Millbrook airs school budget, propositions ahead of May 20 vote

Elm Drive Elementary School in Millbrook.
Archive photo

Elm Drive Elementary School in Millbrook.
MILLBROOK — Preparing for the village-wide vote on the proposed 2025-26 school budget scheduled for Tuesday, May 20, the Millbrook Central School District held a public hearing on Tuesday, May 6, to review the budget and hear residents’ comments.
The CSD proposed 2025-26 budget to be voted upon as Proposition 1, showed total expenditures of $35,649,651, an increase of $1,074,576 (3.11%) over the current year.
“We’re trying to trim as much as we can,” said Elliott Garcia, Assistant Superintendent for Business, during his budget summary.
Two additional propositions are included on the ballot, both anticipating a bond issue to fund repairs, renovations and improvements to school buildings.
Proposition 2 would bring repair to the Middle and High School buildings, with more work at the middle school estimated to cost $37,381,383. Work would include HVAC, electrical, window replacement, roof and ceiling repair, elevator service and doorway improvements.
The high school work would include HVAC at a total estimated cost of $1,883,099.
The total amount would, however, be reduced by $12 million in currently available funding, so that a bond issue would be needed to cover a total of $27,264,482, to be repaid over a number of years. Taxpayers would need to pay the annual interest on the bonds during the life of the bonds.
Separate funding of energy efficiency improvements at the middle school and high school would carry at total estimated cost of $3 million that would also need to be bond-financed, but that funding would return to the school budget in the form of energy cost savings.
Proposition 3 would bring HVAC, electrical and window replacement at the elementary schools at an estimated cost of $21,779,259, also to be financed by bond issue.
Students from the Middle School Student Council presented a report on a recent survey they conducted and analyzed. Their report was titled, “Repair Our School.”
For their building conditions study, the nine students conducted an in-school survey of students, teachers and staff, receiving 228 responses.
Interpreting the responses as percentages, the students reported that 90% indicated that the middle school does not look as good as it could; more than 80% said they were concerned about the state of the building; 67% had classes interrupted by roof leaks; 75% said it was difficult to learn because of the roof leaks; and 94% said that if the school were their home, they would not stay.
“Our student government never stops working,” said Principal Steven Cabello, adding that the students’ efforts have been invigorating.
School superintendent Caroline Hernandez-Pidala praised the students’ project, the time and care invested in their survey study and their reporting of the results.
“I’m super impressed,” Hernandez-Pidala told the students.
The May 20 polling location is at the Middle School, in the Band room adjacent to the auditorium. Polls will be open between noon and 9 p.m.
The proposed budget, details of the propositions and a copy of the ballot are posted on the CSD website at www.millbrookcsd.org.
Voters in two other school districts will decide on higher spending plans for the coming school year on Tuesday, May 20.
Webutuck Central School District and Pine Plains Central School District propose higher K-12 budgets for the 2025-2026 school year.
The proposed budget for Webutuck, with an enrollment of 637 students from K-12, shows a 5.96% increase from the previous year to $28,665,850. Pine Plains proposes spending $38,712,336, an increase of 2.71%.
Shaina Morse stands at the checkout counter in Butter, her home decor store that she opened in Stanfordville a little over a year ago. Morse, an interior designer, sells vintage and antique home goods and decor at the store located at 5963 Route 82.
STANFORD — When interior designer Shaina Morse was driving her young son to daycare, she passed a space for rent on the corner of Bulls Head Road and Route 82 in Stanford that immediately caught her attention. A firm believer in self-manifestation, Morse said she saw it as the perfect opportunity to open a shop, something she had long dreamed of doing.
Morse would go on to open the doors to Butter, a curated home-goods store, in 2024. The shop began as a home-decor-focused space rooted in Morse’s love of sourcing vintage and antique pieces and collaborating with other creatives to develop exclusive products. She and her husband, an industrial designer, also envision it as a platform for designing and producing their own work.
