Thank you!
Your support is sustaining the future of local news in our communities.

Electricity: At what cost?

Don’t get me wrong, I am an environmentalist and I want us to move from carbon fuels as much as possible to electricity. Take a car, for example, a normal family car uses 10-plus barrels of oil a year to run. The same car with batteries only uses 1.2 barrels of the equivalent of oil (gas, coal or oil burned in generating plants). The problem is that as the economy of electric cars grows, so does the demand for electricity. And the same goes for electric heating in your home or office, electric boilers for hot water, electricity for aluminum smelting, electricity for all those factory robots and so on. All good for the environment, up to a point.

Moving to electricity is a bit like robbing Peter to pay Paul. Instead of a motor in your car using less than 20% of the energy in gasoline (the rest is exhausted as carbon dioxide, carbon monoxide, carbon dust and heat), electricity produced at a plant uses 85% of the energy in the same amount of oil or gas. Coal is not so good, but it is cheaper, so the cost to produce is about the same. Nuclear energy’s kilowatts are very cheap to produce when you look at operating costs of a nuclear plant, once up and running. The real cost of the nuclear plant is in the building, which makes the per kilowatt real cost of nuclear energy on par or slightly more than a gas electric plant.

Then there’s a real problem with turning everything electric — as good as this may be for the environment. And when I say environment I mean the possibility of all of us and our kids being able to live at all. So, yes, saving the environment is real, necessary, and a dire issue for us all. It is all about survival on this planet.

The real problem facing us all in the coming decade is the cost of putting in an electric generating industry, building “sustainable electric generation” (wind, tidal and solar). Why? To start with, our electric grid is at max capacity already. Want to renew the existing grid? Current estimates are $5,000,000,000,000 — yup, $5 trillion, or $14,500 per U.S. citizen. Then there are the costs of electric plants, wind, tidal or solar generators let alone another nuclear plant at a building cost of $9,000,000,000 each. 

The current estimate of electrical need by 2025 is that, all in all, we have to almost double our electrical capacity and handling, or to put in dollar terms (with grid growth) we need to find $120,000,000,000,000 over the next five years, or $342,000 for every man, woman and child in America, or $68,000 per person per year.

But there is a simple solution big industry is overlooking. There are about 100,000,000 residential houses in the USA. The average electric consumption for these houses is projected for 2025 (when more appliances and cars will be electric) to be $300 a month, or around 2,000 kWh (kilowatt hours at $0.15 per kWh). If you put solar panels on each and every house to produce clean electricity — back-feeding an existing grid — you could charge owners/users $150 a month for all their electric consumption. What would the cost of putting solar panels on every house be? With increased factory build of that many panels and installation uniformity and regulatory laws enacted, the cost would be around $28,000 per house installed. Let me repeat that, $28,000 installed, all using the existing electric grid.

Instead of a cost of $68,000 per person in America every year for five years, we could cut the expansion cost needs of electric generation capacity from $342,000 per person to $8,000 per person. In my opinion that makes fiscal sense. And it is all good for the environment — and employment and industry, and GNP growth.

 

Peter Riva, a former resident of Amenia Union, now lives in New Mexico.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.