people.”
The fake it ’til you make it mentality paid off. Today, Vemilo has performed for audiences of all sizes, from intimate private parties to established venues, energizing crowds and getting people on their feet.
For him, success isn’t measured by numbers but by connection. If he’s made people feel something, he’s done his job. At the end of each show, he wants everyone to walk away loving themselves a little more.
“I’m grateful I knew who I was at such a young age,” he said. “Now I want to pay it forward and help others find the confidence to be themselves.”
At times, Vemilo said he feels something that resembles survivor’s guilt. “I am able to walk down these Millererton streets in any heel height, wearing any garment, and feel loved, respected and taken care of in a way that not everyone is fortunate enough to have,” he said in between sips of chai.
He said his heart breaks for the countless people who lose their lives or get bullied for being different, and he counts his blessings that he has never encountered a hate crime or been judged by what he describes as a “very welcoming and supportive community.”
When it comes to personality, Vemilo never had a lightbulb moment. Backed by recent conversations with his preschool classmates, Vemilo said he always marched to the beat of his own drummer, though it never occurred to him as a child that he was different.
“I am myself. I just don’t know how not to be,” Vemilo said, adding, “I really feel for people who have to put on a mask.”
Now in his seventh year at The Watershed Center, a Millerton-based retreat and resource hub, Vemilo has found a role he loves that blends community engagement with creative practice. Most recently, he designed a musical experience for participants undergoing a self-healing journey. He admits that parts of the performance feel almost like teaching, a skill he has developed with age.
This year also marks a decade of his craft. If playing an original song over his high school loudspeaker for a boy he liked doesn’t count, Vemilo’s first true public performance was at a North East Community Center event ten years ago. Laughing at the high school memory, he said, “I had a lot of nerve back then! I still do now, but it’s more precise and more organized.” Vemilo takes pride in the many seasons of growth, both in life and in artistry, that have brought him to this moment.
Vemilo will be performing at the third annual Farm Block Party, presented by Rock Steady Farm and Catalyst Collaborative Farm in partnership with The Watershed Center, WILDSEED Community Farm & Healing Village, and Seasoned Delicious Foods on Saturday, Sept. 6.
On Saturday, Sept. 6, from 12 to 5 p.m., Rock Steady Farm in Millerton opens its fields once again for the third annual Farm Fall Block Party, a vibrant, heart-forward gathering of queer and BIPOC farmers, neighbors, families, artists, and allies from across the Hudson Valley and beyond.
Co-hosted with Catalyst Collaborative Farm, The Watershed Center, WILDSEED Community Farm & Healing Village, and Seasoned Delicious Foods, this year’s party promises its biggest celebration yet. Part harvest festival, part community reunion, the gathering is a reflection of the region’s rich agricultural and cultural ecosystem.
Rooted in justice and joy, the event will feature over 25 local vendors and organizations, live performances, healing workshops, family-friendly activities (yes, there’s a bouncy castle), and abundant local food. And while the festivities are certainly reason enough to show up, organizers remind us the purpose runs deeper.
“This isn’t just a party. It’s a place to build the kind of relationships that keep our food system alive,” said Maggie Cheney, Rock Steady’s co-founder and worker-owner. “We’re creating space where farmers, growers, families, and community organizers can connect, celebrate, and support one another.”
Proceeds from the event support Rock Steady’s POLLINATE program for queer and trans BIPOC beginning farmers, as well as Catalyst Collaborative Farm’s food justice initiatives. With sliding-scale tickets from $5 to $250, the organizers aim to make the event accessible to all, including free entry for children under 12 and volunteer options for those who want to pitch in.
For those who’ve attended before, it’s a welcome return. For newcomers, it may just feel like coming home.
More info and tickets: rocksteadyfarm.com/farm-block-party
Waterlily (8”x12”) made by Marilyn Hock
It takes a lot of courage to share your art for the first time and Marilyn Hock is taking that leap with her debut exhibition at Sharon Town Hall on Sept. 12. A realist painter with a deep love for wildlife, florals, and landscapes, Hock has spent the past few years immersed in watercolor, teaching herself, failing forward, and returning again and again to the page. This 18-piece collection is a testament to courage, practice and a genuine love for the craft.