“It’s ultimately a portfolio for me,” Morse said. “I’m trying to stay flexible with what the space can evolve into.”
Now in its second year, the shop has been both a learning experience and a test of patience. “Everyone tells me it takes at least three years to really establish yourself,” Morse said. “But the shop has been really well received. People are rooting for us, and that means a lot.”
What makes Butter particularly notable is that Morse founded it shortly after relocating from Los Angeles to the Hudson Valley. A graduate of San Diego State who was born and raised in Southern California, Morse said she wanted to live somewhere new for her own personal growth.
“Even though Los Angeles had been home forever and I love my family and friends dearly, I didn’t see it as my forever,” she said.
Morse also said she was seeking a better quality of life for her now two-year-old son. With her husband’s family based on Long Island, the move east felt like a natural fit.
“I think the year that I moved, it just felt like everything was strangely falling into place,” Morse said. “These opportunities kept presenting themselves, and because I didn’t have a job, I had time to focus on potentially opening a store.”
At first, Morse said she didn’t think opening a shop would be possible — she had just moved and didn’t yet have a job. However, when she met the building’s owner and learned that he was a high-end residential contractor, she reasoned that even if the shop didn’t work out, the connection could still be valuable.
“If nothing comes from this,” she said, “at least I’ve made a connection in the industry.”
Ultimately, Morse and her husband decided the leap was worth the risk. As two creatives, the couple saw the space not only as a retail venture but also as an opportunity to build something that reflected their shared design sensibilities and long-term goals.
“I don’t have any expectations because this is my first time running a store,” Morse said. “I’m learning a lot, and it’s been helpful getting to know other small business owners, especially being new to the area.”
Alongside the shop, Morse continues to run her interior design practice, offering services ranging from paint and color consulting to full-scale renovations, new builds and custom furniture design. While she’s open to many project types, residential work remains her focus.
“It’s more intimate,” she said. “You really get to know people, and it becomes a collaborative process.”
Morse draws on her undergraduate degree in interior design as well as her professional experience working with prominent designers such as Waldo Fernandez and Peter Dunham. Balancing her design practice with curating products for Butter, she said, can be challenging, but it also informs the shop’s identity. She aims to prioritize carrying goods made by small-business owners.
“The space is essentially a reflection of me,” Morse said. “I find things I like — products, smells and scents I gravitate toward — and I wouldn’t bring anything into Butter that I don’t love or wouldn’t use in my own home.”
The 17th annual Friends of the Millbrook Library Holiday Silent Auction closed bidding on the more than 120 tempting items with a wine and hors d’oeuvres reception on Saturday, Dec. 20. Enjoying the festivities were, at left, Denise Bauer, chair of the Library Friends organization, with Tom and Susie Stroup of Millbrook. Proceeds raised by the event totaled $12,000.
Max Marsal, left, and his brother Liam volunteered to light one of the candles for the menorah together at the urging of their mother.
MILLBROOK — A crowd of about 40 people came together to pray and sing around the large menorah in the front yard of the Thorne Community Building on Franklin Avenue in the Village of Millbrook on Sunday, Dec. 21, for a menorah lighting ceremony.
Rabbi Mendy Mochkin of Chabad of Amenia led the lighting and prayers, continuing a tradition he said has been ongoing in Millbrook for years.
Mochkin's address to the gathered crowd called for brotherhood and peace in the wake of a fatal shooting during a Hannukah celebration at Bondi Beach in Sydney, Australia, killed 15 people and injured dozens more.
"I know the rabbi who — God forbid — unfortunately lost his life, Rabbi Schlenger," Mochkin said. "And a cousin of mine is fighting for his life. He's in the hospital now."
Following the touching tribute to Bondi Beach victims and the lighting of the menorah, the crowd shuffled down Franklin Avenue to Babette's where hot drinks and snacks were offered.

