Thank you!
Your support is sustaining the future of local news in our communities.

‘Read all about it’

Newspapers are done. That’s the story these days. And this message has been repeated year after year over the last two decades as more than 2,500 weekly publications in the United States either closed or merged with other papers as a way to survive.

Since 2004, the number of daily newspapers fell from more than 7,000 to about 5,000. Daily newspapers also declined in number and some dailies became weeklies as a way to survive. By some estimates, the country is set up to lose one-third of its newspapers by 2025.

The pandemic wasn’t the death knell that many expected, but just the same the number of newspapers that closed kept the same pace — about two per week.

This all means that about one in five Americans lives in what is called a news desert, a place where there is no authoritative source of news and information about the community, other than social media. There are issues with social media that include its “addictive by design” nature, as well as its role in spreading misinformation.

As a plus, it can be seen as promoting creativity and community health, even as experts weigh its effect on the mental health of young people and adults.

Today, it is estimated that one in five Americans lives in a so-called news desert, or in a place that is at risk of becoming one, where there is limited access to local news.

Northwestern University’s Medill School of Journalism in Evanston, Illinois, reports that the vast majority of the 360 newspapers that shut down since the end of 2019 were weeklies serving small communities. And in many places, the surviving papers made major cuts to staff and circulation. An estimated 75,000 journalists worked in newspapers in 2006, and now that is down to 31,000, according to Northwestern.

But everywhere you turn these days there are signs that readers want a local newspaper — that newspapers are not done, whether they exist in print or digital form.

It was big news last week for readers of more than 20 daily and weekly newspapers in Maine that the nonprofit National Trust for Local News would buy the papers, including the Portland Press Herald, as a way to preserve their independence along with staffing and readership. The mission of the National Trust for Local News is to create a future where local news thrives and people benefit from community-centered journalism.

The Lakeville Journal and The Millerton News both have embarked on the nonprofit path with the goal to be nonpartisan and dedicated to public service. We aim to serve our community with news and information that matters to our readers. We also are sharing news with other nonprofits and like-minded organizations to give readers the fullest news report possible, week-to-week, and online when important news breaks. We have shared news with CTMirror.org, The New Pine Plains Herald, The Berkshire Eagle, Norfolk Now, and possibly more to come. On Sunday, August 13 we will host community nonprofits for a day of celebration and information sharing in Salisbury on Academy Street. Mark calendars.

Last fall, we became members of the Institute for Nonprofit News. Its vision is to build a nonprofit news network that ensures all people in every community have access to trusted news.  According to INN, nonprofit news is experiencing sustained, multi-year growth, and the sources of local coverage have increased over the past four years.

Our readers want more. We want to give them more. We are on the right path to do that.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.