Thank you!
Your support is sustaining the future of local news in our communities.

Will Putin’s war finish off the myth-rich Black Sea?

The Black Sea, which recently received in its depths the Russian battleship Moskva, on its way to join the battle against the Ukrainians, was anciently the setting of another Black Sea voyage that did not end well. This was the voyage of the Argo, celebrated in the third century BC epic Argonautica, composed by Apollonius Rhodius. The epic relates the launching of the 50-oar ship, the Argo, manned by 55 Greek heroes and led by Jason, half-brother of the king of Iolous, on the west coast of Italy.

The king hoped that, by sending Jason on a long and dangerous voyage to bring back the golden fleece of a ram from a distant Black Sea kingdom, he would never return — which may remind readers of King Claudius’ plot to get rid of Hamlet. The Argo was a magical ship, which, equipped with a prow that, prefiguring modern technology, could both speak and guide the ship on its long journey from the west coast of Greece through the Bosphorus into the Black Sea, then north to the kingdom of Colchis, now the Republic of Georgia. There, with the assistance of the king’s witchy daughter, Medea, who falls in love with him, Jason steals the golden fleece and sails for home, with Medea.

What happened upon the return of the Argo is the subject of Euripides’ Medea. Composed and performed a century before Apollonius wrote the Argonautic, it describes Medea’s rage when Jason deserts the woman whose help has been invaluable in obtaining the golden fleece and, who, once safely home, spurns or ditches his foreign wife and marries the daughter of King Creon of Corinth. Furious, bitter, and vengeful, Medea murders her two sons by Jason as well as Creon and his daughter, to whom Medea has given a gold diadem which, when donned, releases “a fearful stream of all-devouring fire,” killing the young bride. Medea leaves the scene of her crimes in a cart drawn by dragons. 

What has happened to the Black Sea* in our time is another tragic story, as reported by the August 5, 2019, press release from DFWatch**, an online newspaper based in Tbilisi, the capital of Georgia, and published by Georgian NGO Journalists for the Future. The headline reads: “The Black Sea contains toxic concentrations of several pollutants, a new study has found,” the study being a reference to the Joint Black Sea Survey, which the Government of Ukraine was carrying out in accordance with the EU-Ukraine Association Agreement study. Presented in Odessa on July 29, 2019, it found that insecticides, pesticides, biocides, pharmaceuticals, flame retardants, and industrial pollutants were among the major pollutants. The report further states: “124 chemicals dangerous for the sea ecosystem and human health were identified in the study. 83% of the marine litter found in the Black Sea is plastic.”

As if that wasn’t enough bad news, the report notes: “The cancerous substance benzo(a)pyrene, commonly found in soot, is present in the Black Sea in levels exceeding its toxicity threshold.” One can only expect that Putin’s “special operation” in Ukraine will further pollute a sea ringed by Ukraine to the north, Russia and Georgia to the east, Turkey to the south, and Bulgaria and Romania to the west — and finish off whatever aquatic life is left in the Black Sea.

*Black Sea: Google offers a list of possible explanations for why the sea is called “black.”

** The initials stand for Democracy & Freedom Watch, www.dfwatch.net.

 

Jon Swan is a poet, journalist and former senior editor of the Columbia Journalism Review.  His writing can be found at www.jonswanpoems.com.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

Original art, attainable prices

Original art, attainable prices

Kenise Barnes Fine Art presents “Cool & Collected ’26,” its annual exhibition celebrating the joy of collecting, featuring works priced under $2,000.

D.H. Callahan

There’s a corner of YouTube populated by real-time footage of high-dollar art sales from prestigious New York and London auction houses like Sotheby’s, Christie’s and Phillips. Hundreds of thousands of viewers routinely watch with rapt attention, popcorn and cocktails in hand, as recognizable pieces from art history make their way to the upper echelons of grossly unattainable hammer prices. Pieces can often start with opening bids of tens of thousands of dollars and work their way up to multiple millions. Bidding increments alone can grow to sums unattainable for the average American family in several lifetimes.

Kenise Barnes Fine Art in Kent, Connecticut, wants to help make fine art more accessible. The 2026 version of the gallery’s annual “Cool and Collected” exhibition is subtitled “The Gift Edit” and features dozens of works by fine artists at prices that are much more in reach than an art-world outsider might expect. More than 30 artists contributed pieces to the show. Almost all available works are priced under $2,000, with many below $500. The collection features paintings, drawings, collage and ceramics.

Keep ReadingShow less
Jennifer Terzian’s sanctuary for contemporary art
Jennifer Terzian, founder of Jennifer Terzian Gallery in Litchfield.
Provided
The gallery is really meant to create a very intimate relationship with the artist and the story behind their work.
—Jennifer Terzian

On a recent crisp, fall afternoon in Litchfield, Jennifer Terzian welcomed a steady stream of collectors, artists, and art-world insiders into her jewel box of an art space on South Street, just off the town’s manicured historic Green.

The occasion was an opening for Jenny Kemp, an artist noted for balancing fluidity and structure in her abstractions through repetition, variation, and gradual shifts in hue. Hers is exactly the kind of tactile, process-driven work Terzian champions at a subterranean space that feels less like a commercial art gallery and more like stumbling into an impeccably edited sanctuary of contemporary thought.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Peter Cusack is finding the eternal in North Canaan
Peter Cusack in his studio.
Provided

“I think art is the thing that allows us to feel there’s something in the universe that loves us,” said painter Peter Cusack in his new studio, a mid-19th-century stone church on Main Street in North Canaan.

For Cusack, art has always been a way of reaching toward something beyond the physical world. That sensibility runs through “Eternal: New, Recent, and Near Distant Paintings,” his upcoming exhibition in the church, a setting that seems an improbably good fit.

Keep ReadingShow less
Cowboy Junkies celebrate 40 years at the Mahaiwe

Cowboy Junkies celebrate 40 years together at the Mahaiwe Nov. 14

Heather Pollock

Now celebrating 40 years, Cowboy Junkies will perform Saturday, Nov. 14, at the Mahaiwe Performing Arts Center in Great Barrington, Massachusetts.

The band is celebrating its long career with a triple-vinyl retrospective album called “Open to Beauty,” featuring a selection of songs from 2000 onward, including material from its most recent release, “Such Ferocious Beauty.”

Keep ReadingShow less
Mike Selbach finds the extraordinary in everyday life
“R46 Interior” (2026). Solid cherry and acrylic, 21” x 26.75” x 0.75”
Provided

Subway stations may seem unlikely places to encounter the divine, but amid the rumble of trains, the crush of commuters and the cavernous underground passageways, Salisbury artist Mike Selbach finds moments of unexpected beauty.

In “Subway Saints,” his solo exhibition opening Thursday, Nov. 12 at the Warren Family Gallery at Berkshire School in Sheffield, Massachusetts, Selbach transforms ordinary commuters and familiar transit spaces into sacred moments.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.