Rabbi Mindy Mochkin, right, holds the shamash candle, or the middle candle on the menorah that is traditionally used to light the other eight candles, while Sergeant Michael Rahilly, left, lights it.
Photo by Nathan Miller

Ali Marsal, center, and her sons Max, left, and Liam huddle together to fight the frigid temps.
Photo by Nathan Miller
Cellist Christopher Hoffman wrote and recorded his 13-track, solo record ‘Rex’ while living in the former home of Rex Brasher in Amenia, the self-taught painter who created 1,200+ watercolors of North American birds.
When cellist, composer and filmmaker Christopher Hoffman moved into the former home of Rex Brasher in Amenia in August 2023, he didn’t arrive with a plan to make an album about the painter and ornithologist who once lived there. But once he began to learn about the home’s former inhabitant — about his attention to land, to birds, to work done slowly and with devotion — he started to compose. “Rex,” Hoffman’s solo cello album (releases Jan. 16, 2026) is not a portrait of Brasher so much as an echo of a person, a place and a way of seeing the world.
Brasher (pronounced “brazier”) was born in Brooklyn in 1869, the son of a stockbroker whose passion for birds left a lifelong mark. After his father’s death, Brasher vowed to paint every bird in North America, and to do it from life. He eventually created more than 1,200 works, depicting birds with a precision and intimacy that bordered on obsession. Working largely outside the art world, Brasher lived on 116 wooded acres he called Chickadee Valley, where he painted, wrote and published his monumental 12-volume “Birds and Trees of North America.”

Founded in 2008 to preserve Brasher’s legacy and promote bird and habitat conservation through art, the Rex Brasher Association became an early point of connection for Hoffman, who composed and performed an original piece at the 2023 Rex Brasher Symposium just months after moving into Brasher’s former home. After many years in Brooklyn, Hoffman and his family had been looking for a change when they were shown the 116-acre property by association board member and architect Matthew Schnepf, who shared the history of the land and of Brasher himself.
“We’re the first renters outside of Rex’s family,” Hoffman said, explaining that the house is rented as part of an agreement to maintain the estate. Upon moving in, Hoffman dug deeper, purchasing the two-volume set of “Birds and Trees of North America” and immersing himself in Brasher’s world. Around the same time, and at the encouragement of composer, saxophonist and flutist Henry Threadgill, Hoffman debuted his first solo project at Tomeka Reid’s Chicago Jazz String Summit, planting the seed for the 13-track album that he then composed, recorded, mixed and mastered in Brasher’s home. The RBA (Rex Brasher Association) was equally supportive of the finished work, granting Hoffman permission to use Brasher’s artwork for the album, including the swallow-tailed kite painting that appears on the vinyl packaging. “You open up the record and the whole painting is right there,” said Hoffman.

Though birds are central to the record’s spirit, Hoffman deliberately avoided literal birdsongs. Instead, the cello is layered into dense soundscapes that suggest rather than illustrate. “There are tracks with tons of layered stuff where I guess you could hear bird sounds if you wanted to,” he said. Brasher’s refusal to accept approximation — destroying paintings when feathers didn’t look right — mirrored Hoffman’s own instincts as a musician. Tracks were built, discarded, rebuilt. Nothing stayed unless it felt true.
For Hoffman, “Rex” became a kind of reckoning. Though Hoffman has begun noticing birds with new intensity, using the Merlin bird app to identify some 30 species on the grounds, he says Brasher’s acuity still feels out of reach. “Even with binoculars, I still can’t see the details he was seeing.”
The album will be released Jan. 16 on Out of Your Head Records. Composed for acoustic and electric cello, the record reflects the solitude and intensity that shaped both Brasher’s vision and Hoffman’s process. “This guy was working so hard,” said Hoffman of Brasher. “And it was like, ‘Alright, Chris, get it together. Make the solo record you’re afraid to make.’”
To listen and purchase the album, go to: https://christopherhoffman.bandcamp.com/album/rex