“I always start with the eyes,” said Hock of her animal portraits. “That’s where the soul lives.” This attentiveness runs through her work, each piece rendered with care, clarity, and a respect for the subtle variations of color and light in the natural world.
After painting in oils earlier in life, Hock returned to art when she retired from working as a paralegal with a goal: to learn watercolor. It wasn’t easy.
“Oils and watercolor are opposites,” she explained. “With oils, you build your darks first. In watercolor, if you do that, you’re in trouble.” She studied online, finding instructors whose approach clicked, and adapted to the delicacy of the medium.
“When I’m working, everything else falls away,” she said. “It doesn’t matter what’s going on in life. While I’m painting, time disappears.”
Her studio, formerly a home office, is now her sanctuary and the pieces in this exhibition are the result of three years of that devoted studio work. While this is her first full public show, Hock previously tested the waters at a small fundraiser at Noble Horizons, where one of her pieces sold. That experience — and the consistent encouragement from her family, especially her husband — pushed her to pursue a full exhibition. With gentle encouragement from her husband and family, Hock reached out to the Town Hall’s curator, Zelina Blagden. “My husband kept saying, ‘You’re as good as all those other people out there, why not show your work?’” And so, here it is.
All paintings in the show are for sale, though Hock admits a few are priced high — not because of their size or complexity — but because she’s not quite ready to let them go. “There are a couple I’ve priced high because I’m not sure I want to part with them. But we’ll see,” she laughed. “It would be nice to support the habit a little bit.”
As for aspiring artists or anyone hesitating to begin something creative, Hock’s advice is simple: “Go for it. If it fails, toss it in the basket and start over.”
The exhibit will be on view at Sharon Town Hall through Oct. 31 with an opening reception on Sept. 12 from 5:30 to 7:30 p.m. Light refreshments will be served.
Carissa Unite, general manager of Oblong Books in Millerton.
Carissa Unite of Millerton, began working at Oblong Books 16 years ago as a high schooler. She recently celebrated her eight-year anniversary as the general manager.
Unite’s journey at Oblong began even before she applied for her first position.An avid reader from a young age, she was a frequent customer at the store. During those years, Unite bonded with a former employee who encouraged her to apply for a position after connecting over their shared love of reading.
As a teenager, Unite enjoyed reading Ellen Hopkins, John Green and Ann Brashares. With the busyness of adulthood, she now favors the convenience of audio books. In the past year, however, she has made it a point to read more physical books.
With a preference for contemporary fiction, she raved about “Atmosphere” by Taylor Jenkins Reid. The story, set in the 1980s, follows two women who become astronauts at a time when women were not widely accepted in the field. A beautiful love story emerges between the two characters. Unite described the writing as sensational and commended Reid’s ability to tackle complex themes without them being muddied.
Unite has developed a deep appreciated for classic literature. Her two favorites are “Giovanni’s Room” by James Baldwin and “The Picture of Dorian Gray” by Oscar Wilde. She was amazed by the philosophical nature of both words and the way their dialogue challenged her perspective.
In an effort to read beyond her preferred genre, she recommends the following:
“Some Desperate Glory,” by Emily Tesh, “Midnight Rooms,” by Donyae Coles and “Clear” by Carys Davies.
For Unite, the beauty of reading lies in its power to develop perspective, empathy, and compassion. Through books, readers learn that everyone is fighting different battles and no two stories are the same. She encourages people to choose kindness because you never know what someone else is facing.
Above all, reading brings Unite peace. If offers transcendence to another world, a pause from outside noise, and for Unite, it is where she feels most at home.
For anyone hesitant to being reading, Unite suggests: just do it! Read 10 pages a day and find the book that speaks to you. Any Oblong staff member would be happy to offer recommendations.
Oblong is located at 26 Main St., in Millerton and 6422 Montgomery St. in Rhinebeck.